Tag Archives: watercolor

Left coast musings

Recent days have seen me traversing the country, jetting between varying worlds, and even escaping to far, far galaxies on occasion.

I found myself suddenly in California just over a week past, admiring the coastline and it’s intrepid surfers, breathing in the brisk sea air, sketching the magnificent scenery.  Many thanks to my friend Steve who took me on a California field trip to Natural Bridges State Park.

Sketch of Natural Bridges State Park, Santa Cruz CA

I took a couple of days to acclimate to time and space there and to catch up with dear ones who live too far from my particular holler.  We made books together.

Rosemary’s gorgeous new sketchbook. I was delighted she used a facsimile of an old sketch of mine to collage the cover.
My new summer season sketchbook with some found imagery and art lent to me by my dear fellow artist-friend Tina Westerkamp. I love cross-pollination between fellow artists.
Mushroom washi tape is among my favorite little things just now.
These pages will have much to hold in the coming months

Soon it was workshop time.  The Saturday portion found us at Montalvo Center for the Arts in Saratoga, California.  It was a bit chilly and there was tree work on the grounds dramatically making itself known with saws and a chipper, but we found a somewhat quiet corner to begin our day.

Karen starts out her page with a study of the colors to be found on this day, in this place. This is a great way to get to know a new place.
I really admire folks who like to draw architecture.
Sandi did an exquisite job on the trunk of this wisteria

There was a wonderful wisteria tree which caught the eye of many of the sketchers who found their own way to interpret it.  It was early in the workshop so we talked a lot about capturing color and the basics of tackling a complicated scene.

Later we went out in front of the main house where an artist’s installation of birdhouses makes one special tree very different indeed.

I demo-doodled a few birdhouses in pencil. There are many ways to capture a sketch.

Alas, I did not take many photos that day, as I was too entranced by teaching!

After our sketch day, we went back to the lovely and artful home of Rosemary who hosts this event each year to visit with one another and toast the day with a bevvie or two.  I even managed to have a quick tune with my friend Tim who’s family had spent the day sketching with us.

Day Two of the workshop was here before we knew it and the morning had us up and over the mountain, bundled up along the shoreline of Santa Cruz.  The weather was cold that morning but this did not bother my intrepid group of sketchers!  We even dodged a few rain drops!

The girls look off into the distance to see the colors I am getting down onto the demo page. Once you really begin looking with an artist’s eye, you’ll be amazed at the variety of colors you see, even on a seemingly gray day. (photo courtesy of Rosemary Berwald)

Photo courtesy of Magdalena Cabrera
Photo courtesy of Magdalena Cabrera

Everyone quickly got to work.  Eventually we moved places, closer to the local lighthouse and lunching spot for more drawing.

We played with color and scale.  And the sun even came out for us in the afternoon.  A day on the seaside is an ever changing adventure.

Our youngest sketcher, Tess, paints a lovely little circular landscape to install into her sketchbook.
Here Waller discovers the subtleties of the shifting seascape grays of the day.
Rosemary has perfected the art of the tiny landscape painting!
By just Day 2, Robin had really hit her stride!!
Robin had a small admirer of her work so she showed her what we were up to. Sketching brings everyone together.
Magdalena studies the ever changing hues of color in the sea and beyond.
Lani managed to capture the essence of the poppies around some stones where we were sketching. It’s a tricky color!
Joan found herself captivated by the distant sailboats who’s sails were billowing in the breeze. She captured it perfectly in this tiny landscape painting, later installed in her new sketchbook.
Here Rosemary demonstrates her tinies prowess.
Connie spent a great deal of time on the stones with the poppies and really managed to capture the subtlety of stone and the pop of poppy color.

Soon the weekend was over, and we said goodbye to this group of amazing sketch artists who will now go forth and doodle in their own daily lives.  I opted to stay an extra couple of days to do a little work in my own books.  We traveled to Point Reyes Station for lunch and wandering, then headed into the hills to sketch this mystical region.

The next day found us admiring the new vine growth at a local vineyard called Savannah Chanelle.  It was quiet with bird song and chickens cooing and clucking in their coop near the villa.  The vintner admired my drawing and offered to trade a bottle of wine for it.  But alas, it was trapped in my sketchbook.  Perhaps I’ll send along a proper painting to trade for next time.  The wine is quite tasty there!

Alas, soon it was time to once more travel toward home here in the Ohio River Valley.  But I felt as though my teaching self was reinvigorated and reminded of it’s true purpose.  I was reminded of mindfulness and how this practice is a direct line into being truly present.

This poem came to me via Shippenverse a day or so before the weekend workshops and it seemed like the perfect thoughtful intention with which to begin the time together.  So we typed up a copy for each participant and gave them as little favors.  I kept the one with the most typos.

I have a small thing for real typewriters.  Upon returning home to Ohio, I was alerted by my Hub, who knows good things when he sees them, of this little gem awaiting me at the local antique mall.  Of course I had to get it.

I suppose I might have opted to stay in California forever but alas there was a great event to attend back here at home.  A number of local rebel artists banded together to craft an art show so magnificent, it was literally out of this world….. in a galaxy far, far away…..

Pretty sure this storm trooper was with the rebel alliance and in disguise. He was exceptionally polite and kind.
This pint-sized Rey has apparently been dressing up for May the Fourth since she was a tiny baby. Her parents said I could post this adorable picture of her.

A good time was had by all that evening and the art came in all shapes and sizes be it sculpture, painting, or cosplay.  I displayed 8 tiny landscapes from this captivating world created by George Lucas and by the time I arrived, 3 had already sold.   The work is on display at local rebel watering hole, Brew House here in Cincinnati through the month.

It is finally spring here.  Our aging cat Ian took down a mouse the other night which surprised all of us, likely Ian most especially of all!  There is finally life and blooming and even, as of today, a bit of sunshine.  I have a to-do list a mile long as I gather everything needed to launch the 8th year of the Taos Illuminated Journaling workshop.  This is my flagship class in this process and each year I look to it as a true indication of how things have shifted and changed over the past year and I come home once again full circle to the things I know to be central to the work.  I am brimming with gratitude that this is even my job and I know I can’t do it alone.  So, thank you to those intrepid souls who take a leap and attend one of my workshops – a week or a weekend, at home or abroad – Thank you.

And to my husband Tony who manages things here at home when I am away and keeps spreadsheets like a boss. My friends and family locally who step up to help him when things get crazy -Y’all know who you are.  And then of course a big virtual hug to my art-pal and fellow typewriter enthusiast, Rosemary, who so loves this work as much as I do that she helps me figure out where to go next!  Thank you friend.  For everything.

I am really looking forward to getting back to Taos as well in a matter of weeks to the folks who make my work possible there.  Friends who have become like family over the years.  You are deeply appreciated.  all of you.

Til next time…..

 

 

A book and a box of colors.

“I travel a lot.  I hate having my life disrupted by routine.”  ~Caskie Stinnett

A temptuous siren’s call beckons from the open road.  Once again, I comb maps of places yet to be explored, finalizing flight paths,  formulating rail patterns and charting the wheeled paths where travels may take me this season.  It’s once again workshop season.

Second only to sitting absorbed in my own book and box of colors while on the road is my love of teaching the Art of Keeping An Illuminated Travel Journal to students who range from intrepid beginners to like-minded artists already brimming with their own artistic tricks of the trade.    There is truly no wrong way to capture one’s travel adventures.  For some folks, merely snapping a photo with a cell phone or even a  proper camera might be enough of a record of time and experience. But for many many others, a new trend of mindful travel is all the fashion these days.

Our world spins madly on at hyper speed.  Many of us look for ways to slow it all down.  To step off of this merry-go-round – to hit the reset button and come back once again into our physical bodies.  Travel is one way to do this of course, but if we are not careful, we may find ourselves careening through our travel experiences at the same breakneck speed we do the rest of our lives.  A travel journal is one such way to ever-so-gently pull the reins back a bit on time itself.

Sketching in the field

As an artist, I have dwelled in the world with a sketchbook of some sort or other tucked under my arm or in my knapsack since before I can remember.  But one doesn’t need to self-identify as an artist to experience the magic of a little book and a box of watercolors.  While spring drags its heels here in the midwest, travel season must surely be on its way eventually, yes?  As we plot and dream of summerly adventurings, my friend and fellow creative spirit Margot Madison, Empress Queen Bee of Creative Juice asked if I might have a few suggestions related to the art of keeping a travel sketch journal.  Not able to contain this amazing practice, I opted to put together a blog post here which might give folks a taste of what I do and teach along with heaps of links and ideas to get you started.

 

photo by Tom Spatig of Bat Cave Studios

What you need:

Not much really.  A book, something to draw with and a little set of watercolors.  For the book, opt for something not too cumbersome.  Stillman And Birn have lovely books in all shapes and sizes.  The Alpha Series features good paper which can take a watercolor sketch without falling apart.  Moleskin books are also classically wonderful to work in, just make certain to obtain one with watercolor paper.

For drawing, I like both pens and pencils, depending on how I am working.  Nothing fancy necessary in the pencil department, though mechanical pencils are nice to have on hand.  Recently I have taken to using fountain pens for ink drawing as I was tired of the waste of an empty marker heading to the landfill.  Artist Liz Steel has some lovely ideas and suggestions on which pens and inks to try, but my current favorites are the Eco-pen with Noodler’s Bulletproof inks.

Next you’ll want to choose a watercolor set.  Over the years, I have steered students toward the Winsor and Newton field sketching sets and they have held up over time.  There are countless options out there to be had from the world renowned Schmincke brand to handcrafted ones from Greenleaf and Blueberry out of Colorado.

Tuck all of these new found treasures into a comfortable little bag or backpack along with a container of water, a cloth for blotting and you are ready to Go Forth And Doodle!  If you are to be out in the sun, consider a sunhat and glasses, and maybe a little portable chair if need be.  (Though I find that most beautiful places tend to have a bench or two.)

Now What?

But “I can’t draw a straight line”, you say.  Well, first off, straight lines are overrated.  Drawing and painting is more about learning how to really see than anything else.  A wonderful, playful way to settle into a new place and to get your eyes seeing in vivid color, without the pressure of ‘making something’ is to make little color swatches.

This is a wonderful way to get to know your watercolors, and learn about mixing colors to capture what you see.  The first place I saw this exercise is in the lovely work of Sara Midda.  Her book South of France, A Sketchbook’, is a favorite of mine and serves as a lovely example of how some simple colors can really give one a sense of place.

You’ll find that every place has it’s own distinct and sometimes quite subtle color palette.  Simply beginning with swatches will get you working into a blank page.

Mapping out a Place.

I adore maps of all kinds.  You can paste a small map of a place in your book, or perhaps create one of your own which speaks to where you’ve been along your own route.

They Draw and Travel has wonderful examples of playful ways to map a new place as well as creative usage of text to light up a journal page.  Below is a page from a student of mine.  Notice how she painted the letter ‘T’ which really highlights her drawing from Taos New Mexico!

student work

Another creative way to incorporate text into your capture of a place is to stop into the local post office for a postal stamp.  Often state and national parks will have site specific stamps on hand to play with as well.

Lawrence Tree Sketch, Amy Bogard

 

Foggy Monhegan, Sketch by Amy Bogard

But wait, I’m still not drawing anything!

No worries! You’ve already begun to ‘mess up’ your journal with these beginning exercises.  And this is key to sidestepping one’s inner critic who is so hasty to make commentary on your efforts.  Besides maps and swatches and stamps, keep an eye out for ephemera from your journey.  Ticket stubs and business cards can be pasted into your journal as a reminder of where you’ve been and what you saw along the way.   Perhaps you might begin to tuck in a quick sketch in and around these found objects….

Buffalo Gal, sketch by amy bogard
Selfie Santos, sketch by Amy Bogard
Student sketches around found ephemera in her journal

There is a veritable feast of resources both locally and online that can get you actually drawing.  Artists like Danny Gregory and his Sketch Skool project, Dan Price’s little tome How to Make a Journal of Your Life,  and the local chapter of Urban Sketchers are all great places to pick up ideas about drawing or even take a workshop.  That said, there is no greater way to learn to draw than to just sit and draw.  That may sound tremendously daunting.  But every drawing you make, “bad” or “good”, you will learn something which you will then apply to the next drawing.  Drawing is exercise.  Drawing is mindfulness.  When we sit down and really see something for what it is, in this place, at this very moment, we are in communion with that thing, in this place, at this time.

One great exercise is that of the ‘blind contour’ drawing.  Sit in front of what you would like to doodle, look at it for a few moments.  Allow your eyes to look at the lines that make up what is in front of you.  Now, place your pen or pencil to paper and without looking at the paper, run the pencil around the contours of what you are drawing.

This process is good to utilize, even if you are ‘looking’ at your drawing because it tends to keep drawings loose and scribbly.

Daily dog sketch by amy bogard
Local flavor. Sketch by Amy Bogard
Student work
student work
A quick capture of New Mexico Light with watercolor, Amy Bogard

In the end, whether your travels are taking your far a field this season, or perhaps merely exploring your own back yard, or watching the kids splash about at the local watering hole, a travel journal is a wonderful way to catalog and capture these fleeting moments.

This week I am off to California to guide a new group of sketchers onto this mindful path of gathering experience.  Shortly after that I’ll be back in New Mexico for my flagship class in Taos.  If you are interested in joining me for a workshop, consider Antigua, Guatemala next April (I’ll be offering 2 separate weeks back to back!) or perhaps Taos next June.  Or just dredge up the courage to join your local Urban Sketchers.  I can promise you they are a wonderful, welcoming group of people and you’ll learn a lot just by doing!

Go Forth and Doodle.

Kelley’s Island, Ohio – Sketch by Amy Bogard

 

 

A Galaxy Far, Far Away

(dangling from the shepherd’s hooks are little water wells which help keep hummingbird feeders from becoming overladen with bad bugs when the feeders are out.  but at this point who knows if bugs, or hummingbirds for that matter, are anywhere in the neighborhood at the moment.)

I am laid out flat and irritated with an unexpected spring cold, the likes of which I’ve not seen this year.  Cheekily I thought I was in the clear of winter’s ailments when the blossoms began arriving and we found ourselves sketching in the cool, but sunny breezes.

We managed some hiking with the dogs, were taking note of things beginning to grow and bloom and even my spring allergies had taken root.

We were celebrating.

It was not to last.

“Spring” has other ideas.

With spring allergies comes a lowered immunity, which is part of being human I suppose.  And so, here I am with a roaring head cold.  (and a cough to wake the dead, some sunken eyes and seriously productive sinuses.)  Meh.  Insert healthy dose of self-pity.

My mom always says, ‘this too shall pass.’  And she is, as moms are, absolutely correct.  To pass the time, I have clung to escapism in the form of Netflix shows, a bit of whisky to clear the head (I’m not a huge fan of the regular medicines) and some time, when I feel up to it, to finish a couple of little paintings.  I am grateful for this spaciousness.

There is no escape quite like the escape to other worlds entirely.  I’m pleased to say that I have managed to finish a small series of eight tiny paintings which will go on sale at the local incarnation of May the Fourth, a day which celebrates all things Star Wars around the world.

I join a number of other local artists at Brew House, May 4th for the opening of this eclectic show.

Endor
Naboo
Fourth moon of Yavin (filming location at Tikal in Guatemala where we visited a while back!)
Degobah
Crait
Kashyyyk (Chewbacca’s lush homeland)
Hoth
Tatooine

These are all tiny landscapes of worlds you might escape to yourself, should you like, (penny for scale).  As for me, once recovered I will be escaping next week to the wilds of California for a weekend of travel journaling workshops in the San Jose area and surrounds.  But for now, it’s back to the Netflix.

 

Edge time (chaptered)

Chapter 1.  – seaside

Not two full days home from my blissful week of music in Swannanoa and I find myself flying east to my soul’s home in Maine to visit friends of auld.  These are friends who have known me longer than they haven’t, and I am blessed beyond the stars to have them in my life still.  As a family we are fragmented this year for what is usually our time of solidarity.  But this is how it is to be. One must follow his heart home for recovery after a Big Summer of Big Work;  another, I have secretly purchased a two day ticket up to join us for just a moment or two and fingers crossed it all works out as planned (it does).  And lastly, our anchor in all things fun, my hub Tony, does his best to come along for just a few days.  He is successful and we pack a lot into a couple of days time off.

We spend as much time as possible by the sea or in the sea.  Ferrying to our favorite places….

I like to sketch my fellow ferry passengers when I get bored.

….eating oceanic gifts of the odd lobster or oyster;  swimming, beach-combing the ever interesting, ever-changing wrack-line.

To me this is paradise and I collect a few little tid-bits to drag home to paint.

The coastline sets my heart all aflutter –  all I want to do is paint.  And yet I am restless and frustrated in a way I cannot name – torn between time with those I love and miss all year long, and my desire to make stuff.  I also find myself really missing the music I have only just the week prior been steeped in, more so than in other years.  Perhaps the music is sinking deeper into the pores after all?

Eventually, the paints do come out.  But it takes time.

And wandering.

I’ve been carefully breaking in these shoes since spring time and they now wear like slippers. Such a sturdy travel shoe, and one of a kind. You can get your pair at Kakaw Designs.

And keen observation.  But the art does come.  It starts slowly.

I was captivated by the limey green of this seaweed on the coast at Land’s End on the very tip of Bailey Island. Wonder if you can eat it?

In between boat-trips and cock-tailed laughter, oysters and teenaged catch-ups, we take some time to drive round the old haunts of our early days all together -when there was Peace in the land but our boys did their military duties, deploying too often for our liking, even when babies were due.  These are the things that can seal friendships for life.

In spite of hard winters and time apart, we remember our days in Maine with rich fondness.  It is one reason we come back each summer.

Chapter 2.  – to the lake side

Soon our seaside time was at an end and we were headed inland to a lovely lake house we’ve taken to commissioning for a week each summer.  It feels like home, all the while we discuss going full on ocean-time.

We are torn.  We love this place.

We love it’s moody skies and ever-changing weather patterning.

And the sunset views, which never disappoint, even on rainier evenings.

Note the loon family….. they were part of our world all week. Calling to one another, teaching the youngsters how to be loons on Long Pond. The kids gave them names. Parents Jose(Paco) and Marcia, and their kids, Judy and Lola.

Chapter 3 – romancing the stone

Before my family leaves, we take a little kayak jaunt across Long Pond to Beaver Brook where I am captivated by a stone divided into three parts by ancient ice and time and other such forces.  I vow to go back to sketch the place, as I have come with nothing but a hat and a paddle.

Soon enough, though surrounded with dear friends, I am left as the only Bogard on vacation which is a strange sensation.  Tony has been dubbed the Julie McCoy of the group, always corralling us all to gaming and cocktailing, water-sport contesting and the like and things are really, really quiet with-out him around.  This all plucks and strums strings of empty-nesting woes I don’t even think I was aware of until now.

I play it all out in the boat house on my flute.

I make it back over to the little cove where the Beaver Brook runs and the captivating stone resides.  I marvel at the language of light and shadow which I can barely translate.

I believe there is something here to translate.

And so I ask the stone to help me.

It’s a start.

I am not one for series usually, but I am called to paint and have been looking for a form I could play with, from painting to painting.  Not just the one-and-done sketch I usually go in for.  This stone is just the ticket and I am enjoying exploring it’s complexities.  There will be more, especially once I am home near the oils.  I have traveled lightly this trip.

Chapter 4 – critters large and small

One day I go for a run across the way on the Mountain Road.  A place I return to every year for it’s lake views through the trees, its lack of proximity to cars and traffic noise in general.  Along the road I find a sweet feather which is eventually identified as a low wing feather of a wild turkey after much back and forth discussion and postulation both online and with my compatriots back at the camp.  I even meet a lovely older gentleman along the road who thinks it could be eagle, though my guess is owl.  I am not disappointed with turkey, as they are wonderous to behold in the wild.

I set out to sketch this lovely gift before I must leave it behind here where I found it.  Sometimes I keep feathers, but this one shall stay.

I appreciate it getting my paint brush filled and setting me to painting, as it comes to me before the stone paintings begin.

This day’s run is truly fruitful as I also spy some horses through the edges of the woods and I stop to capture them with my phone-camera (the only camera I brought this year as I am traveling light.  Still not sure about this decision.)

The horses pay me no mind and I think about the wild ponies some artists I follow online are fortunate enough to have in their lives as they go about their daily wanderings.   I wonder what I need to do to have more woodland walking right outside my door, more ponies to spy on through the edges of the hedges.  This is a constant wondering, as always.

Most times we wander down to the water from our little house here, we are treated to the antics of a local loon family who have some still young but near adult fledglings along with them.  I borrow Amy’s proper camera with a decent telephoto lens to capture them up close for this post.

Pretty sure this is the mama, Marcia
Judy and Lola are never far from her. And she works hard to keep them fed. a mama’s work is never done.

They are absolutely captivating as they call to one another, throughout the days and nights.  This is the soundtrack to my dreaming and I am glad of it.

I am indeed glad of dreaming in general as there has been some wakefulness in the household in recent days.  A wee mouse has gotten a bit too friendly, joining my friends in bed night before last, which gave them a start indeed.  Last night, as lights are out, I hear a rustling and sure enough, wee mouse (we hope it’s the same) is in a paper bag into which I have stashed my knitting and a few varieties of tea I like to bring on my travels.  This leads me to believe he is a country mouse indeed (I mean, tea and knitting, come on.)  and he is escorted out of doors by our brave knight in PJ’d armor.  No harm no foul, but we hope the lil thing stays outside for the remainder of our time here.  I calm my late night nerves with a bit of bourbon and sleep fitfully from there.

Chapter 4 – where to from here

I write this missive in present tense, a style I see on occasion over at one of my favorite follows, These Isles.  I have no idea if it works or not for others, but for me, today, right now, it works.  This writing style allows me to step outside of a linear path of  ‘what happened when’ and to step into the concept of the Traveling Now.  The Traveling Now is not unfamiliar to quantum theorists, though this name for it is from Terry Pratchett’s Discworld series.  I find more and more that the order of things matters not.  What matters is that we are present in it.  Now.

On what might be the calmest evening left in the week, I wander alone down to the waterside for a quick swim in the moonlight alone under the stars.  If you’ve never skinny-dipped for whatever reason is holding you back, it is something I hope you do at some point in your life time.

I arrive back up stairs, sobered and refreshed (pre-country mouse adventure) and I find this by John O’Donohue (one of my all time favorite go-to writers):

THE CALL TO LIVE EVERYTHING

One of the sad things today is that so many people are frightened by the wonder of their own presence. They are dying to tie themselves into a system, a role, or to an image, or to a predetermined identity that other people have actually settled on for them. This identity may be totally at variance with the wild energies that are rising inside in their souls. Many of us get very afraid and we eventually compromise. We settle for something that is safe, rather than engaging the danger and the wildness that is in our own hearts. We should never forget that death is waiting for us. A man in Connemara said one time to a friend of mine, ‘Beidh muid sínte siar,’ a duirt sé, ‘cúig mhilliúin blain déag faoin chré’ – We’ll be lying down in the earth for about fifteen million years, and we have a short exposure. I feel that when you recognize that death is on its way, it is a great liberation, because it means that you can in some way feel the call to live everything that is within you. One of the greatest sins is the unlived life, not to allow yourself to become chief executive of the project you call your life, to have a reverence always for the immensity that is inside of you.

John O’Donohue

I like to think that even something as simple as going to the lake side for a moonlight swim in nothing but my birthday suit is one small way to ‘live everything’.

Tomorrow we leave this place.  As we do, we know nothing of the year to come.  The third of the four kids who do this magical week with us each year (our two went first, now theirs) is off to college in just a matter of weeks.  I do not know what the end of summer into fall-winter and beyond hold.  I have some ideas of things I’d like to set into motion, which I will do.  But for now, I read things that make my head and heart spin on its very axis,  I make plans for an upcoming show that has me thrilled and terrified in equal measure.  I continue to answer the (also terrifying though I do not know why) irresistible call to paint in ways I have not yet done.  I show up.

This summer has been a gift beyond imagining and I am grateful for it.  Each year I grow and make and play in the hopes I can bring that home to my friends and family and to my students along the way.  It is a gift, and I do not take it lightly.

 

 

Sketch Antigua Guatemala – Spring 2018

 

UPDATE!!  THIS CLASS IS NOW FILLED! (but feel free to contact me about Taos 2018 and keep an eye out for future offerings by subscribing to this blog. Thanks so much!!!)

Come with me to the beautiful and ancient city of Antigua, Guatemala for a week of exploration through the lens of a travel journal!

March 4-10  ~ 2018

$1240 per person, double occupancy includes the following*:

~6 nights at Posada San Sebastian in the heart of Antigua

~5 days touring Antigua’s many sites, ruins, churches and museums with sketching instruction all along the way.  (entry to sites included in workshop fee.)

~All meals, including dinner Sunday of arrival and breakfast on Saturday, departure day.

~ Transportation to and from airport Sunday March 4 and Saturday March 10.

~$300 deposit holds your spot ($50 non-refundable)

*does not include airfare to Guatemala, gratuities, alcohol or the optional master weaving class.  single occupancy is also available for an added cost.  

 

email me, Amy Bogard at abeefrnd@gmail.com to register.  

Space is limited.  

 

Antigua, Guatemala is a treasured World UNESCO site, nestled into the heart of volcano country.  It is about an hour from Guatemala City where you will fly into.  While ancient in it’s long and varied history, the city is also quite cosmopolitan. Wandering the city streets, you’ll hear a variety of languages and there are many options for dining.

We will spend our week exploring the sites from our cozy home base at the Posada San Sebastian, where upon arrival you’ll be warmly greeted, “welcome home”.   Our host, Luis, is a gatherer of many interesting things and some of our time will be spent sketching his amazing collection of Guatemalan oddities.

Native Guatemalan culture is alive and rich in Antigua and is expressed in food and incredible textiles.  We will learn a bit about these things along the way and capture these colors in our sketchbooks.  While we will be spending most of our time in the city of Antigua, we will travel one day to the nearby town of San Antonio Aguas Calientes to the home of local weaver Lidia Lopez. Her family will prepare chicken pepian, a traditional and delicious dish, for our lunch, and Lidia will talk about the art of backstrap weaving. You will have the option of a weaving lesson for an additional fee.

If you are new to the sketching/travel journal process, fear not!  I will have you drawing and painting more than you could imagine in no time at all!  There is so much to see and do in Antigua.  A travel journal is the best souvenir you could give to yourself.

Join us!

Bells of Springtime

It seems many things in our little acre of land are bell shaped just now, fairly ringing with the bodacious arrival of a proper spring time. Daytime warmth coaxes and whispers to  the plants to grow and the evenings, cool again for resting before another day of more and more growing.

If one listens quietly enough, for long enough, the chiming of these little bells might be heard all around.  Small ones, tinkling near the ground, nestled and tucked under larger, louder plantings.

Other bells chime deeper, perhaps with the promise of a new backyard food source.

Some have a note so high and so sweet, only the most careful listeners might hear them.

And still others have a chime so light and ephemeral, one can’t really know if they sing the song of the mists or the breezes.  But if one listens…..

I’ve been listening.  With my trowel, moving plants around and tucking in new gifts from friends in trade.  Planting seeds and pondering plots and plans, all while these little bells ring and chime and sing all around me.

I’ve been listening with my pencil and paint brush and ink, to capture a bit of this ephemerality, and pin it’s simulacrum to my paper as best I can.

This is good practice as tomorrow I must leave my little plot of land here for a few days to lead two days of sketching with a very speical group in California.  We will visit a lovely garden and some wonderous trees as well, whose names I am eager to learn.  I am so lucky to do this work I do, encouraging folks to find the paths of their own ink lines, pencil marks and paint puddles.  It’s teaching season once again and I am glad for it.

But always I will come back home, to this little place, which is feeling really magical just now with the gardens bursting forth and the beauty of the bells in my ears.

“I am sure there is magic in everything, only we have not sense enough to make it do things for us.”  ~Frances Hodgson Burnett  

(thank you Cathryn Worrell for this gem of a quote.  You can see her Unicorn here.)

I’ll be back in a few days with tales of a land far west from here, but where friends await my arrival.  For now, I leave you with some more magic for your ears….

 

 

Book Work

I find myself unexpectedly weary today after a day of art making and eating and not much else. It was great fun to dive fully into book work but it is work. And work I love dearly.  I feel a bit more up to snuff in my sketchbook after today’s efforts so I’ll share a few more Antigua adventures with you here.

I’ve been really enjoying meeting the other artists here in Antigua and beyond. Rosemary has made many connections over the years between service trips for her speech pathology work and textile tours. Yesterday we had the pleasure of stopping in to see Lidia López who is a talented weaver among many other wonderful things (I’m keen to learn how to make Pepian sauce from her!).

Lidia was pregnant with her son and visiting friends in Panajachel, and I was a 7 year old kid living in Guatemala City when in 1976 tragedy struck this region in the form of an earthquake.  Thousands of lives were lost and it was indeed something one never forgets. But time passes, and as Lidia says, it was not our time then. We had more work to do.  And so we did.

It was lovely to chat with Lidia about the work she does and life in general. She patiently let us practice our Spanish on her, although her English is amazing. We talked to her about visiting again when we come for the travel sketch workshop next year which I hope comes to frution.

Our visit was over far too soon and I hope to stop in to say goodbye and share with her some of the work we have been up to in the mean time. Including a drawing I made of Lidia herself.

Later in the afternoon we went to sketch and photograph a lovely ruin…..

I was very happy to have my fancy camera this day as the structures and light at play in this old convent make for beautiful imagery.

But time was ticking and the ruins close fairly early to visitors.  We knew we had to get to work if we were to get a sketch in.

As the kids do often put it,

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Seems kids have been the same since time began….

We had 40 minutes to do a quick study and we opted for a fairly complicated stairwell.

While this is not a scaled architectural study, it’s not a bad painting to my eye.  Coming back to this drawing in my sketchbook in years to come,  I’ll remember the light in this stairwell, and church bells on the wind and quiet drawing time with a good friend.  The gifts of a well fed travel journal.

Today was a slower paced day in the way of touring. We had meals out of course but mostly we stayed home and caught up in our books. Little things here and there….

…like this creepy antique wooden baby Jesus spotted at a collectibles and antiques owned by a nice fella called Axel.

I also did a page spread in my book to try and learn a bit more about the weaving tradition here in this country.

Although it took me the better part of the day, I’m happy with the results.

I wanted to try to capture the beauty and variety of the indigo dyed corte or cuts of cloth we encountered the other day at the market in Panajachel. Each piece different, punctuated with the colorful seam stitching called randas.

The textiles in Guatemala are not something I can try to adequately comprehend in one go, but it’s been great fun to get a weaving 101 from Rosemary, Mari and Lidia.

Tomorrow there will be more and more drawing. And I hear tell of some hot chocolate which contains chili powder in it. Two days left in this captivating country. For this visit at least.

 

 

A busy resting

This morning began misty and mysterious. I sipped coffee and sketched a bit.

We breakfasted – and, following the sunshine, then did a bit of perusing the shops round town.  Have I mentioned the feast of textiles to be found here? Old and newly made, well worn and repurposed, they are everywhere. Draped on the furniture, piled in shops, peddled by Mayan street vendors.

Besides the traditional, there are more modern and quirky things to find as well. I picked this one up for Jack.

Because remember that time he played fiddle and banjo in a hilarious Fringe Festival play called Hot Damn, It’s The Loveland Frog? And also played the frog at the very end… With banjo?

Hmmmm, yeah. Me too. What can we say? It was a paying gig, and it was fun, strange as it all might seem.

I picked up a pair of pantalones from a lovely vendor named Gloria whose passion for the handwork she does in her home pueblo of San Francisco A.C. is truly inspiring.

They have pockets! I love pockets.

All over town things delighted our senses, more to bring back to our sketch practice later over a lunch of leftover pizza which was delicious!

I could make art for ages merely on the procesión we witnessed yesterday.

All the while, our watchful volcanoes drift in and out of their self made mists, teaching us to breathe.

After some work on next year’s travel sketch workshop plans and pondering, Rosemary, Steve and I drifted out once again for our evening meal. Taking in Antigua along the way.

Buenos noches, amigos.

River Run Wide

For days, it seemed as if it would never stop raining.

We hunkered in our homes, all of us  (including the Faeries, I do believe!) watching the gardens begin to awaken between raindrops and the rollercoaster weather patterns for which our region is known.

We tended our indoor plants as well, hungry to touch something green once again.  We are all of us ready to go outside once more.

As the rain poured down, our normally babbling brooks not only rushed but eventually even did a fair amount of flooding.  Up and over our little bridge and the drive.  Thankfully, the flood waters only lapped up to the door, with nary a trickle actually making it indoors.  We were lucky.

Eventually, the sun has shown here and there.  And things are beginning to bud and bloom.  Risky behavior for these intrepid plants, as warm days are still fleeting.

But bloom, they do.

While the streams rushed outside our doors, and the Ohio River and its tributaries raged closer to town, another far sweeter and gentler River has begun flowing…..

A new album of folk-styled music has been taking shape out in Seattle where my young friend Alex Sturbaum now lives.  You may remember Alex from my post about his amazingly hand-crafted wedding a few months back.  Recently Alex created a Kickstarter campaign for his River Run Wide project and it has been successfully funded (though there is always room for more)!!  I was thrilled when he gave me a call and asked me if I might be able to produce some art work to contribute to the design of the CD and it’s wee booklet.

There are so many tales to be told and behold through Alex’s music -both via traditional songs he’s interpreted for this solo album as well as his charming original works. Narratives rich in visual detailing and a sense of nostalgia for something just out of reach.  You can practically smell the salt air of a ship’s passage in his maritime songs….

You can feel the pull of a mighty river and maybe hear the voices of those working it just over the lapping of the river waves on shore…..

There is a longing for home that music such as this evokes.  It may very well be a sense of home which can never be quenched.

Congratulations to Alex, and his talented band of merry, music-making friends, with whom I’ve shared a number of late night sing-alongs.  May this album head into the world and encourage more singing, more gathering and telling of old tales, more joy in the making of music.

Changing Tides

11202886_10155872437970048_5120591334540910967_nToday is my 46th birthday.  As is often the case this time of year, things are in a state of semi-controlled chaotic flux, what with school starting soon and Big Moves happening for both of the kids.  Jack returned from Brazil just in time to join us on our annual summer sojourn to the coast of Maine and is now in the process of returning to his collegiate life across town.  Meanwhile, in similar fashion, our youngest, Madeleine, is making lists and preparatory pilings of her own as we move her into a dormitory at Ohio State University next week.  Things are getting real.  They are embarking on a world of their own making….

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All of this is, as expected, a little on the bittersweet side of life.  But it is also the Way Of Things.  This is why we raise them.  So that they can hopefully head out into productive lives of their own.  It is time for us to focus back on ourselves for the first time in ages.  I for one am feeling a delicious fire burning in my art work, music and in my inner life, while the Hub, Tony,  has plans of his own involving far flung watery places to explore.  It is an exciting time for all of us.

So let me just catch you up a bit on happenings since I last wrote.  As you now know, I am in the process of putting together a new workshop, launching in February.  I’ve had quite a bit of interest, and a few sign ups too!  And while I have been mostly on the road since the announcement and not able to ‘blast’ it properly as of yet, it is my hope that this class will be a ‘go’ with just enough folks to make it a reality.  Do let me know if you have any questions!

Ah yes, the road.  How it beckons!!  Last I touched base here at my online home, I was off to a week of full on music at Swannanoa.

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This was a week of complete bliss for me personally.  Tearful reunions with people I only get to see once a year.  We fell straight into tunes and laughter and musical mayhem that only ‘band camp’ can provide.  I opted for two classes, both in flute, with two of my favorite instructors/musicians/people on the planet, Kevin Crawford and Nuala Kennedy.

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They are not only brilliant teachers and players but they are absolutely hilarious to spend time with.  In my own teaching I try to emulate the sense of fun and level of laughter I’ve known in classes with these two.  It is through a childlike sense of play and creative experimentation that the best learning is to be had.  Learning a creative pursuit as an adult can be daunting!  Whether it’s playing a musical instrument, or painting a picture, adults take themselves (ourselves!) so seriously.  Getting out of our own way is half the battle.  I am still riding the wave of magic and beauty of that week, with renewed gusto to practice my tunes, to keep learning and improving.  I intend to make it back to this week again next year.  There is such a sense of ‘Brigadoon‘ to it all, magically happening each summer and then just like that, it’s gone….

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A song that captures the sense of a week at swannanoa is this

Of course, if you follow my summer patterns at all, you know that no summer is complete without a dip of my toes into the ocean in my soul’s home, Maine….

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Ginger Small and I were reunited up there as I’d heard very little from her all summer.  And we have much work to do!

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I spent a fair amount of time just gazing out to sea and doodling….

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…that is, when I wasn’t partaking of the bounty of the ocean.  YUM!

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Our time in Maine usually allows for a bit of the ocean and a bit of the lakeside as well.  I did a fair amount of oogling and doodling there as well.

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It is a time we treasure, and each year we know it might be the last where everyone attends.  Any next year could see the kids doing their own thing elsewhere.  So while I painted and sketched a good bit, and came up with a number of tiny paintings, it is never enough.

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Maine tugs at my heart strings harder and harder each year.  Every year, it gets more difficult to leave the fresh salt air and cool breezes available there.

“She loves the serene brutality of the ocean, loves the electric power she felt with each breath of wet, briny air.”  ~Holly Black

Having lived there once upon a time, I know life in New England is not all summer time and roses.  Winters are cold and long.  But I simply must spend more time there.

“When anxious, uneasy and  bad thoughts come, I go to the sea, and the sea drowns them out with its great wide sounds, cleanses me with its noise, and imposes a rhythm upon everything in me that is bewildered and confused.” ~Ranier Maria Rilke

For a while now, my dear, long time friend Amy (she who attended to the births of my children, my soul-sister) and I have admired the whimsical, colorful world of artist Henry Isaacs.

His paintings are impressionistic, energetic, and brimming with color that is at once straightforward and complex.  They are the kind of paintings that make me yearn to pick up a paint brush and paint.  But not in my usual sketchy fashion.

I’ve had this yearning to paint for awhile now.  And I have painted.  Here and there.  I’ve made some paintings that I like a fair bit.   While others have lacked the intensity I wanted them to have.  They often feel too cautious to me.  I’m not quite sure how to approach the materials, having had only nominal amounts of instruction in this particular way of art-making.  Often as soon as I have found my way into a painting, it’s time to quit to attend to Life.  And by my next visit to it, I’ve lost the steam.  Clearly, I need some help.

So in honor of everyone in this household going off and learning new things and forging exciting new paths, I am heading back to the coast of Maine in just a few weeks to take a workshop with Henry Isaacs.   I am so very excited to learn some new ways of approaching paint and then applying these lessons to the sights and sounds I find so enchanting by the ocean.

“I have sea foam in my veins, for I understand the language of the waves.”  ~Le Testament d’Orphee

Perhaps I may get the opportunity to paint the ocean of sage in the high desert of New Mexico at some point as well.  Again, something I have yearned to capture, but outside of my sketches, have never seemed to accomplish successfully.

I believe in following the voice of one’s heart.  That intuitive voice that whispers ‘this, yes, this!!!!’.

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I’m following that voice as much as I can these days.  My Right Work seems to be a three-pronged dance made up of teaching workshops in beauty-filled places, making up whimsical stories and pictures for the young at heart, and just painting/sketching/drawing by myself (also in beauty-filled places).    In between there I’ll work the day job when I can, manage the comings and goings of these adult children of mine, and try to keep this house in some sort of working order.  Oh yeah, and music.  Always music.

Today is a day of musing.  Pondering my life’s path.  I feel like the 46 year old me is waving enthusiastically to a younger version of me as if to say ‘This way!  This way! Aside from a few bumps in the road here and there, life’s going along quite nicely just now!  Just hang on!’ Because it is going along quite nicely actually.

I’m excited at the timing of this painting workshop opportunity, as it falls just as I have a moment to catch my breath before really needing to buckle down to work this fall on February’s offering.   I get another taste of salty Maine sea air before they must batten down the hatches for yet another winter.  My kids will be off doing their own thing for the first time really ever.  I’m thrilled and excited and incredibly grateful for all of it.

Happy birthday to me.

….and here are some of the new Tiny Offerings from recent travels.  Let me know if you would like to own one!

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