Category Archives: whimsy

A story of Petrushka

It all began with a request, from my first born, to create a special gift for his long time university level private-lesson teacher/ coach / mentor, Paul Patterson.   If anyone could understand our complex and multifaceted young musician, and light a path ahead for him through the throes of life in a conservatory setting, Paul has been that person.   He enabled Jack to see that there was no need to choose one musical path over any others – that to study jazz music was not to abandon the classical tradition.  This forked path is not for every musician, and it takes a great deal of extra work, but over the years, with the help of some other amazing instructors as well, Paul has quietly given our Jack many tools to follow his musical nose down whichever path that may lead.

Words simply cannot convey how grateful we are to Paul for his patience, his belief in this kid, and for truly shaping a young life in a way none of us thought possible.  Maybe in some ways, he even saved that young life and placed it on a more hopeful and focused path when he needed it most.

I had in mind perhaps a painting, of a master and his young student. Or perhaps a handmade book.  In typical fashion I thought and thought but was dragging my proverbial heels, artistically speaking, as Jack’s end-of-conservatory recital drew nearer.

Finally, Jack came up with a brilliant, though rather lofty, idea for a gift.  The kind of gift which might suit a teacher who has everything he may want or need.  What if I were to create a small puppet-styled doll, in the shape of Stravinsky’s famed Petrushka ballet?

And so I sourced some scrap wood from a carver friend, and set to experimenting.

This red cedar is incredibly beautiful, but difficult to carve in the time scope we had (and with my ever-so-rusty carving skills!).  So I fell back on some basswood I had up in our attic space which is softer to work with.

After a number of practice runs and false starts, I finally had a serviceable head with which to build Petrushka’s figure and so I set to work on the rest of the body.

I carved and carved.

Shaping things out of little blocks of wood and slowly bringing character and a bit of life to them.

I’ve worked with puppets in the past, most notably with the brilliant Frisch Marionette Company.  But my work there mostly centered on the performance aspect of puppetry, not necessarily the building of them.

And so my goal with this particular work was not a proper puppet necessarily, poised and balanced for nuance of movement, but rather a doll, with puppet tendencies, to be presented as an artful gift.

Soon I had pieces of this puppet-doll put together and able to move hither and thither in his own way.

To me, a representation of anything, be it animal, person, or puppet character, doesn’t really come to life (two-dimensionally or three) until the eyes have been gifted the spark of personality.

Creepy as this may look to those averse to clown-styled imagery, it was upon painting this Petrushka’s face that the personality of this tragic ballet-theater character truly fell into being.

Soon I was crafting a little outfit for him, all handmade, as proper gifts often are.

After awhile he was complete, except for the semblance of strings to give him the feel of a proper puppet, if not necessarily the movement of one.

This Petrushka is full of quirky personality, much like our Jack, and much like his amazing mentor, Paul himself.

It’s been a great joy to put time and energy into this project, even if it meant getting behind in and left behind by a few others.

This Petrushka’s workings are a tad on the clumsy side…

 

But he is a lovely sculptural gift for some one who loves music.  Someone who has himself, done much to sculpt the abilities, thinking and sensibilities of our young musician.  Things we as parents can’t always do.

They say it takes a village to raise a child.  I firmly believe in the truth of this and I take pride in the other adults we’ve invited into our lives over the years to help us in raising ours.  We are deeply indebted to all of them, and this trend continues into the young adulthood of both of our kids.  All that said, Paul Patterson is exceptionally close to our hearts for all the hours he has spent shaping and carving out the musical life of Jack.  We often ran into him at gigs Jack had, even outside of University life.  He always had much to report on all of the hard work Jack was putting into his music, and how we might best support him in our own, non-musical ways.  We can’t thank him enough!

Paul, this one is for you.  With love and gratitude.

Bells of Springtime

It seems many things in our little acre of land are bell shaped just now, fairly ringing with the bodacious arrival of a proper spring time. Daytime warmth coaxes and whispers to  the plants to grow and the evenings, cool again for resting before another day of more and more growing.

If one listens quietly enough, for long enough, the chiming of these little bells might be heard all around.  Small ones, tinkling near the ground, nestled and tucked under larger, louder plantings.

Other bells chime deeper, perhaps with the promise of a new backyard food source.

Some have a note so high and so sweet, only the most careful listeners might hear them.

And still others have a chime so light and ephemeral, one can’t really know if they sing the song of the mists or the breezes.  But if one listens…..

I’ve been listening.  With my trowel, moving plants around and tucking in new gifts from friends in trade.  Planting seeds and pondering plots and plans, all while these little bells ring and chime and sing all around me.

I’ve been listening with my pencil and paint brush and ink, to capture a bit of this ephemerality, and pin it’s simulacrum to my paper as best I can.

This is good practice as tomorrow I must leave my little plot of land here for a few days to lead two days of sketching with a very speical group in California.  We will visit a lovely garden and some wonderous trees as well, whose names I am eager to learn.  I am so lucky to do this work I do, encouraging folks to find the paths of their own ink lines, pencil marks and paint puddles.  It’s teaching season once again and I am glad for it.

But always I will come back home, to this little place, which is feeling really magical just now with the gardens bursting forth and the beauty of the bells in my ears.

“I am sure there is magic in everything, only we have not sense enough to make it do things for us.”  ~Frances Hodgson Burnett  

(thank you Cathryn Worrell for this gem of a quote.  You can see her Unicorn here.)

I’ll be back in a few days with tales of a land far west from here, but where friends await my arrival.  For now, I leave you with some more magic for your ears….

 

 

All in a day

I’ve technically been here in Antigua Guatemala for a day. Just shy of 24 hours. And in that time I’ve seen a city of history alive and laughing. I’ve heard many tongues being spoken upon the breeze. One conversation between a lovely, crackling fireworks display to end a raucous saturday evening in town and the volcano in the distance which answered with its own beautiful breath of fire and light in the distance.

Life happens amongst the rooftops and streets here. Creature comforts being the first order of business for this weary traveler, we had a snack before bed late last night up the street and coffee and a hearty breakfast on a local rooftop this morning. The volcano was still whispering its thoughts on the breeze.  After breakfast we followed rumors of a procesión happening a number of blocks away. A celebration of the Lenten season.

Temporary carpets were being delicately installed along the streets where the procession would return them to dust.

It was hot, diligent work. The carpets (alfombras) were crafted of tinted saw dust, raffia, flowers and vegetables.

Some had a way of looking at us.

Soon we reached the center of all the activity, Santa Ana Church.

Here, hundreds (thousands?) of faithful folk gathered to watch the spectacle. I am told this happens every Sunday leading up to Easter Holy Week when things are happening every day by then. But all in all, we were lucky to witness what we did.

After the crush of humanity it was great to get lunch and head back to our hotel, Posada San Sebastián which is a wonderland really. And a feast for the senses for anyone with a whimsical bent.

This special place contains many collected items set around in groupings. Such as chairs.

Enameled porcelain.

Telephones.

And my personal favorite, a cabinet chock full of baby Jesus.

Yes it’s true.

One might think that with barely a day here, all of this activity might have had us so busy as to forget our art making. But I did manage a page in between times.  And after some rest, tomorrow will bring more. Sometimes it’s important just to fully soak up what’s in front of you in the moment .

Good night watercolor set. Goodnight baby Jesus. Goodnight chatty neighbor.

Ya esta por ahora.   Antigua, I love you already.

Hamstertown Ball

“You can think and you can fight, but the world’s always movin’, and if you wanna stay ahead you gotta dance.”
— Terry Pratchett

riley-school-turns-20Yesterday a number of us gathered at the local Irish Heritage Center to celebrate a very special birthday.  Our beloved Riley School of Irish Music turns 20 this year and to mark the occasion, we put on a ceili, which could be described as like a wedding, only without the happy couple.  There was music from our ceili band, much dancing, called and instructed by the one and only Éamonn  de Cógáin, lots of food and drink to be had, and all in all was a wonderful way to spend the afternoon.
It is difficult to describe the place the Riley School has held in my life personally, and in the collective life of our family.  The music my kids (one more than the other) and I have learned and played over the years has changed us all for the better.  We have life long friendships now which we’d have never found without this school.  I began at the school as a mere parent accompanying my child to fiddle lessons – and I found my tunes and my tribe.  This music has taught me many things which apply to a life well lived and art well made.  I’ve learned to be less shy, to laugh more, to make mistakes and keep on playing.  My son has gone on to pursue music as a profession and my daughter can still pluck out a few tunes on the banjo.  (Party tricks do come in handy and one must always be ready to surprise people.)  We are better because of this little school which teaches what some might call a simple folk music.  Which I suppose it is.  But it’s complexity is to measured by the effect it has on the lives it touches.  dancers-learn-their-3s-and-7sMusicians play so that dancers might dance, at least in the Irish tradition.  It was lovely to have such intrepid souls out to dance this day, many mere beginners.

Éamonn-teaches-and-encourages

But soon our caller Éamonn had everyone laughing and trying steps and smiling and dancing.

dancers-learn-to-swing

With all of the malcontent the recent political happenings has dredged up, I have been thinking a lot about the place of music and artfull-ness, and dancing and laughing in the face of all of it.  I imagine that those who played Irish music over in Ireland during the troubles certainly must have played in spite of, or perhaps because of, difficult times.  And we do too, now, in these difficult times. To be fair, I suppose many voters do not think we are in difficult times with our new leadership choice.  Though I certainly do.

And so, it is more important than ever to dance.  To play our favorite tunes with vim and vigor.  To paint the brightest of pictures.  After all, we are all running along on the hamster-wheel of life.

I hear told that there was a similar dance, also with a band, in the town square of HamsterTown.  One wonders what tunes they danced to that day, and whether their caller could even hold a candle to our Éamonn.  I imagine, he’d have given him a run for his money…

hamstertown-ball

In(sta)sanity

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I don’t know about y’all, but I feel rode hard and put away wet after this last week or so.  That statement may seem like an uber-use of the vernacular, but I am after all, an Appalachian.  I’ve always known this to be true, as my kin hail from Breathett County Kentucky, but today I read it in the paper.  And during tough times, I look to my tough heritage for strength.

The mountains are burning.  And some days it seems, if we are to believe the bright screens we cling to,  so is the world at large.  Naively I thought the end of the election would bring about some solace.  But hateful things do not always recede.  At times, if they are repeated and retweeted, they become the reality only a small few desired.

And so, each day, I attempt to fathom the next step.  Not only for our nation necessarily, but for me.  As an artist.  As a maker.  As a purveyor of whimsy and (I hope) beauty in this big ol’ goofy world of ours.

I have read here and there that social media took a high profile part in the election of this new reich and I do not doubt it.  We live in a vastly different world than even just at the last election.  These platforms are part of our lives, whether we wanted them to be or not.  It is up to us to determine how much of it gets into our inner sphere.  It’s not as simple as turning off the television anymore.  We must be vigilant, especially as artists who trade in the visual, to closely monitor what reaches the inner sanctums of our minds and hearts.

In the perhaps misguided attempt to find an answer to ‘How Did We Get Here?’, I have recently instigated conversations with Trump supporters in my own network of family and life-acquaintances.  I have looked at surveys on what makes our society tick.  (Please, please, please.  Watch this documentary.  It’s important.)  And I am still without an answer, and alas, with some serious tensions in relationships of old.

I’ve deleted and retreated a bit, I’ll admit.  In the interest of my own sanity and my policy of ‘Only Light In, Only Light Out’ (which lets face it, paying attention to the news causes to slip a bit), I’ve taken to seeking out my fellow artists and thinkers for comfort.  My critics would call this my ‘echo chamber’.   But I would counter, I have work to do.  And I am finding it hard to do the work I am called to do in a culture of hatred and speedy, snarky commentary that I cannot even read in real time, let alone respond to.

So how to navigate this?  ‘Find your tribe’.  While I am fortunate enough to have real, live, fellow artists to gather with and seek support from in my ‘real world’ here, I am also eternally grateful for my online community who live all over the globe.  I can reach out and seek out the very words I need to get into a hopeful, studio-friendly, art-making state of mind.  The Instagram platform of social media is especially powerful in this way and today especially, it did not disappoint.  The lovely Pixie Lighthorse spoke on her Instagram page on how the acts of stirring soup and tending to home fires can be as powerful as those of outer activism.  And photographer Morgan Wade provided the pep-talk I needed this morning asking the vital questions we must answer as makers….

What wakes me up?   Coffee.  (still working on the deeper more philosophical question here.)  Music, beauty, a brisk walk.  Time with loved ones.

What and who am I fighting for?  My people.  This includes myself, my children, my family, my neighborhood, my community, my nation.  (that is the who).  The what?  Kindness, civility.  A slowing down/backing up of all the awful.  I think my work tends to these tasks in some way.

What kind of world do I want to live in and pass onto our children?  One in which we mustn’t constantly walk in fear.  One in which we can be ourselves.  One in which judgement doesn’t play such a deep role in our sense of self.

What softens me to myself?  Letting go.  Of judgement. Of fear.  Playing music and making pictures.

So this recent in(sta)sanity, combined with music played with friends at the local session, and before that, a Brazilian Jazz Combo show by my oldest and his jazz mates….

fullsizerender

…. further combined with the doodling of my own set of characters…..

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….has me feeling, for the moment at least, a bit more on an even keel.

Here is the thing.  I doodle.  And usually those doodles amount to nothing more than putting little creatures into people-like clothing, and creating little stories with the pictures.  It seems so simple.  But at the heart of it, it is not simple.  At the heart of things, I make drawings of small, vulnerable creatures who try to make sense of a world that is so much bigger than they are.  In this way I think I speak to everyone just trying to get along in this big, overwhelming world and not become prey to the likes of our president-elect.

I have a number of other little ‘rodent-in-clothing’ drawings that I can’t yet share but know that I am at the drawing board daily, between spells of tears, and that I am desperately biting back the desire to run away in a caravan or high-powered zeppelin.

luggage-tag-ginger

 

A favorite sort of day

autumn-breezes-in-the-treetops

It is my favorite sort of day.  One which began inspired and meditative, flowing along at my own pace, following my nose in an artful way, with no lists or have-tos clouding my inner compass.

Today I have been graced with the following….

pencil-meditations

Meditation at the very tip of my pencils.

stew-on-the-stovetop

Green chili stew on my stove top.  (I don’t eat much meat, but this stew’s protein came from my friends over at Grassroots Farm.  I am so very grateful for their work.)

best-tea-in-best-mug

Many (many) mugs full of tea.  It’s fuel.

ghosts-at-the-doorstep

Ghosts at my doorstep.  It is a liminal time of year, is it not?

autumn-breezes-in-the-treetops

Cool autumnal breezes in the tree tops.  We have been afforded a most beautiful fall season.  This doesn’t happen every year.  It is a gift.

flame-on-the-windowsill

The warm glow of candlelight on my studio window.  (The gorgeous candle is by my favorite honey and wax peddlers, Bee Haven to be found locally here in Cincinnati at Findlay Market on week ends.

iris-ever-familiar

A four legged friend who is up for adventure and doesn’t talk that much.

paint-on-my-brushtip

and finally, some paint on my paint brush.  I’ve been coaxing a little painting along lately who is not so keen to tell me all of her secrets. She is to be wooed slowly it would seem.  I am giving her time and space to tell me what she knows.  We will go from there.  But this much I do know…..

she knows of the power in the flutter of a moth’s wing.  she knows she must always have a basket handy for carrying the gatherings, (though what is in her basket, I do not yet know). she spends a great deal of time outside as it tends to keep her thoughts clear.

For now, that is all.

On the move (experiments)

A couple of weeks ago I took a short stop motion animation workshop through my local artist’s collective at the Kennedy Heights Art Center.  The instructor is Kate Ball whose work is interesting and hand crafted and which has just the right amount of surreal creep factor.  I loved it!  We had a ball working as a group and I knew I’d want to go home and try it myself.  Here are the early experimental results……

I have no idea if I will keep working in this medium as the paints are calling.  But I like that this is just another tool in my took kit in the art making realm.  I do enjoy it.  I hope you do too!!

 

Chip of a Star

This time last week, hard to believe, I was packing up boxes and cases, making last minute visits to loved ones in my home away from home, grasping hugs and goodbyes to new and old friends alike, with promises not to forget.

big sky at mabels

It’s easy to come back home to our day to day lives and forget the work we have done while in Taos.  The week out there being just one in a year full of so many work-a-day weeks.  Weeks when we might be tempted to forget the importance of our day to day creativity.  And how crucial that creativity and the belief in it are to a Life Well Lived.

Air BandB girls

Each year I marvel at how a little class focusing on keeping a daily visual journal can become such Big Work.  It IS Big Work.  And I mustn’t forget.

swag  For myself in my own practice of it, and for my students as well.  What once started as an art class with some sketching and gathering involved, has morphed into a week each summer where some like minded folks come together to open up to the world.

It’s really as simple as that.  And as complicated.

I’ll attempt here to share a little bit of what we accomplished this year in Taos.

First off, re: the little ditty at the very above.  I really miss my Taosñas.  Each is a beautiful Chip of a Star.  Every year whoever needs this class comes to it.  I panic a little as registrations come in (or don’t) and remind myself that this is not up to me.  My job is to put it out there and those who are supposed to be there, will be there.  This year was no different.  I had some repeat attendees whom I hope benefitted from new tricks, and some newbies whom I hope are affected forever by the power of the work.  I really, really miss them.  We somehow manage to pack a year in a day, everyday, day after day.  And every morning they’d show up at breakfast, exhausted, raw and ready for more, much like myself.

Pictures cannot do the week justice.  But I have a few snapshots to share, and a few more words as well.

mabel speaks 2

I arrived in Taos and the town was hopping, unlike usual.  The Mabel and Company show was making quite the splash down at the Harwood, and if you are in town, I recommend you see it.  This place has attracted artists and movers and shakers since before history.  The show at the Harwood gives us a snapshot of one such time in history when the attraction was especially compelling to the likes of Georgia Okeeffe, Ansel Adams, and DH Lawrence.

Georgias cross

On both the front and back ends of this trip personally, I opted to get out of town and visit the old Lawrence Ranch, now owned, operated and managed by the University Of New Mexico.  I was blown away by the sense of place I found there.
DHL rests

In particular, the famed Lawrence Tree captured my imagination and the interest of my pencil.  I truly enjoyed spending time with this tree.

to touch the lawrence tree

In my heart of hearts, I think each tree has a soul of sorts, but like people, some trees have a soul which shines brighter than most.  This is one such tree.  And Georgia O’Keeffe knew it herself.

 

It was an honor to spend some time with it.  Humbling as well.  Because, let’s face it, not all of us are Georgia’s.  We must all find our own way.

NM skies from the Morada

Meanwhile, folks arrived and gathered and we began the week with some exercises “where the tight are loosened, and the frightened are freed.”

loosening up Sallys contour drawing day 1 Day one loosens

I love the energy of these early drawings.  And wish I had gotten more images of all of the work done that morning.  Basically, we laid some locally found color down and then did some contour drawing over top.  But the end product was less about what was on the page and more about what remained in the heart of the artists themselves.  Suddenly, those who came to the table buttoned up with all kinds of amazing skills, found their work loosening and changing and growing.  And the beginners, well, they had these gorgeous instant drawings they didn’t know they were capable of creating!!  It was pure magic.

Later that afternoon, as luck would have it, the Pueblo had a dance to attend.  So we moved the afternoon class to the evening, and traveled en masse to witness the dancing.

I have taken to not posting much about what we witness at these dances at/in the Pueblo itself, as they are sacred, and really only to be witnessed first hand.  But overall, for Day 1 of an art workshop, this was kind of a spiritual ticket to the delicious underworld of it all.  Someone remarked that the energy in the classroom that evening was more like that of Day 4 than Day 1, and I credit that to the workings of the day at the Pueblo.

L'Engle truth

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As the week went on, day two into day three, all began to roll together.  I had structure laid down for the work each day, but into that structure, Magic came.  And the days, once again stretched and changed and became Other.

Creativity is really just the structuring of Magic. 

~Anne Rush

NM skies

Lani sketches

In the past we have had the great pleasure of visiting the buffalo herd of my now dear friend Harold Cordova.  In spite of some serious new responsibility on his shoulders we once again paid a visit to these amazing animals who were nursing some new members of their herd and shyly introduced us….

buffs 3buffs 2buffs in situ

As usual, these regal beasts wove their way into our hearts and into our sketchbooks.

buffs sketch Christinas buffs

And in the spirit of the endlessness of the days of this particular trip, I found time that evening to play some tunes with local Taos friends who have become dear to me over the years.  In spite of teaching all day.  In spite of a spiritual visit to some otherworldly animal friends.   Eventually, we did this twice during my time there this year.  Again, I marvel.  At the sheer deliciousness of it all.

taos tunes
photo credit to Linda Dietrich

Of course, all work and no play, make Amy an insufficient instructor, and so I did manage to get my feet up now and then, as per the instructions of the history of the house….

dennis hammock

I’m no Dennis Hopper, but I do know how to put my feet up .  Special shout out to my dear friend Jamison who set this bit of relaxation up for me there.  All in keeping with the spirit of the house.

hammock time

(yes, this hammock was in the same spot as Dennis’s hammock back in the day.  Amazing how the stories of old speak to us in this day and age, via something so simple as a hammock.)

Meanwhile, we worked and worked and worked….. (and I took a few  – but not many- pictures.)

anitas lani a la F Franckdrawing the pueblosketching cloudssallys mountainssketching tara

Sadly and soon, it was time for our annual end of workshop dinner….

beauty repeatingfinal tearfull dinner

The food at Mabel’s was, per the usual, show stopping.  They are true artists.  And we are grateful for the gorgeous, plated dinner to which we were treated that evening.  (not to mention, the breakfasts and lunches day to day!!!)  No dinner in Taos that evening could have compared to ours, I am certain of it.  The food and the people of my day-to-day in Taos are what I am missing the most, really.

the view to the loo

I am now back in Ohio.  I have lots of delicious plans for further travels with loved ones and into musical mires which themselves transcend time and space much like my time in Taos.  But these are different than Taos, and I am still missing my time there.  The me there.  The Us there.  There is a small bit of me that hangs onto it throughout the rest of the year.  A bit that only those Who Have Been There can really relate to.

My goal is not to forget.  Not to forget how crucial this work is in a crazy world so hell bent on crushing delicate creativity.  Not to forget how Big this work is when sometimes my day-to-day feels so very small.  Not to forget that lives have been and are being changed by the simple act of keeping a journal, or of making a little drawing of something beautiful each day.  This is important.  This, is work worth doing.

In the end, I think Lani Potts, a workshop participant this year and also an artist and a poet, put it most beautifully in this poem which found its way into her journal….

Lanis Poem

GO FORTH, AND DOODLE.

go forth and doodle

 

 

 

 

 

 

 

Fair Winds, Following Seeds

Ginger begins her summer's  travels via raven lift and amidst a caravan besailed and ready for where the wind takes it.
Ginger begins her summer’s travels via raven lift and amidst a caravan besailed and ready for where the wind takes it.

Always a step ahead, is our inner muse, in whatever form it takes.  For me, it is often Ginger Small, so small yet so intrepid.  So willing to step in to the trust of adventure in spite of her perceived size, stature and strength.  After all, we are all only as big, powerful and strong as we believe we are.

And so we send these muses ahead of us to pave the way.  Ginger has left here (with a sliver of my own gypsy-traveling heart) to begin the trek out west to Taos where I will teach later next week.  It’s more work than a week should be and so I pack and prepare maybe more than most might for a normal work week.  I love this work.  This week is what I prepare for all the rest of the year.  This week of sharing my book-based process of sketching and keeping a visual diary with workshop participants.  I love it.   And during this week, I am always inspired to pursue my eventual studio work more fervently once back home.

Ginger Small, my little book character yet to be snatched up and published but yet ever so present in my imagination, has gone on ahead of me, as my imagination and muse-selves are wont to do.  I wish her “Fair Winds and Following Seeds” , a play on an old navy tradition of wishing one on a journey or a move ‘fair winds and following seas.”  For we are following the seeds of inspiration.  To see what feeds us.  What grows with a little planting, watering and weeding.

Whatever you are pursuing in your own artistic journey, Fair Winds and Following Seeds to you.  And let me know what comes of it.  For after all, we are on this journey alone, yes.  But also with one another

 

Flights of fancy

Luna

I love moths.  Not so much the ones who like to eat up our woolens when we aren’t looking, but rather the more showy ones.

A number of years ago I embroidered the luna moth above.  She remains still one of my favorites.  Although the model for the above moth hailed from West Virginia, all sorts of varieties of marvelous moths can be found in this Ohio River Valley, including the Luna, as we are situated along the very edges of Appalachia where loads of wonderful creatures reside.

I am excited for summer’s warmth to come to us (though not our late-summer heatwaves!) and along with it, perhaps a few more interesting moths to observe in the local woods.  The One-Eyed Sphinx Moth, though not tremendously common, might be found on occasion in our Ohio woods.  Today, however, I found one in my thread basket….

sphinx begins

Well, really she came from my mind’s eye, with the help of a guide book and some source photos, with the eventual plan of being worn as a talisman.  Much like the recent mushrooms growing in the same said basket!

It’s still quite chilly out of doors, so it is no surprise I found her curled up amidst the chaos of my embroidery.

threaded chaos

And as I was home today awaiting some puppy meds for our Iris, I decided to follow this moth’s lead, and see where she might lead me. sphinx midway

Eventually she came together into a tiny, mothlike facsimile with which I am fairly pleased.

sphinx

The art of embroidery is a slow and steady conjuring, consisting of the magical ingredients of time, patience, a bit of thread, and perhaps, a dash or two of binge-able Netflix.

one eyed sphinx

As this work is so tiny, it will be installed into a wearable frame, looking much like a little embroidery hoop.  I shall post it on my instagram feed when it is ready.  Should this lovely moth strike your fancy, let me know.  I’d love her to go to a wonderful home…..

ps… here is the necklace this little sphinx found herself into.  I think it turned out nicely!

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