I sat down this morning to play with a new little something I recently acquired, called Joy. No, really, it’s a pen, called the Lamy Joy. Recently a former student of mine shared a link with me to the website and sketching work of Liz Steel down in the Land Down Under. I love the look of her sketches which have so much life and color and bold line work. She uses ink to draw and watercolors from there to bring things even further to life. I often work in the same way but have always used permanent ink pens such as Microns, Sharpies and the like to create my lines – before and after painting. I enjoy the look of a fountain pen line, but had never translated it to sketchbook work. She recommended this pen and, with a name like Joy, how was I to resist?
Last fall I attended an inspiring series of lectures by a number of wonderful children’s book illustrators and writers. One of whom, Sergio Ruzzier, works in pen and ink for the drawing, and then, like Liz Steel’s sketches, follows with watercolors later. I love the look of these drawings and have been playing a bit since then with a variety of pens and some inks. But these inks would ruin a proper fountain pen overnight.
These have been fun to experiment with in the studio but aren’t as friendly for on the go sketching. I do have another Lamy fountain pen which I love, but the ink I use in it wasn’t at all water-resistant so unless I wanted to stay in the grayscale world, it too was not exactly sketch friendly.
Reading Liz’s posts on fountain pens inspired me to do a little more digging into that world (it’s an overwhelmingly big and enthusiastic world, the world of fountain pens!) and see if there was possibly an ink I might take on the go, in fountain pen form, but which might be a tad more welcoming to watercolor. An ink that with proper precaution, wouldn’t ruin my new pen, but would allow some color.
Apparently, noodler’s black ink is the one. You can read all about it anywhere on the interwebs and with many posts all around giving it a thumbs up, even in actual working fountain pens, I decided to give it a go.
Guess what!? It seemed to work!
After just a few seconds of drying time, the little Fox in the Snow became a regular old orange fox and the lines did not run at all. I was thrilled! As much as I love the micron pens, I will admit that my stomach churns every time I go to discard a used up marker. Perhaps there is a way to recycle them somehow, but that doesn’t seem to be enough.
In this throwaway culture of ours, I look for even the smallest ways to not be such a consumer. This feels like a small way to do that. Maybe this pen, with it’s ink that can stand up to watercolors, and it’s variety in line weight options in just the one pen, can be a beginning.
I will need to draw a tad more often to keep that ink flowing, and make a point of cleaning out the ink more often than I do in my other pen. Perhaps this notion will keep me more in practice. I’ve been a bit out of practice since summer’s sketching and travel. This usually happens. But I am ready to dive back into daily sketching, and more and more painting and see where it all leads.