Tag Archives: travel journal workshop

‘Artvangogh’

It is travel season.  I am recently returned from California and while away, my studio window robins hatched and grew.

Mere seconds after this photo was snapped, this last one fledged.  It’s a bit like life itself.  How fast they grow.  Though our fledglings double back on occasion and for this we are grateful.

California was rewarding in her splendor as always, but had a few weather related tricks up her sleeve which complicated things for my workshop days.  That said, I packed in a lot in just a short time, both as a traveling artist and as a teacher.

There were many highlights….

After a class with nature journaling artist Kristin Meuser, (if you are ever in California, take a class from her! She’s lovely!) Rosemary and I headed to Berkeley where we met glass artist Alexis Berger, visited a lovely new shop called Etui, and gazed at magnificent fabrics at a place called Stone Mountain and Daughter Fabrics.

We had an appointment to meet watercolor maker Amanda Hinton of Limn Watercolors where we got to see how her fabulous paints are made from scratch.  It’s a fascinating brand of magic she does and we were smitten with all the colors.  And with Amanda herself.

Amanda Hinton of Limn Colors shows us around the room where it happens.
All the juicy colors

Limn colors do the usual fun stuff watercolors are known for, like mixing beautifully and replicating stained glass with their translucency, but some of her colors can separate and bloom in evocative ways that we have found enchanting.  I have a whole row of her colors in my paint set now which afford me abilities I’ve not had in the past.

Pigments awaiting
Half pans, drying
Samples and the muller

It was great fun to try and buy a few new colors to add to our collection and I am so thankful to Amanda for her time and warm welcome.

Also in Berkeley was a wonderful creative re-use arts supply store and the amazing Burma Superstar restaurant.  We even managed to stop into California Typewriter, of documentary fame…..

 

We were warmly welcomed by Ken and Herb and enjoyed looking at the machines currently in store there.

All in all it was a perfect, busy, sunny California day.

The sunny bit was not to continue.  Alas, the weekend forecast was wet. wet. wet.  So we worked indoors with exercises students will be able to take out of doors on their own at a later time.  Not ideal, but neither is sketching and teaching in the rain.  We were at least cosy.

There is plenty to draw in the home of an interesting, artistic friend.  Here’s a small demo drawing of a wee humbled Buddha I did for the workshop.

The following days were to see us dodging rain drops to capture the wild water on the coastline.

The sun did come out for a few minutes so we sat down to sketch on this beautiful spot in Asilomar, only to be foiled by big raindrops. We ran for the car, rain splattering our drawings. It’s a risk we take yes?
I do love a tide pool.

Again, not ideal, but we managed.  Day two of workshops was moved by one day for those available to make it, and we did manage a few hours of sunlight between rainstorms on our day of working together.  We also managed a few more sketches.

Art L-R by Amy Bogard, Sandi Kane, Rosemary Berwald
The trusty art vans! Always on the gogh. 😉

Painting at the sea side is by far one of my favorite things.  I am often torn between the desire to simply sit and stare at the shifting light and color of the ocean and to capture it in my sketch book.  This feeling is magnified by the limited time I always have by the sea.

I find myself wondering why I do not live nearer to big water.

Somewhere where I might take my blue art van and wander down the lane to the sea shore for a few hours to sketch and stare….. maybe daily.

Suffice it to say, time in Santa Cruz is never enough time.  In the same way that time at Ballybunion Beach is never enough.  Or time on Monhegan is never enough.  Alas.  Time marches on…..

Next up is an ocean of a different kind.  An ocean of sage.  In just two weeks’ time I’ll be back in New Mexico for my flagship travel journaling course at the Mabel Dodge Luhan House once again.  Every year is a gift and I am thrilled to be heading back.

The weather seems like it might be more cooperative in Taos than in California, even leaning more cool than in recent years.  We shall see.  But at the very least, sunshine, New Mexico style.

My studio is less a place of making just now and more a place of packing and preparations.

The art van, of course, at the ready.  A new sweater for the (hopefully) cool Taos nights, and maybe a friend or two along for company.

Swag is being readied.

I consider what art supplies to bring for my own making, while making sure that I have all the extras for the workshop participants as well.

It can make one’s head spin to be sure.  But the paint set is clean (after being dusted quite heavily by volcanic ash in Guatemala and a grain or two of sand in Santa Cruz) and refilled (note the lovely middle line of mostly Limn colors!!)

I have a few new pencils to try, including a light blue one suggested by Kristin Meuser during her workshop and a couple of Blackwing pencils all the rage with my illustrator friends.

All of it tucks away into the little van, along with a book or two to draw and paint in.  It’s all quite compact actually.

This year I have made the decision to simplify my packing process for the Taos trip.  I am only bringing a few of my current books, not a box full of past years’ books like I do normally.  And instead of bringing yet another box full of published books for people to peruse, I will bring a list of said books to share with my students so they can explore when they get home via bookstore and library.  We will instead focus on the work at hand.  It’s a strange shift, but I feel good about it.

It’s easy to look at the wonderful empty classroom at Mabel’s and feel like we need to fill it with things other than ourselves and our small packs of art supplies.  This is especially the case for me as facilitator.  But this is not true.  That room fills with laughter and conversation and the joy of working into the wee hours on sketches begun earlier in the day.  WE fill the room.  WE are enough, with just our supplies on hand.

I am so excited to get back to Taos where this whole traveling-art thing began for me so many years ago.  Every year is different, and yet there is the lovely familiarity to lean into as well.  I am open to what I have to learn there year after year and am grateful for the opportunity to go back once again.

 

 

Gifts of Color and Light

The sun drifts down behind volcanos surrounding Antigua, Guatemala, providing the beginnings of the evening’s light show, Sunset.

It is winter in Ohio.  Today, at least, we have some sunshine and some not so bitter temperatures.  I will go outside with a dog in a bit to attempt to shake some of the doldrums nipping at my heels just now. A heaviness borne of annoyances mostly.  Demands of the season and the length of daily darkness have ground me down in recent weeks.  I know this will pass.  I look forward to Solstice next week and keep my soul facing the light as best I can, while making friends with the dark as needed.

Gifts are being crafted, alighting to celebrate the return of longer days.  Although it will be a good many weeks before we see the changes and shifts properly, our hearts know – and sometimes that is enough to lighten the spirit.

Last weekend there was a concert – a sharing of musical gifts in the form of our annual Peace and Merriment concert at the Riley School.  Our hearts were lightened by an afternoon of tunes and a few stories by our Master of Ceremonies, who is also my flute instructor, John.

All things seasonal are underway….

Decoration,

“Tangled”
Changing a bulb

Reflection,

Celebration,

Sharing light with the world,

I have lists made of gifts to gather for the kids in my life, most of whom like books, even the older ones.  Perhaps we can be like Icelandic revelers and lie around reading all day on Christmas!  As for the adults, we all seem to feel a distinct pulling away from the “stuff” of it all, opting more for subscriptions, memberships, classes – “things” which aren’t things and which brighten the experience of simply being human.

Perhaps you know someone close to you who feels similarly.  Perhaps this someone is feeling the darkness of winter, (which even on the brightest of winter days has a muted spectrum of color).  Perhaps, they might like to look forward to more light and color in the not-so-distant future.

Registration for my travel journal workshops in Taos, New Mexico and Antigua, Guatemala are officially open and Taos is nearing capacity (yay!).  Antigua, being international and a newer offering, still has a few spaces left in each of the two weeks available (click the link for details!)

I can’t say enough about what a dose of vivid color and warm air can do for one’s soul and body after a long winter and I find myself looking very forward indeed to the spring trip to Antigua in particular.

And the coffee.  You simply wouldn’t believe the coffee…

Our classroom is in the form of where ever we find ourselves each day, from rooftops to ruins.

We immerse in culture through some shopping and exchange of language.

Through it all we gather it all into a travel journal.

While I encourage the use of cameras and smart-phones to capture “source photos” for later work, there is simply no better way to really soak into a place than through the lens of a travel journal.  Merely taking the time to draw something, perhaps even multiple times, creates a broader understanding of place.  A broader understanding of our place in the All of Everything.  This can be difficult to pin down in our hectic world.  By cataloguing a travel experience in a little book, our travels are enhanced and brought to life in a new and richer way.

We notice the little things…..

….while standing in awe of the bigger things as well.

We immerse in the day to day of Antigua, a UNESCO World Heritage Site, which holds beauty, color and light at every turn.

There are a million different yellows….

Pinks as well.

Blues and greens are well represented.

Our palette here is bright and beautiful and I help you figure out how to recreate these vibrant hues on the pages of your journal with a simple set of watercolors.

As the end of the year draws nigh, with one major gift giving holiday behind us (gosh Hanukkah was early this year!!) and another too close for comfort, consider the gift of one of my workshops.  This might be a gift for a loved one or friend, or simply, and perhaps most importantly, to yourself, setting the tone for 2019 to be filled with close attention paid to beauty, light and color.

The world could use a bit of all of these.

See you in Antigua!

From the rooftop of Posada San Sebastian. (oil on Panel, 5×7)

Sketch Antigua Guatemala – Spring 2018

 

UPDATE!!  THIS CLASS IS NOW FILLED! (but feel free to contact me about Taos 2018 and keep an eye out for future offerings by subscribing to this blog. Thanks so much!!!)

Come with me to the beautiful and ancient city of Antigua, Guatemala for a week of exploration through the lens of a travel journal!

March 4-10  ~ 2018

$1240 per person, double occupancy includes the following*:

~6 nights at Posada San Sebastian in the heart of Antigua

~5 days touring Antigua’s many sites, ruins, churches and museums with sketching instruction all along the way.  (entry to sites included in workshop fee.)

~All meals, including dinner Sunday of arrival and breakfast on Saturday, departure day.

~ Transportation to and from airport Sunday March 4 and Saturday March 10.

~$300 deposit holds your spot ($50 non-refundable)

*does not include airfare to Guatemala, gratuities, alcohol or the optional master weaving class.  single occupancy is also available for an added cost.  

 

email me, Amy Bogard at abeefrnd@gmail.com to register.  

Space is limited.  

 

Antigua, Guatemala is a treasured World UNESCO site, nestled into the heart of volcano country.  It is about an hour from Guatemala City where you will fly into.  While ancient in it’s long and varied history, the city is also quite cosmopolitan. Wandering the city streets, you’ll hear a variety of languages and there are many options for dining.

We will spend our week exploring the sites from our cozy home base at the Posada San Sebastian, where upon arrival you’ll be warmly greeted, “welcome home”.   Our host, Luis, is a gatherer of many interesting things and some of our time will be spent sketching his amazing collection of Guatemalan oddities.

Native Guatemalan culture is alive and rich in Antigua and is expressed in food and incredible textiles.  We will learn a bit about these things along the way and capture these colors in our sketchbooks.  While we will be spending most of our time in the city of Antigua, we will travel one day to the nearby town of San Antonio Aguas Calientes to the home of local weaver Lidia Lopez. Her family will prepare chicken pepian, a traditional and delicious dish, for our lunch, and Lidia will talk about the art of backstrap weaving. You will have the option of a weaving lesson for an additional fee.

If you are new to the sketching/travel journal process, fear not!  I will have you drawing and painting more than you could imagine in no time at all!  There is so much to see and do in Antigua.  A travel journal is the best souvenir you could give to yourself.

Join us!