UPDATE!! THIS CLASS IS NOW FILLED! (but feel free to contact me about Taos 2018 and keep an eye out for future offerings by subscribing to this blog. Thanks so much!!!)
Come with me to the beautiful and ancient city of Antigua, Guatemala for a week of exploration through the lens of a travel journal!
March 4-10 ~ 2018
$1240 per person, double occupancy includes the following*:
~6 nights at Posada San Sebastian in the heart of Antigua
~5 days touring Antigua’s many sites, ruins, churches and museums with sketching instruction all along the way. (entry to sites included in workshop fee.)
~All meals, including dinner Sunday of arrival and breakfast on Saturday, departure day.
~ Transportation to and from airport Sunday March 4 and Saturday March 10.
~$300 deposit holds your spot ($50 non-refundable)
*does not include airfare to Guatemala, gratuities, alcohol or the optional master weaving class. single occupancy is also available for an added cost.
email me, Amy Bogard at firstname.lastname@example.org to register.
Space is limited.
Antigua, Guatemala is a treasured World UNESCO site, nestled into the heart of volcano country. It is about an hour from Guatemala City where you will fly into. While ancient in it’s long and varied history, the city is also quite cosmopolitan. Wandering the city streets, you’ll hear a variety of languages and there are many options for dining.
We will spend our week exploring the sites from our cozy home base at the Posada San Sebastian, where upon arrival you’ll be warmly greeted, “welcome home”. Our host, Luis, is a gatherer of many interesting things and some of our time will be spent sketching his amazing collection of Guatemalan oddities.
Native Guatemalan culture is alive and rich in Antigua and is expressed in food and incredible textiles. We will learn a bit about these things along the way and capture these colors in our sketchbooks. While we will be spending most of our time in the city of Antigua, we will travel one day to the nearby town of San Antonio Aguas Calientes to the home of local weaver Lidia Lopez. Her family will prepare chicken pepian, a traditional and delicious dish, for our lunch, and Lidia will talk about the art of backstrap weaving. You will have the option of a weaving lesson for an additional fee.
If you are new to the sketching/travel journal process, fear not! I will have you drawing and painting more than you could imagine in no time at all! There is so much to see and do in Antigua. A travel journal is the best souvenir you could give to yourself.
This time last week, hard to believe, I was packing up boxes and cases, making last minute visits to loved ones in my home away from home, grasping hugs and goodbyes to new and old friends alike, with promises not to forget.
It’s easy to come back home to our day to day lives and forget the work we have done while in Taos. The week out there being just one in a year full of so many work-a-day weeks. Weeks when we might be tempted to forget the importance of our day to day creativity. And how crucial that creativity and the belief in it are to a Life Well Lived.
Each year I marvel at how a little class focusing on keeping a daily visual journal can become such Big Work. It IS Big Work. And I mustn’t forget.
For myself in my own practice of it, and for my students as well. What once started as an art class with some sketching and gathering involved, has morphed into a week each summer where some like minded folks come together to open up to the world.
It’s really as simple as that. And as complicated.
I’ll attempt here to share a little bit of what we accomplished this year in Taos.
First off, re: the little ditty at the very above. I really miss my Taosñas. Each is a beautiful Chip of a Star. Every year whoever needs this class comes to it. I panic a little as registrations come in (or don’t) and remind myself that this is not up to me. My job is to put it out there and those who are supposed to be there, will be there. This year was no different. I had some repeat attendees whom I hope benefitted from new tricks, and some newbies whom I hope are affected forever by the power of the work. I really, really miss them. We somehow manage to pack a year in a day, everyday, day after day. And every morning they’d show up at breakfast, exhausted, raw and ready for more, much like myself.
Pictures cannot do the week justice. But I have a few snapshots to share, and a few more words as well.
I arrived in Taos and the town was hopping, unlike usual. The Mabel and Company show was making quite the splash down at the Harwood, and if you are in town, I recommend you see it. This place has attracted artists and movers and shakers since before history. The show at the Harwood gives us a snapshot of one such time in history when the attraction was especially compelling to the likes of Georgia Okeeffe, Ansel Adams, and DH Lawrence.
On both the front and back ends of this trip personally, I opted to get out of town and visit the old Lawrence Ranch, now owned, operated and managed by the University Of New Mexico. I was blown away by the sense of place I found there.
In particular, the famed Lawrence Tree captured my imagination and the interest of my pencil. I truly enjoyed spending time with this tree.
In my heart of hearts, I think each tree has a soul of sorts, but like people, some trees have a soul which shines brighter than most. This is one such tree. And Georgia O’Keeffe knew it herself.
It was an honor to spend some time with it. Humbling as well. Because, let’s face it, not all of us are Georgia’s. We must all find our own way.
Meanwhile, folks arrived and gathered and we began the week with some exercises “where the tight are loosened, and the frightened are freed.”
I love the energy of these early drawings. And wish I had gotten more images of all of the work done that morning. Basically, we laid some locally found color down and then did some contour drawing over top. But the end product was less about what was on the page and more about what remained in the heart of the artists themselves. Suddenly, those who came to the table buttoned up with all kinds of amazing skills, found their work loosening and changing and growing. And the beginners, well, they had these gorgeous instant drawings they didn’t know they were capable of creating!! It was pure magic.
Later that afternoon, as luck would have it, the Pueblo had a dance to attend. So we moved the afternoon class to the evening, and traveled en masse to witness the dancing.
I have taken to not posting much about what we witness at these dances at/in the Pueblo itself, as they are sacred, and really only to be witnessed first hand. But overall, for Day 1 of an art workshop, this was kind of a spiritual ticket to the delicious underworld of it all. Someone remarked that the energy in the classroom that evening was more like that of Day 4 than Day 1, and I credit that to the workings of the day at the Pueblo.
As the week went on, day two into day three, all began to roll together. I had structure laid down for the work each day, but into that structure, Magic came. And the days, once again stretched and changed and became Other.
Creativity is really just the structuring of Magic.
In the past we have had the great pleasure of visiting the buffalo herd of my now dear friend Harold Cordova. In spite of some serious new responsibility on his shoulders we once again paid a visit to these amazing animals who were nursing some new members of their herd and shyly introduced us….
As usual, these regal beasts wove their way into our hearts and into our sketchbooks.
And in the spirit of the endlessness of the days of this particular trip, I found time that evening to play some tunes with local Taos friends who have become dear to me over the years. In spite of teaching all day. In spite of a spiritual visit to some otherworldly animal friends. Eventually, we did this twice during my time there this year. Again, I marvel. At the sheer deliciousness of it all.
Of course, all work and no play, make Amy an insufficient instructor, and so I did manage to get my feet up now and then, as per the instructions of the history of the house….
I’m no Dennis Hopper, but I do know how to put my feet up . Special shout out to my dear friend Jamison who set this bit of relaxation up for me there. All in keeping with the spirit of the house.
(yes, this hammock was in the same spot as Dennis’s hammock back in the day. Amazing how the stories of old speak to us in this day and age, via something so simple as a hammock.)
Meanwhile, we worked and worked and worked….. (and I took a few – but not many- pictures.)
Sadly and soon, it was time for our annual end of workshop dinner….
The food at Mabel’s was, per the usual, show stopping. They are true artists. And we are grateful for the gorgeous, plated dinner to which we were treated that evening. (not to mention, the breakfasts and lunches day to day!!!) No dinner in Taos that evening could have compared to ours, I am certain of it. The food and the people of my day-to-day in Taos are what I am missing the most, really.
I am now back in Ohio. I have lots of delicious plans for further travels with loved ones and into musical mires which themselves transcend time and space much like my time in Taos. But these are different than Taos, and I am still missing my time there. The me there. The Us there. There is a small bit of me that hangs onto it throughout the rest of the year. A bit that only those Who Have Been There can really relate to.
My goal is not to forget. Not to forget how crucial this work is in a crazy world so hell bent on crushing delicate creativity. Not to forget how Big this work is when sometimes my day-to-day feels so very small. Not to forget that lives have been and are being changed by the simple act of keeping a journal, or of making a little drawing of something beautiful each day. This is important. This, is work worth doing.
In the end, I think Lani Potts, a workshop participant this year and also an artist and a poet, put it most beautifully in this poem which found its way into her journal….