It all began with a request, from my first born, to create a special gift for his long time university level private-lesson teacher/ coach / mentor, Paul Patterson. If anyone could understand our complex and multifaceted young musician, and light a path ahead for him through the throes of life in a conservatory setting, Paul has been that person. He enabled Jack to see that there was no need to choose one musical path over any others – that to study jazz music was not to abandon the classical tradition. This forked path is not for every musician, and it takes a great deal of extra work, but over the years, with the help of some other amazing instructors as well, Paul has quietly given our Jack many tools to follow his musical nose down whichever path that may lead.
Words simply cannot convey how grateful we are to Paul for his patience, his belief in this kid, and for truly shaping a young life in a way none of us thought possible. Maybe in some ways, he even saved that young life and placed it on a more hopeful and focused path when he needed it most.
I had in mind perhaps a painting, of a master and his young student. Or perhaps a handmade book. In typical fashion I thought and thought but was dragging my proverbial heels, artistically speaking, as Jack’s end-of-conservatory recital drew nearer.
Finally, Jack came up with a brilliant, though rather lofty, idea for a gift. The kind of gift which might suit a teacher who has everything he may want or need. What if I were to create a small puppet-styled doll, in the shape of Stravinsky’s famed Petrushka ballet?
And so I sourced some scrap wood from a carver friend, and set to experimenting.
This red cedar is incredibly beautiful, but difficult to carve in the time scope we had (and with my ever-so-rusty carving skills!). So I fell back on some basswood I had up in our attic space which is softer to work with.
After a number of practice runs and false starts, I finally had a serviceable head with which to build Petrushka’s figure and so I set to work on the rest of the body.
I carved and carved.
Shaping things out of little blocks of wood and slowly bringing character and a bit of life to them.
I’ve worked with puppets in the past, most notably with the brilliant Frisch Marionette Company. But my work there mostly centered on the performance aspect of puppetry, not necessarily the building of them.
And so my goal with this particular work was not a proper puppet necessarily, poised and balanced for nuance of movement, but rather a doll, with puppet tendencies, to be presented as an artful gift.
Soon I had pieces of this puppet-doll put together and able to move hither and thither in his own way.
To me, a representation of anything, be it animal, person, or puppet character, doesn’t really come to life (two-dimensionally or three) until the eyes have been gifted the spark of personality.
Creepy as this may look to those averse to clown-styled imagery, it was upon painting this Petrushka’s face that the personality of this tragic ballet-theater character truly fell into being.
Soon I was crafting a little outfit for him, all handmade, as proper gifts often are.
After awhile he was complete, except for the semblance of strings to give him the feel of a proper puppet, if not necessarily the movement of one.
This Petrushka is full of quirky personality, much like our Jack, and much like his amazing mentor, Paul himself.
It’s been a great joy to put time and energy into this project, even if it meant getting behind in and left behind by a few others.
This Petrushka’s workings are a tad on the clumsy side…
But he is a lovely sculptural gift for some one who loves music. Someone who has himself, done much to sculpt the abilities, thinking and sensibilities of our young musician. Things we as parents can’t always do.
They say it takes a village to raise a child. I firmly believe in the truth of this and I take pride in the other adults we’ve invited into our lives over the years to help us in raising ours. We are deeply indebted to all of them, and this trend continues into the young adulthood of both of our kids. All that said, Paul Patterson is exceptionally close to our hearts for all the hours he has spent shaping and carving out the musical life of Jack. We often ran into him at gigs Jack had, even outside of University life. He always had much to report on all of the hard work Jack was putting into his music, and how we might best support him in our own, non-musical ways. We can’t thank him enough!
Paul, this one is for you. With love and gratitude.