Tag Archives: urban sketching

Icarus Tendencies

“Artists are people driven by the tension between the desire to communicate and the desire to hide.”    ~D.W. Winnicott

It’s so tempting to run for the hills.  To hide.  To make the work, but never show it – feeling it to be not good enough, not ready enough, ever.  But this is not an option really.  And so we forge on.

“Always go a little further into the water than you feel you are capable of being in.  Go a little bit out of your depth and when you don’t feel that your feet are quite touching the bottom, you’re just about at the right place to do something exciting.”                                                                                       ~David Bowie

After a time of being comfortably down the proverbial rabbit hole, alas, I must come up for air and here is the latest.  Like some sort of proverbial Icarus, I’ll admit to flying a bit close to the sun of late.  But needs must, and rest will come…..

On top of readying my own art work to present to the world, I have also been doing some writing on the work of others.  The September and October issues of the online publication Aeqai feature articles of my impressions on some really wonderful locally produced and curated work from lands far away.  It has been interesting to pull together art and writing in this way, as I usually write merely here on my blog or craft the odd artist’s statement now and again.  To write about the artwork of others and to ponder it through a lens of critique is to more fully grasp it in a sense.  Knowing I was to be writing about these shows made me a better viewer of them.  I hope to continue writing for Aeqai in future months, adding my voice to those of others shining light upon recent work they have seen.

And what about that work being presented to the world?  Well, the stars have aligned to see my work showing in three different venues in the coming weeks, and here they are.

Transience is the force of time that makes a ghost of every experience.”  ~John O’Donohue

Attention is the rarest and purest form of generosity.”  ~Simone Weil

First, Transience, a solo show at the Park National Bank Gallery at University of Cincinnati’s Clermont campus.  It’s a lovely space and I’m thrilled to have a number of older works dusted off from the archives and showing once again, right alongside some newer work as well.  (Yes, the ever so popular Animal Alphabet from Inktober is being displayed in full and the drawings look great all together!)  At the heart of the show is my process of gathering from the world and from my experiences to create art along the way in sketchbooks and finished studio work.

Years of sketchbooks showcasing travels and artistic process can be seen in these glass cases in the gallery. It’s gratifying to see them all together.

It is interesting to see threads of continuity in work through the years which I didn’t notice before.  For example, I’m once again showing my painting Selkie which is a bit of a self-portrait-meets-personal-mythology work.

You’ll notice that Selkie offers a rather raw heart to the viewer (my mom has always thought this painting is rather creepy but I rather like her).  What I didn’t realize is that I had created some of this same imagery in the three dimensional realm as well in the form of a hand stitched fiber heart, and a cast of my hand in plaster.

These objects were part of other work at other times and I hadn’t realized how they mirrored the Selkie imagery until I went to install this show.  My subconscious self clearly has some ideas and themes  working themselves out amidst its subterranean depths.  I am grateful for the opportunity to speak to this work once again, on a deeper level and to share it with the students at UC Clermont.

A second show to open with just one piece of mine in it is an artistic tribute to the writings of Neil Gaiman.

Poster by David Micheal Beck

I crafted an illustration of Nobody Owens from Gaiman’s The Graveyard Book which I found so captivating.  I am excited to have my little painting alongside those of other illustrators from around town and am honored to be a part of the show!

An Intimate Portrait of Nobody Owens, Oil on Paper

This show opens this week on Thursday evening.  Stop by the Know Theatre if you are in town and say hello! (Be sure and get your tickets to Neverwhere as well!)

Last but not least, I am thrilled to once again have new work being shown at the Kennedy Heights Arts Center.

My painting I Grew A Pair (Apples)  will be part of the Off The Wall installation and I have three other works submitted as well.  This group show features new work by members of the Kennedy Collective and is an annual treat for the local community.  That opening is November 18.  There will be cookies.  I can promise that.

By tomorrow I shall have all work delivered and by next week, all will be properly installed for viewing in their gallery spaces for the following few weeks.  While this all has taken a good amount of time and effort to pull off, I have been careful not to fall into the mindset of busy in the midst of pulling it all together.  And I believe I have been successful in that endeavor.  Sylvia Linsteadt of Tatterdemalion fame posted an article the other day about the notion of Resisting the Commodification of Time, with which I firmly agree on every level.  The article speaks to a level of mindfulness which I believe is desperately lacking in our world just now.  Everything so fast and furious, so new and shiny.  Mindfulness is at the very heart of my sketchbook practice and the workshops I teach.  Just the simple act of slowing down to draw something pulls us back into a better relationship with time, back into our bodies.  The world needs us to do this work.

Mindful
by Mary Oliver

Every Day
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light.
It is what I was born for—
to look, to listen,

to lose myself
inside this soft world—
to instruct myself
over and over

in joy,
and acclamation.
Nor am I talking
about the exceptional,

the fearful, the dreadful,
the very extravagant—
but of the ordinary,
the common, the very drab

the daily presentations.
Oh, good scholar,
I say to myself,
how can you help

but grow wise
with such teachings
as these—
the untrimmable light

of the world,
the ocean’s shine,
the prayers that are made
out of grass?

And so we do.  If you google “urban sketching”, you will see that the practice of drawing in a little book has truly gone globally viral.  People all over the world are doing it.  Here in the Queen City of Cincinnati, we have joined the ‘official’ ranks of Urban Sketchers and are getting our drawings out there along with other artful places such as Manchester and Hong Kong.  If you are coming to town and are looking to sketch with us here, let us know!!  We can be found over in the wonderful online world of Twitter and we’d love to meet you!

And that is all for now.  I have ghostly beings creeping into my bedtime sketchbook lately who are begging to be fleshed out further into more oil paintings.  I have knitting projects sitting idle as well which could use some finishing up.  It’s a time of year for walking in the woods amidst the fallen leaves, brewing more and more tea, and gently, ever so gently, slowing down.

 

zoo sketches

A few local illustrators here in this river valley (remarkably productive, as far as illustrators go actually) gather weekly for a bite to eat and sometimes a morning of sketching together.  This morning was one such morning and we spent a quick bit of time at the zoo, dodging cooler temperatures and limiting hours to grab a few drawings from life.

We start with the elephants.

I always find my elephant drawings to tend toward the abstract as they mosey and move, like elephants do.  Ages ago I worked at this zoo, as a teenager and college student.  I loved it.  Many of the keepers from back in the day are still present, being the best stewards they can be for these captive beasts.   After all, zoos are the best solution to some serious mistakes humans have made.

They were indoors this morning for the chill, but were working their way out of doors where there is more space even as we drew them.

Later we observe some sweet red pandas and eventually a few felines.  The cat house is changed from when I worked there years ago.  And yet it is familiar.

There is a caracal, this one more curious and mellow than the one which haunted me and jumped at the glass on my watch.

And a bearcat, a local mascot and icon at the university.  One of the few collegiate football games I attended back in the day was as a steward for the zoo’s bearcat who goes to represent his home team.

This explains a lot…..

I hear they are vicious but have only  really known them to be sleepy.

We have a lovely, but brisk morning out.  I am cold and head first to refill my tea water upon arrival at the local market where we gather for lunch at a local Vietnamese restaurant.  It is good we arrive early as soon there is a line out the door.

There is the usual sharing of work, a bit of mayhem and illustrated camaraderie as well.  I am so thankful for this group of fellow artists at all stages of their careers.  They give me hope and encouragement and it’s always fun to head out to draw together.

Connecting through sketching

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It’s a funny thing to go out into the world with a sketchbook, some pens and pencils and a little paint set.  My friends from the Cincinnati Illustrators group and I routinely set out around town to practice our on-site rendering skills and one of our favorite colder-weather places to sketch is the Krohn Conservatory.  Today was, indeed, a cooler day to be sketching and so we visited the conservatory where their annual holiday display is on.  There are lovely little  woodsy buildings made of natural materials, depicting many local landmarks and iconic places.  And of course loads of gorgeous plants and flowers.

I sat for a good bit watching this little incline go up and down the hill to ‘Mt. Adams’ while I drew the scene.

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After drawing for a while, I took out my paint set to add some color to my sketch.  Soon, I realized that I had a mesmerized young admirer of my work.

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and so I drew her.

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She was delighted with the results and when her Gran asked her, ‘what’s she painting there, Peyton?’, my new friend answered, ‘that’s Peyton!’

Peyton’s Gran sent me the snapshots she took of our sweet exchange and I share them here with her permission.  It was so wonderful to interact with guests of the Krohn, many of whom were fascinated by watching us draw.

Years and years ago, when I was a more shy sketcher, this notion filled me with dread.  I am often asked by students, ‘what if someone wants to see what I am drawing?’  (!!!)  And my answer is, ‘Let them!!’

We should all share our creative endeavors now and then, even when they might be new to us or feel clumsy.  I’ve been sketching for years now.  And each time I go out, I marvel at how curious and engaging folks are when I bring my sketchbook out.  I no longer mind folks looking over my shoulder as I draw, since now I teach the process.  I truly enjoy meeting the wonderful people who take a moment to say hello and ask what I am up to.  An active sketchbook is a lovely way to experience the world.