Tag Archives: riley irish music

Enchantment on the edge

” I sat down on the bank above the beach where I had a splendid view all around me.  Dead indeed is the heart from which the balmy air of the sea cannot banish sorrow and grief.”

~Peig Sayers

We are more than a week home to Ohio now.  In this time we have run the gamut of human emotions.  Grief over the loss of and  funeral for Tony’s mom, love and glee at reconnecting with far flung family at said funeral, relief at being in one’s own bed and living space, awe at the turning of the season, as autumn in Ohio carries its own special splendor.  Overwhelm at the return to the reality of regular responsibility.

So often the case, I find my soul lagging behind my body after a trip of such magnitude and so part of my mind’s eye is still fixed on the magical hills and cliffs and windswept beaches of western Ireland.  But I am more fortunate than most who return to the US from a trip to the Emerald Isle.  I have music.

I shall start with that.

This fiddle playing owl graces the doorway of Neligan’s Pub in Dingle, where we happened upon an “open” session in which to play a few tunes.

Irish music has been in my life for a good while now.  Beginning with my son taking on the challenges of the fiddle, which led not only to his life’s work as a musician but also to me forging my own brambled path via whistle, flute and eventually (gods willing and the creek don’t rise) the Uillean pipes.  To say this music is a gift in my life would be a vast understatement.  Everywhere we laid our weary heads whilst in Ireland had something to do with the music.

Our friends in Blackrock, Co. Louth are both musicians.  Through their work over the years, they have come to know many influential people in the relatively small world of traditional Irish music.  And this is how I came to find myself treated to a once-in-a-lifetime opportunity of a private lesson with a legend.

Things I took away from meeting Seamus: I have good tone (this is really good news) and I need to work on my ornamentation (not news to me of course, and also not unexpected from a Sligo styled player)

Seamus Tansey is a force to be reckoned with.  His playing carries the wild, untamed side of Irish flute music and his mercurial personality matches this fierceness.  He’s a character not to be crossed, from everything I have ever heard about him.  And yet, because I came connected to someone he holds in high regard, I think he took a shine to me.  Our lesson was mostly me being stunned at the musical gymnastics he was asking for and him being patient with my inabilities.  There is nothing more humbling than this music and I have so much to learn, it’s true.  Perhaps this lesson with a legend would have been better spent on one besides myself, one with more knowing of the intricacies of this tradition.  But when one gets this opportunity laid in front of them, one must say, “I accept.”  I am grateful to Seamus and his lovely wife Joan for their gracious hospitality, to Simone and Sean for shuttling me to Northern Ireland for this opportunity and to Lillie whom I took to the airport hotel in Dublin far earlier than maybe suited her so that I could get to Belfast in time for all this.  Life is rich indeed, and we all do things to build each other up, do we not?

One of my favorite evenings of this trip was of a night in a Kerry kitchen, trading very local tunes with my friend Michael, a lovely box player who is a bit too shy to play at the sessions but who has loads to share.  Another favorite memory is that of an open session in a little pub in Dingle called Neligan’s.  Another box player called Michael, along with a few other lovely players and another lovely night of tunes indeed. A shout out to publican Dara who makes all feel welcome and at home in his pub.  Thanks for the encouragement to come along and play!  (We shall catch up to ourselves in Dingle shortly here in this writing…..)

Dingle is quite the touristy place really.  I can only imagine the throngs during the season.  But I think of this music as a bit of a back stage pass. Knowing a few tunes and humbly sitting in (only when invited, of course) at a local session can mean that the local musicians might stick around for a chat after the tunes.  And just like that, one makes a new friend or two.

Thankfully for Tony, all was not incessantly musical.  There was much touring to be done in our short time in Ireland. I was keen to hook him on this country I hold so dear with the hopes of luring him back once again.   I will be there next year for a whole month of course and I hope for him to tag along for a bit of November perhaps….. we shall see.

We took in the windswept Cliffs of Moher where there was not only natural splendor…..

One can see the rains coming in just in time to take cover….

Small beauty, amidst the majestic.

 

The wind makes drawings in the grasses.

Dizzying heights.
Classic cliffs. There is a reason this place is famous.

But the splendor of quirky humanity as well which made my heart swell.  There was an intrepid couple from away, maybe Portugal or Italy (difficult to hear with the wind blowing) who were keen to get some iconic wedding photos made….

Her veil blew in the wind and the rains did fall.  Everyone seemed to be good sports about it all.

Others got in on the fun and had their own impromptu wedding shoots….

It was one of those rare, feel good moments when one feels a part of things and good to be a human.  These kids might have been from Germany (again, so hard to hear with the wind as it was).  But strangely, all seemed right with the world for the moment.

Eventually, the next day, as you know, saw us headed further south, further west to the Dingle Peninsula, “Corca Dhuibhne”.  We soldiered on through rain and fog and down impossibly small roads which found us over impossibly foggy mountains.  The skies did clear and Dingle did cast her spell eventually and we found the music there that night at Neligan’s.  Sadly we barely had 24 hours to explore this amazing peninsula, but we took in what we could.

All around there was a feeling of being in an “other” world, of being blessed by those who exist in a greater beyond.  Things seem chancey and strange here.

An old “famine cottage” along the Slea Head Drive. Although it was €3 to enter, we found it fascinating and ghost like.
Mary, ever present. The Goddess in modern vernacular.

“Then I went to Ireland.  The conversation of those ragged peasants, as soon as I learnt to follow it, electrified me.  It was as though Homer had come alive.  Its vitality was inexhaustible, yet it was rhythmical, alliterative, formal, artificial, always on the point of bursting into poetry.”

~George Thomson, The Prehistoric Aegean

Language, in English as well as Irish piles up like stones.  Every nook and cranny, every stream and small strand has a name.

we begin to see where the swirls come into play….

The sheer breadth and depth of such a small place is difficult to capture and express.  It is said that Ireland is the size of our Indiana.  And yet, it carries aeons of legends and myths, tales of wonder and woe.  It would take a life time to learn and unpack it all.

We start with small words, easy to learn.  Familiar concepts.

Creatures we know we love already.

Looking out to the Great Blasket Island from the Blasket Cultural center. An amazing place to visit should you get the chance.

Perhaps through painting the sights we see, learning the tunes which waft through the air, and engaging in a word or two of Irish here and there, we might find our way to being accepted by this land I feel so drawn to.  I am keen to spend more time in Ireland.

I like the idea of being able to walk to the sea, and to the local bookstore, and the local pub, which might not only feature a warming bevvie, but also a nice cup of soup on an evening I don’t feel the urge to cook.

I actually don’t even mind the backward driving….

I love the constant presence of ravens and crows (kind of like in New Mexico).

But alas, here I am, now, in Ohio.  And I do not grieve this.  I have an amazing inlet and outlet for music via the Riley School, I have a wonderful community of fellow artists.  We have a patch of land where I am about to go set some garlic in for the winter and batten down the hatches against the squirrels.  Life is good wherever we are.

But I am glad to know of a few places, one especially, which make my heart sing.  Most folks might go a whole lifetime and not find this.  For this I am grateful.

 

 

 

Lately

Faery magic is strong in the woodland this time of year.

This is a world gone mad.  Too many things to take in, too much heartache for a body to navigate really.  The things I love which carry me into the gentle places of my soul and self and which keep me grounded when the winds do blow have suffered for lack of care.  I look at this little home of mine here on the interwebs and realize that it’s been since August that I’ve written.  It is not as if I have not written, or drawn, or painted in general.  Just not here, where even when no one is reading, it matters most.

Today I took to the woods with one of our trusty dogs, the one and only wild Iris Rose, to ponder a plan of how to negotiate the dangerous waters of our time in a sustainable balanced manner.  It is October, my most favorite month of the year.  I adore autumn and all it has to offer in the way of cooler temperatures, misty mornings and the desire to get the knitting needles clicking once more….

A little drawing in response to Rob MacFarlane‘s word of the day “die Füchse kochen Kaffee” which translates literally into “the foxes are making coffee”; German regional phrase for morning mists….

I’ve recently taken to fair isle color work and I am fairly in love.

Iris and I walked the golden woodland…..

We paid homage to those who’ve been before us in this well loved place.

This lovely bronze plaque was placed in memory of dogs who’ve hiked here well before our time.

We admired the colors signaling a late but welcome change of season….

I played a bit with my fancy camera which, like this blog space, has grown a bit dusty with disuse.

The pace of things in the world has me feeling a bit weary.  All this running and seemingly little to show for it.  The season and my soul alike beg for a backing off, a swing toward the internal to come once more to the still point of my personal center.  This country, and the world at large could stand the same I believe.

With the dark season ahead, one often fraught with personal mental health challenges, I am looking back with pride on a few months of wondrous productivity and activity whilst simultaneously crafting a structure of future quietude to keep the wolves at bay in the months ahead.

The Resistance, as it stands, is in full swing and its toiling does take up space and energy.  I quite mindfully make the space necessary to be of service in these dark times but must balance that of course.  There is canvassing and volunteering and much reading to stay informed.  The news is too much to keep up with and it can drag a soul down to low places, but I do my best.  I am careful to turn it all off and hit the paints or the road when I need a break.

The flurry of work and words in the past couple of months have been exciting to birth forth.  Here I share a few things that have been occupying my eye, my keyboard and notebook, my interest and my heart.  It is my hope that I take to engaging more here in this space in the coming months as it forces me, in the best way possible, to slow down.  To think about what I am writing and the images I share.  Social media channels are wondrous in their own way, and I certainly find myself lurking in the more creative corners of their hallowed halls.  There is so much to inspire.  But here, in my own designated space, I can think through my fingers….

“Writing, to me, is simply thinking through my fingers.”
Isaac Asimov

….and maybe go a little deeper.

So, last I left you dear reader, it was August, and so very hot.  September came along and while the heat gave no break,  I encountered a small challenge to make a drawing a day in 1″ square scale.  This painterly adventure, combined with a whirlwind trip to Taos, NM was balm indeed to a tired soul….

The Reluctant Trapeze, inspired by the amazing tune Le Funamble,  (do click the link!!) composed by Gilles Le Bigot and played by Nuala Kennedy.
“But we haven’t even covered redcaps and hinkypunks!” ~Hermione Granger
“When encountering a new soup recipe, one must proceed with caution.”

These drawings were part of a month long 1×1 challenge put forth by the House of Illustration in the UK.  An artist they showcased, John Vernon Lord, had completed a year of them.

“He dreamed himself very, very small.”
“The harvest is in, and I am feeling too small to deal with it.”
“I can’t fly but me pigeon can.” ~Charlie

I completed the challenge and made 30 of these little works.

Even when the news did say there were magnificent displays of ill will and malevolence.

“I read the news today, oh, boy.”

Toward the end of the month of September, my long time, dear friend Kristin (whom you may remember from this post) and I somehow managed to make our way from Ohio (me) and Vermont (she) to Chicago for a seamless meet-up at O’Hare and on to a quick flight out to New Mexico.  The opportunity to introduce a dear one to one’s soul home is a gift indeed and we savored every second.  Not much was catalogued of our time there, but we did manage some image captures…..

Photo by Kristin McCole.

“It’s the most wonderful place you can imagine.  It’s so beautiful there.  It’s ridiculous.”  ~Georgia O’Keeffe

Photo by Kristin McCole
Koshares, uniting shadow with darkness; playfulness with survival; divinity with debauchery.  At least that is how I interpret it.

We timed our visit with the Feast of San Geronimo at Taos Pueblo (every year on September 30th, you should go) which enabled me to see and visit with some dear friends there at a very sacred time.  It was a gift and blessing to share these folks and this place who are so dear to me, with an old friend from the way back, equally as dear.  Kristin said to me at one point, “You’ve built a whole world here, Ames.”  I do believe I have.  I am deeply grateful.

Majestic Taos Mountain

Our journey was far too short for a proper catch up.  To be honest, in spite of the splendor we encountered, we spent a good deal of time in a state of deep grief over the recent goings on at the Supreme Court.  There is a collective, primal scream of rage emanating from  the women in my life over doing this all over again.  How many times has this story been lived, eh?  Though this time is was so public, and so top-level.  I am still grieving.

But, and this is the thing, somehow we must keep going……..

And so, once home, early autumn life began with a focus toward music each weekend at the Riley School of Irish Music.  Those of us who love the music aim to bring just a smidge of this video below to our own playing….

Little Sea Folk Festival – Open The Door For Three – Church Hill / Monaghan Jig from Dean Merrill on Vimeo.

While we may never reach this level, we did manage to play our annual ceili dance once more and folks who attended seemed to enjoy it.  Chatting with our caller, Éamonn  de Cógáin after the dance, he remarked, “This is growing!!” And indeed it is.

This gathering was such good medicine just one day after the horrific news from Pittsburgh.  Just one more act brought to bear by the hateful rhetoric spewing across the nation from the White House.

so much musical love

The season brings with it, as mentioned before, a renewed commitment to new needle bound adventures.  I’ve invested in some gorgeous wool from my local knit shop to attempt the crafting of a sweater.  We shall see…. But in the meantime, it’s always fun to get to know the source of all things wool.

And maybe even attempt a sketch or two.

Perhaps you too are experiencing a bit of whiplash of the soul.  One minute darkness and rage – the next minute, a shaft of light to pierce that darkness and provide a respite.  We here are fortunate to have these moments of lightness.  To make art and craft worlds with words is a privilege indeed, and one I do not take for granted.  I believe to my core that it is an act of resistance to play music, and craft beauty with line, paint and words.  I am fortunate to have the support of family and my day job that enable me to live this artful life.  Not everyone can.  Yet somehow, artists get the job done, one way or another.  Here are just a few whom I support and so should you…..

Claudia: here, here, and here

Folk On Foot

Terri Windling

Four Way Quartet (Did I mention we hosted a house concert???)

The list goes on.

And so where does this all leave me?  As you can see, there’s been a great deal of output here in the form of energy and a good bit of intake as well which is wonderful.  But my hope is that I can slow it all down a bit.  To corral things to more depth and to a more manageable realm for me as an artist.  I like to say that I am a crock pot in this world of microwaves.

I’m being careful to begin my day with thoughtful words, such as the lovely poetry by Raquel Vasquez Gilliland or stories by Sylvia Linsteadt who’s recent book The Wild Folk  inspired a tiny sketch…..

Which led to a larger painting….

The Offering, 24″ x 36″, acrylic on canvas

My hub and I are running away a couple of days after the election to Guatemala to visit friends and make some art – to shore up our souls for what’s to come in our lives personally and collectively, good or ill.

We will get home just before Thanksgiving (yes, I’ve ordered the bird from our favorite market vendor.)  I plan to write here on this blog-space from down there if I can connect, as it’s one of the most inspiring places.  So do stay tuned.

If you are interested in my travel journaling workshops based in Taos, Nm, Antigua, Guatemala and a few other smaller venues, do get in touch and we can talk about the best options for you.

Wherever this reading finds you, I hope you are finding some gentility in this rough world.  We are at a crossroads as human beings and we have some decisions to make as to the path ahead.  For me, it’s one of kindness and art making.

“Hang in there, make art, be kind.” ~Neil Gaiman in response to the news of Brazil’s election of a nationalist, right wing president.  To my friends in Brazil, we are here for you.

Love,

Amy

ps.