Category Archives: sketchbook

‘Artvangogh’

It is travel season.  I am recently returned from California and while away, my studio window robins hatched and grew.

Mere seconds after this photo was snapped, this last one fledged.  It’s a bit like life itself.  How fast they grow.  Though our fledglings double back on occasion and for this we are grateful.

California was rewarding in her splendor as always, but had a few weather related tricks up her sleeve which complicated things for my workshop days.  That said, I packed in a lot in just a short time, both as a traveling artist and as a teacher.

There were many highlights….

After a class with nature journaling artist Kristin Meuser, (if you are ever in California, take a class from her! She’s lovely!) Rosemary and I headed to Berkeley where we met glass artist Alexis Berger, visited a lovely new shop called Etui, and gazed at magnificent fabrics at a place called Stone Mountain and Daughter Fabrics.

We had an appointment to meet watercolor maker Amanda Hinton of Limn Watercolors where we got to see how her fabulous paints are made from scratch.  It’s a fascinating brand of magic she does and we were smitten with all the colors.  And with Amanda herself.

Amanda Hinton of Limn Colors shows us around the room where it happens.
All the juicy colors

Limn colors do the usual fun stuff watercolors are known for, like mixing beautifully and replicating stained glass with their translucency, but some of her colors can separate and bloom in evocative ways that we have found enchanting.  I have a whole row of her colors in my paint set now which afford me abilities I’ve not had in the past.

Pigments awaiting
Half pans, drying
Samples and the muller

It was great fun to try and buy a few new colors to add to our collection and I am so thankful to Amanda for her time and warm welcome.

Also in Berkeley was a wonderful creative re-use arts supply store and the amazing Burma Superstar restaurant.  We even managed to stop into California Typewriter, of documentary fame…..

 

We were warmly welcomed by Ken and Herb and enjoyed looking at the machines currently in store there.

All in all it was a perfect, busy, sunny California day.

The sunny bit was not to continue.  Alas, the weekend forecast was wet. wet. wet.  So we worked indoors with exercises students will be able to take out of doors on their own at a later time.  Not ideal, but neither is sketching and teaching in the rain.  We were at least cosy.

There is plenty to draw in the home of an interesting, artistic friend.  Here’s a small demo drawing of a wee humbled Buddha I did for the workshop.

The following days were to see us dodging rain drops to capture the wild water on the coastline.

The sun did come out for a few minutes so we sat down to sketch on this beautiful spot in Asilomar, only to be foiled by big raindrops. We ran for the car, rain splattering our drawings. It’s a risk we take yes?
I do love a tide pool.

Again, not ideal, but we managed.  Day two of workshops was moved by one day for those available to make it, and we did manage a few hours of sunlight between rainstorms on our day of working together.  We also managed a few more sketches.

Art L-R by Amy Bogard, Sandi Kane, Rosemary Berwald
The trusty art vans! Always on the gogh. 😉

Painting at the sea side is by far one of my favorite things.  I am often torn between the desire to simply sit and stare at the shifting light and color of the ocean and to capture it in my sketch book.  This feeling is magnified by the limited time I always have by the sea.

I find myself wondering why I do not live nearer to big water.

Somewhere where I might take my blue art van and wander down the lane to the sea shore for a few hours to sketch and stare….. maybe daily.

Suffice it to say, time in Santa Cruz is never enough time.  In the same way that time at Ballybunion Beach is never enough.  Or time on Monhegan is never enough.  Alas.  Time marches on…..

Next up is an ocean of a different kind.  An ocean of sage.  In just two weeks’ time I’ll be back in New Mexico for my flagship travel journaling course at the Mabel Dodge Luhan House once again.  Every year is a gift and I am thrilled to be heading back.

The weather seems like it might be more cooperative in Taos than in California, even leaning more cool than in recent years.  We shall see.  But at the very least, sunshine, New Mexico style.

My studio is less a place of making just now and more a place of packing and preparations.

The art van, of course, at the ready.  A new sweater for the (hopefully) cool Taos nights, and maybe a friend or two along for company.

Swag is being readied.

I consider what art supplies to bring for my own making, while making sure that I have all the extras for the workshop participants as well.

It can make one’s head spin to be sure.  But the paint set is clean (after being dusted quite heavily by volcanic ash in Guatemala and a grain or two of sand in Santa Cruz) and refilled (note the lovely middle line of mostly Limn colors!!)

I have a few new pencils to try, including a light blue one suggested by Kristin Meuser during her workshop and a couple of Blackwing pencils all the rage with my illustrator friends.

All of it tucks away into the little van, along with a book or two to draw and paint in.  It’s all quite compact actually.

This year I have made the decision to simplify my packing process for the Taos trip.  I am only bringing a few of my current books, not a box full of past years’ books like I do normally.  And instead of bringing yet another box full of published books for people to peruse, I will bring a list of said books to share with my students so they can explore when they get home via bookstore and library.  We will instead focus on the work at hand.  It’s a strange shift, but I feel good about it.

It’s easy to look at the wonderful empty classroom at Mabel’s and feel like we need to fill it with things other than ourselves and our small packs of art supplies.  This is especially the case for me as facilitator.  But this is not true.  That room fills with laughter and conversation and the joy of working into the wee hours on sketches begun earlier in the day.  WE fill the room.  WE are enough, with just our supplies on hand.

I am so excited to get back to Taos where this whole traveling-art thing began for me so many years ago.  Every year is different, and yet there is the lovely familiarity to lean into as well.  I am open to what I have to learn there year after year and am grateful for the opportunity to go back once again.

 

 

Awakening, gradually

A word from Mabel…..

“One could really learn only by being, by awakening gradually to more and more consciousness, and consciousness is born and bred and developed in the whole body and not only the mind, where ideas about life isolate themselves and leave the heart and soul to lapse inert and fade away.  Yet never to cease watching was imperative also; to be aware, to notice and observe, and to realize the form and color of all, the action and result of action, letting the substance create the picture out of abstract consciousness, being always oneself the actor and at the same time the observer, without whom no picture can exist.”

~Mabel Dodge Luhan

And from Mary:

“To pay attention, this is our endless and proper work.”
~Mary Oliver

Upon flying away from Guatemala City, Volcán del Fuego poofed a breathy goodbye there in the distance. I’ll admit it had me a bit misty eyed.

Just a couple of days ago, I weathered a 20 hour (door to door) day of travel from Antigua, Guatemala back home here to Ohio to begin re-entry into my “real” life and to prepare for summer workshop season.  This latest trip to Antigua has gotten it all started in fine fashion.  Two weeks of facilitation and friendship; a welcoming of the Lenten season – even for the least religious among us;  and a passport to spring.

Now home, I weather the chain saws and leaf blowers which mark the fair weather season in these parts and I wonder what could be made different in this world.  I let these ponderings simmer on the back burner of my mind as I revisit what was, yet again, a life changing visit to a magical other-world.

Last I left you here I had arrived at the Posada a little heart-weary after a visit to my childhood home in Guatemala City.  I am still sifting through that heavy luggage, but not without curiosity and joy that I have as much information and inclination as I do with regard to it all.   It was, after all, a lifetime ago.  What does it even matter?  The words “make a book” keep coming around, though I have no idea how to go about it.  So many great memoirs exist in the world.  How does one even begin to make a semblance of a memoir with so few memories?  But I continue to investigate.  Perhaps living memories through the lens of a vivid imagination is enough.  Guatemala is worth exploring, I do believe.

But first, THE WORK.

I crafted this sketch-journal trip to be one framed in intimacy and quietude. No big groups here.  The goal being to come to a beautiful place, make some art, work at making it the best we can make it here and now – nothing more than that really.  Beyond that goal, the rest was travel gravy.  Each week there were 6 of us, (next year I’ll allow no more than 8 total – 6 participants at most) to allow for ease of movement about town as a group, ease of meal taking and decision making, to encourage a sense of deep work and seriousness of purpose.  This approach worked beautifully and set such a lovely tone all around for both weeks.  I marveled.

Volcano Medicine

my people

were fed by volcanoes

that fire milk

piercing the surface

like spirit

unrelenting

pierces our facade

to get in

and feed our souls

~Lisa Fazio


By morning we would admire the volcanoes, if they were up for viewing, and then we’d wander through town to breakfast….

One could spend the entire week with this series of arches on route to breakfast alone and not get bored with sketching.

The rooftop at Bella Vista Coffee Company is one of the best places to begin the day, and it has some of the best coffee the world has to offer.

We are greeted as friends, always.

The staff at Bella Vista was so excited to see what were up to in our books

Each day would see us tackling a new-to-us ruin in this gorgeous city, sketching and taking it all in along the way.

Sketch from San Francisco church ruins, Rosemary Berwald
Sketch from Conventa De Las Capuchinas, Joan Youngberg
Sketch of San Francisco church ruins, Connie Ware
sketch of San Jeronimo School ruins, Astrid Otey-Mast

 

sketch of San Jeronimo School ruins, Amy Bogard

By afternoon we would work back at Posada San Sebastián, tidying up sketches we’d begun in the morning…

A “throwdown” of sketches from week one. So much great work!!
Cindy touches up her sketch from the Capuchinas ruins
Sketching in the breezeway

and perhaps capturing a bit of our home-away-from-home at the Posada as it’s filled with all sorts of sketchable fare……

 

Cow and Donkey in a Candy Dish by Rosemary Berwald
Using blind and semi-blind contour drawing techniques to capture the wonky child’s chairs at the Posada.
I think laundry drying on a line is a beautiful theme. Ever changing yet always the same. It speaks of home.

I hope to make some proper paintings of the shifting light in the laundry area.

Sketch of Volcán de Agua by rosemary
so many blue kettles. so little time!!!

There was so much to see and take in and draw from and speak to and listen to and experience.  Each day was filled to the brim with a special kind of magic only found in this amazing Unesco World Heritage city of Antigua, Guatemala.

Vanessa utilized her excellent Spanish skills to get to know this fella who’s vessel on back there is for carrying water.
Richard spent a fine morning here in this shaded doorway tackling a difficult scene at Capuchinas.
Later he came home to sketch a “Cucurucho”, one of the Lenten flavored purple-costumed guys who populate the town and the Procesións this time of year.  Richard had purchased a little candle  representation of a Cucurucho which made us all laugh a bit, and so he drew it in his book!
Shade is hot territory on a sunny day.
Kudos to Connie who kept her focus in spite of many young onlookers as she drew the San Francisco ruins. We all remarked later that day on how polite and genuinely enthusiastic these kids were about what we were up to.
sketching at the Tanque. (Connie and Astrid)

A Sacred Season.

This year’s workshop abutted a very Holy Season indeed.  That of Lent.  In fact, at the end of the trip, Rosemary and I stole away in the wee hours of the morning of Palm Sunday.  Otherwise there might have been no escape.  For Lent is a busy time in Antigua.

Some days the incense was near stifling.  Reminiscent of growing up old-school Catholic, it was at once, unsettling and nostalgic.

Carrying Mary. It’s heavy work to bear the feminine through a distinctly male-dominated culture. But Mary prevails. As does the strength of the women of Guatemala.

A guardian of the Procesión.

The locals weren’t the only ones feeling a sense of the season. …

“I believe in kindness. Also in mischief. Also in singing, especially when singing is not necessarily prescribed.”
~Mary Oliver

Irish Music is my sanity and it was my great fortune to have Doug and Astrid along for a tune now and again.

“I have my way of
praying, as you no doubt have yours.”     ~Mary Oliver

Next year we hope not to be quite so close to Easter. (Stay tuned.  I am announcing the dates for 2020 to those who’ve been on the trip up to now and who’ve expressed interest even before that….. I’ll open it further soon to others but I expect it all to fill quite quickly if this year was any indication.)

Though I’ll admit it is thrilling to be near this level of faith.

This is Joseph Barry. Named so because as a Santo, he is Saint Joseph, but because he is from the Posada, he reminds me of the Bee Gees. He came home with me as a gift from our loved ones at San Sebastián and as a reminder to keep to the work at hand. And to have faith.

And so, here we are now, at the height of spring in Ohio, making lists and travel plans for my California Trip in May (contact me for details if you are interested) and the Taos based workshop in June (now full!), which is my flagship class and holds a truly special place in my heart.

This time of year always has me feeling a bit tossed about in the world.  I am not a speedboat in this modern world, but more of an old fashioned ocean liner of sorts.  It takes me some time to shift gears and change course of direction.  But I manage to get there in the end.

If you are curious to see more of my own work from our time in Antigua, head over to my Instagram.  There is plenty there.  I aim to keep working from source photos as well.  Sketching my way through misty memories of a tumultuous time and of course from more recent times as well, a tad less tumultous.

Seems the best way.

Vantigua!! At the ruins of San Francisco
Vantigua!! the art vans were dragged up to San Cristobal to get a view of Antigua from above. it was a delicious adventure!
The presence of Agua
Cupolas!
Color and Line. What more could an artist ask for???
The dangling flowers at Canela Bakery.
Fruit vendor. Sights. Smells.
evenings are gentle at the posada
Candles. always.
cupolas for the queue.
Dinner at Angie Angie. Sundays are two for one pizza night. Just fyi
“No bread please. Just cheese. Or meat.  Sauce is ok. If it’s on cheese or meat”     Sweetness, the street dog.
Back home with a handful of cut flowers for a garden themed show coming in May. Need to make more. and get a frame….. (One mustn’t bring true flowers into the country, but surely hand painted paper ones are ok, yes?)
Always important to have a map to find your way home……

PS.  There is a gorgeous telling of week one over on the blog-space of artist, printmaker, photographer and no-longer-practicing bear biologist (she has amazing stories fit for a proper campfire) of Vanessa Sorensen of Nessy Designs.  I adore her work, words and over all being really.  Thank you Vanessa for this lovely post:  http://nessydesigns.blogspot.com/2019/04/guatemala-sketchbook-workshop-2019.html

Do go visit her website and blog.  It’s a treasure to behold.

 

 

Arrival

(headphones in. Listen for the tone of the post below…….)

I arrived late in the day yesterday to my home away from home here at Posada San Sebastian in Antigua Guatemala.  Perhaps they say ‘welcome home’ to all their beloved guests, but it feels so great to hear it any how.  I awaken to hazy sunlight in the courtyard after 11 solid hours of unbroken sleep.  I am the first to arrive of our group.

My bedside window view is peaceful and familiar.  I bundle up in a shawl and socks to wander down the hall to boil water for coffee.  Coffee before coffee.

Arrival to Antigua is generally none too difficult.  Though traffic can be an issue at times getting from Guatemala City where the airport is to be found.  Yesterday I opted to complicate matters just a bit to endeavor a side trip on route to Antigua .

When I was a kid (ages 5 – 7 or so) we lived here in Guatemala, in the city.  My dad was a machete weilding geophysicist who enjoyed field work more than academia and so we came here for his work. There are many firm and pleasant memories from our time here.  And there are many gaps in that memory bank as well, for trauma did leave its mark in the end.

An earthquake and the seismic dismantling of our family shortly thereafter meant this place carries some scars in my little-girl psyche. I’ve been unpacking that heavy suitcase bit by gentle bit upon coming back for the first time with my hub for our anniversary  few years back.

Memory and the reptilian bits of our brain are a fascinating soup of interpreted facts.  Mixed in alongside the sanity-saving memory gaps,  desire to take flight, flee and save oneself at all times, trauma can cement things into a body and make a life we run from for the rest of our lives . For me, I am interested in going back in, from a place of safety, the present moment, and revisiting.

My side trip on route from the airport was to my childhood home where we found ourselves in 1976.  My patient shuttle driver put the sat nav on and we wound our way through the diesel and the oppressive midday heat and traffic to find my old home.

I had an old letter from my mom to her parents which has the whole harrowing tale from her perspective and the address as well and so off we go. With the traffic being what it is and this being an unusual shuttle driver request, I only manage to stay litle while. Snapping photos for my mom, noticing differences and familiarities in succession. Had I noticed anyone around I might have scraped up the courage to ask if I might come in and take a peek. Alas maybe next time. My Spanish improves with every visit here and I managed to share with my driver a bit of why it was important for me to visit this place.

There are many changes of course. Our neighborhood is now a guarded, gated community.  There are big black garage doors on what used to be an open and breezy car port. My host here said that with the violence suffered awhile back, many places circled their wagons in a sense to keep themselves defended. Guatemala has a complicated history, one I hope is shifting into a new era of eco-tourism, prosperity and fair pay for artisans living and working here. That is a tale for another day.  But suffice it to say, change is inevitable and truly the only constant.

Above is a sketch I made of my old house. With it’s unfamiliar doors and additions up top. Overlooking the gorge across the street, the trees are taller but the view is strangely familiar.  I remember the days just after the quake as the earth settled back into place with aftershocks and constant tremoring.

I’m ever so grateful to get a glimpse of this old place and hope to go back again.  I love my new relationship with Guatemala which involves textiles and painting and new memories being made with friends and loved ones in this magical mystical place.

As time passes and I dig deeper into the past while continuing to focus on the present, I’ll share more of what I dig up. Perhaps there is a book in all of this . I do not know. I just know, that right now, on this first morning in Antigua, I’m deeply grateful.  For my past which has made me who I am and for my present which helps me forge that self in the best way possible .

A note and apologies for the photos in this post. My devices aren’t talking to one another. So I had to use the crappy camera on this tablet to add the visuals. Its time for a new laptop for my travels so I can blog more easily from the road. If you dip over into instagram, find me at @abeefrnd and I’ll share a few old photos there which will add to the story .

As @doodleyboo on IG posted this morning…

” You might not work well everyday.  But you can always edit a bad page. You can’t edit a blank page.”

—Jodi Picoult

and so, in the spirit of the quote above, I offer you this imperfect blog post, for now .

 

Mapping the weeks ahead

Antigua beckons…..

But first, there are tunes to play (yay!!… below I’ll list where we are playing locally in coming days) lists to attend to, errands to run.

In the meantime a favorite part of the work I do is to collect bits of ‘swag’ to present to my students upon arrival in whatever destination we may find ourselves.  For the Antigua trip, I’ll gather a few things once I arrive to combine with things I’ve gathered here in Ohio- like little altoid watercolor sets to work with (this allows people to try new colors which might not be available in their own sets and to play with limiting their palette as an exercise).

I’ve crafted a keepsake illustrated map of some of our favorite haunts in Antigua which I’ll reproduce for my students.  It’s fun!  It is my hope that not only will this come in handy to know where they are as we sketch the city, but will also encourage them to create their own version in their own travel journals.  We must always map our own course, I do believe.

There are stickers…. always stickers…..

….which encourage a bit of ‘mixed media -ness’ in our books.  I’m sure to have a few more tricks up my sleeve but really the true gift will be that of spending time together, slowing down and enjoying this World Unesco Heritage city in all its glory.  To say I am excited to return would be an understatement.

Here at home I have been gifted some tree cuttings to root as I re-think the stewardship of our little patch of land.  I am mindful of what needs to be done in the garden, and perhaps more importantly, what needs NOT be done as well.  Do check out the work of We Are The Ark in the hopes of re-wilding small places to create a network of healing in these times.

Art by Ruth Evans for www.wearetheark.org

While I was making stickers at the library today for my workshops, I saved a bit of time to make some stickers for this cause as well.  I’ve mentioned this notion of holding two things at once in our hearts, yes?  We must do the work we do in the day to day, while also tending the wild places in the corners of our gardens and spreading the word about the need to be more mindful in this world.  Limiting consumption where we can.

In this same spirit I am following closely the work of young activists who are striking from school when and where they can (usually Friday’s but I know it can vary region to region).  Emma Reynolds has pulled together a number of illustrators to show solidarity with these brave voices and here is my little drawing…

That is the news from today.  For now I am off to rehearse tunes with my musical mates.  We don’t often have microphones thrust in front of us, and so we take a bit of time to practice for these once-yearly gigs.

You can find me here in the coming days……

Saturday:  Arnolds Bar and Grill 8-1130 pm

Sunday:  B-List Bar in Bellevue KY 4 pm-730 ish then Palm Court at the Hilton Netherland Plaza Hotel 9-12 (this is quite fancy)

I hope to see you there if you are local to this little river valley.  More soon as I get set to hit the road very soon…..

 

Comings, Goings. Doings, Beings.

Our front creek, captured magically by Imran Nuri.

“I don’t want realism.  I want magic.”  ~Tennessee Williams

There is much coming and going of late.  Hither and thither we work and play.  I’ll share a bit here as I set aside remembered things to pack away for upcoming workshops.  Antigua beckons…..

A sample of the magnets I have designed as give aways for my workshop participants! I figure if they see these on their fridge in the day to day, they will remember to work in their books more often, yes?

Narry a week ago, I was working in my own sketchbook in a warm place called Key West.  When I wasn’t strolling the colorful streets filled with colorful people, feasting my eyes on color and light, I was bobbing in a pool or better yet, in the sea herself – buoyed by salt, water and sun.

pay no mind to the chitter chatter in the clip above, we were on a sunset cruise.  I was captivated by the murky depths.  And miraculously I did not get sea sick.

Key West enchants with its embedded quirk round every corner.  Some folk come here to drink their cares away, but I for one came to drink in more than just rum.  Though to be fair, rum has its place.

If one but stays just off the beaten path, there is charm at every turn and lovely sunsets to behold.  And it can be a balm for the soul of a weary, land-locked midwesterner nearing the end of a long, gray winter…..

Hens, chicks and roosters are to be found everywhere. They are well socialized and cry the song of their people. A lot. Cockadoodledooooooo!!! (and chuk-chuk and peep-peep as well!)
The Young Man And The Sea, our ship’s crewman Dale.
The captain and crew of the good ship Sarah took great care of us on a sunset cruise on the ocean. If you are ever near Key West, I recommend Danger Charters, in spite of their name.

We paid homage to the sea and to the rich history of the place, even visiting the home of Ernest Hemingway which boasts 55 polydachtyl cats living their best lives on the property.

I found Key West to harbor great juxtaposition. The locals care deeply for the ocean, that is clear, and yet single-use-plastics are still the norm at local businesses. We declined all straws/utensils/bags when it was an option.  It’s a small thing, but it’s worth doing.
Cemetery Sentinel

There is magic around every turn there.

Tree guardian being? Or a large fairy fist, offering us a tropical green bouquet?
Our Queen City-scape, with a river running through it. Quite lovely from the sky, though I am not a city girl at heart.

Too soon we must return home once again to the gloom and gray of Ohio.  But we look for the quiet magic to be found here.

My daughter and her boyfriend are home for break and he has some new camera gear he is eager to test.  He stunningly captures the magic of our yard in the dark.  With his extended exposures, our criss-crossing creeks become fully laden with an Otherworldly quality and I am reminded how lucky we are to have this little patch of land of ours.

Our front creek, captured magically by Imran Nuri.

Art has a way of reminding us of the beauty in the world.  Music as well.  This week ahead is the high holy season of Irish music and we are quite busy indeed.

Tuesdays there is always a session here in town, even on ‘normal’ weeks.  This Tuesday we are at Streetside Brewery on Eastern Avenue.  It’s one of our favorite places to play.  Saturday March 16, I join the Roving Rogues to play St. Patrick’s Day eve at Arnold’s Bar, Cincinnati’s oldest tavern. and on Sunday, we once again will play in the evening at Palm Court in the Hilton Netherland Plaza hotel.  Come on along and enjoy a fancy cocktail.  Escape the green-beer fray, won’t you?

I am so grateful for the music.

And this music as well….

Our Jack was part of a concert celebrating the music of Bach which we attended last night.  It was divine and captivating, as Bach can be, and we were swept away on this stormy evening to another world indeed.  There is more this evening as well, I can’t recommend it enough.

All is not angelic and ethereal round here however.  As I mentioned, I am busily getting last minute things in line for my double workshop endeavor in Antigua, Guatemala.  This is keeping me on my toes instead of at the drawing table or in the journal where I belong.  I embark on that journey later this month.

But before I go to Guatemala, I am attempting to complete a somewhat hefty hand-made project, which in it’s own earthy way is keeping me grounded in work.  That of a 3′ X 4′ latch hook rug project for the annual May The Fourth Star Wars Tribute show.  

I’m using a grid to help me keep track of my design on the canvas.

All the yarn I am using for this project is either from my own stash of leftover yarns or has been acquired second hand at Scrap-It-Up over in Pleasant Ridge.  This has added some complexity to the rug itself and is helping me to make Chewbacca extra fluffy and scruffy.

My studio assistant Ian takes his job quite seriously.

Until he’s ready to leave the room, at which point he rings the bell to let me know.

Working a bit on this rather ridiculous project each day keeps me grounded and working with my hands which is good for my head ironically enough.  And this is good.

And so, the fitting in of all the pieces of this life’s puzzle continues.  While I must admit to this being a rough winter in many ways, things are looking up now that the light seems to linger longer in the days, even when it’s snowing. The sun is even shining today as I write this.  We must always remember that change is the only constant and we must at least attempt to move forward.

I say this as a reminder to myself really.  Behind the scenes here I spend a fair amount of time applying to and being rejected by various opportunities such as with publishers (who often don’t/can’t respond, which feels like throwing work into a great dark abyss…. hello- oh    –      o         –    o   …….. receiving back only the boniest of echoes)  This is all part of the process.  I will say, while it does continue to smart, it does get easier the more one applies.



Residencies are yet another application process I find myself often involved in,  always looking for some way to go somewhere inspirational, seeking a deeper sense of time and place to make and grow my work.  I can’t tell you how many of these opportunities I’ve applied to, heart firmly tied onto the application via the proverbial string, only to be denied for my efforts.  I really try to envision myself there when I apply and so I do pour heart and soul into each application.

To those who’ve never thought about these things, one has to remember that merely applying is often a great deal of work – writing essays and statements, gathering photos of work, recommendations, tweaking one’s CV, etc. etc.  I fit these efforts into the small spaces between the usual goings on of my day to day.  And I just keep trying, allowing a bit of grief and maybe some ice-cream when a particular refusal really gets me down.

But I do keep trying.   And sometimes, like throwing spaghetti at the ceiling, something sticks……

 

I am beyond over the moon to announce that my Maine based friend Julie Persons of Adventures of Claudia and Chicks In Hats fame and myself have been selected to share a month long residency in Ireland next year for the month of October.   We are thrilled!!!!

In which Amy and Julie get together for a cup of tea once each summer.  Don’t mind my lake hair – we are usually at camp!

We have put up the party flags and are doing a little happy dance, albeit virtually for now.

I’ll share more about this exciting news as things formulate into firmer plans.  But for now it is enough to have the invitation from Olive Stack in lovely Listowel and to know the dates we are to be working there.

So much rich stuff ahead.  And the challenges too that we face in this world on a personal level of course, and globally as well.  I said to someone the other day that this is the new normal for artists – to be able to hold in our hearts and minds, at the very same time, the dual notions that all will be well, and that things are really wrong too. –  This is not an easy task.  But I aim to try, as I have for years now.  To highlight and showcase beauty, to work for positive change.  It’s what the artists I most admire do best.

Baby steps, Micromovements (as this blog has long been named) is how we move things along, how we take the leaps to grow into new opportunities and to try new things that challenge us.  It’s terrifying really.  But I wouldn’t have it any other way.

“I’ve been absolutely terrified every moment of my life and I’ve never let it keep me from doing a single thing that I wanted to do.”                   

                                   ~Georgia O’Keeffe

Think Less, Breathe More

Ginger Small and I have been playing a bit with stop-motion

It is a blustery day in the Hundred Acre Wood, proverbially speaking.  Blessed with a studio day,  I seek escape from the confines of my over-working monkeyed mind in the form of writing and perhaps some play with materials on hand.  It is important to dance with winter in anyway we can.

Once upon a time, I was a working puppeteer. Many wild characters were met while touring.

Craving coastline and a gentler breeze on this Polar Vortex day, I dip back into collected imagery from a whirlwind trip west not weeks ago, marveling at the light and magic to be found in California.

It blows a frozen, (though thankfully sunny) gale outside my window here, but if I just climb into my imagination a bit more deeply, I can remember what unfrozen air feels like, though it was brisk and cool.

Time with those beloved to us is magic time indeed.

Self doubts, once seemingly frozen into place, thaw.  The black dogs of recent depression recede, if only for a couple of days.  I realize that as much as I love woolen wear, and hot tea and buttered rum and life in general here in the Ohio River Valley, journeys which afford escape to more temperate climes in winter months keep my wheels on.

I am steeped in gratitude.

Guardians, ghosts and gods are easier to spot near the sea.  Sometimes they lean back and bend to the breezes.

As our wanderings take us farther down the coast we meet them more and more often, in many forms.

Through the mists we find them.

Those who light the way and *remind* us.  With words, color, hospitality, love.

“To paint is to love again.”

~Henry Miller

Emerging Hills, by Nepenthe based artist and new friend, Erin Lee Gafill
Blue Hills of Big Sur, by Nepenthe based artist and new friend, Erin Lee Gafill
A painting in Steve’s cottage by Jack Wilson. The light in it pure magic to my eye.
sketching fog, by Amy Bogard
A totem in it’s wild habitat, by sculptor and new friend, Stan Young

Through mists and moonlight, we come back to our animal selves.

Once returned, we seek not to deep dive back into old familiar patterns of busy-ness and not-so-aliveness, flitting about in our heads like trapped songbirds.  Though we do.

a bit.

I am thankful for reminders.

Words of advice worth typing out and keeping on hand from Stan Young 

But wouldn’t you know it, a guardian god did follow us home….

A Maximón of legend, lovingly crafted as a gift for us by Steve Worley who fancies himself *just* a craftsman, though we all know he is an artist to be reckoned with.

For now, Maximón watches over our doings and comings and goings from his perch on our kitchen counter.

But we will one day provide for him a proper altar of sorts, much like the blast of color, taste and smoke to be found in Santiago Atitlan.

More adventures are on the horizon, I can just see them through the bursts of icy snow – shining, beckoning like soul beacons.  A small personal getaway with the women in my family before workshop season gets underway in full force.  Last minute sign-ups for the Guatemala trip have both weeks *at capacity*. 

I marvel.

Just last year I wondered if I could possibly work out two back to back workshops.  The work speaks for itself and somehow, here I am now.  Not with out much needed help, encouragement, and proofreaders for my dyslexic, prone-to-wander brain.

The California based weekend workshop is officially OPEN.  Do send me an email if you are on that lovely Left Coast and care to join us to sketch May 18/19, 2019.  You can choose one or both days.  Each is different.

Taos, my flagship course is also *at capacity*  and I am already dreaming and scheming what to share with my class this year.   Again, I marvel.  And I am not without what every single successful person I know of deals with…. a (not-so) healthy dose of imposter syndrome.  Yes, there it is.  The beast in the room.

But the advice to *think less, breathe more* (I think these words set to music from Hamilton) is good advice.  And also, to just make work.  Surely this will calm the beast a bit, yes.  Especially certain types of beasts…

I have embarked on a project with a fairly tight deadline for the annual May the Fourth show.

Like many beasts, he is large, imposing, but once you get to know him, he softens up and becomes an exercise in mindfulness.

Stitch, by stitch.  Hook by hook.

Snow. I solemnly swear my dog Charlie is not involved.
In which chewy’s face begins to take shape…..

I shall breathe more, think less.  (And watch a bit of Netflix along the way I am sure.) while the beasts in the room get as close as they can to the space heater.

Thanks for reading as always.  More soon………

 

 

Gifts of Color and Light

The sun drifts down behind volcanos surrounding Antigua, Guatemala, providing the beginnings of the evening’s light show, Sunset.

It is winter in Ohio.  Today, at least, we have some sunshine and some not so bitter temperatures.  I will go outside with a dog in a bit to attempt to shake some of the doldrums nipping at my heels just now. A heaviness borne of annoyances mostly.  Demands of the season and the length of daily darkness have ground me down in recent weeks.  I know this will pass.  I look forward to Solstice next week and keep my soul facing the light as best I can, while making friends with the dark as needed.

Gifts are being crafted, alighting to celebrate the return of longer days.  Although it will be a good many weeks before we see the changes and shifts properly, our hearts know – and sometimes that is enough to lighten the spirit.

Last weekend there was a concert – a sharing of musical gifts in the form of our annual Peace and Merriment concert at the Riley School.  Our hearts were lightened by an afternoon of tunes and a few stories by our Master of Ceremonies, who is also my flute instructor, John.

All things seasonal are underway….

Decoration,

“Tangled”
Changing a bulb

Reflection,

Celebration,

Sharing light with the world,

I have lists made of gifts to gather for the kids in my life, most of whom like books, even the older ones.  Perhaps we can be like Icelandic revelers and lie around reading all day on Christmas!  As for the adults, we all seem to feel a distinct pulling away from the “stuff” of it all, opting more for subscriptions, memberships, classes – “things” which aren’t things and which brighten the experience of simply being human.

Perhaps you know someone close to you who feels similarly.  Perhaps this someone is feeling the darkness of winter, (which even on the brightest of winter days has a muted spectrum of color).  Perhaps, they might like to look forward to more light and color in the not-so-distant future.

Registration for my travel journal workshops in Taos, New Mexico and Antigua, Guatemala are officially open and Taos is nearing capacity (yay!).  Antigua, being international and a newer offering, still has a few spaces left in each of the two weeks available (click the link for details!)

I can’t say enough about what a dose of vivid color and warm air can do for one’s soul and body after a long winter and I find myself looking very forward indeed to the spring trip to Antigua in particular.

And the coffee.  You simply wouldn’t believe the coffee…

Our classroom is in the form of where ever we find ourselves each day, from rooftops to ruins.

We immerse in culture through some shopping and exchange of language.

Through it all we gather it all into a travel journal.

While I encourage the use of cameras and smart-phones to capture “source photos” for later work, there is simply no better way to really soak into a place than through the lens of a travel journal.  Merely taking the time to draw something, perhaps even multiple times, creates a broader understanding of place.  A broader understanding of our place in the All of Everything.  This can be difficult to pin down in our hectic world.  By cataloguing a travel experience in a little book, our travels are enhanced and brought to life in a new and richer way.

We notice the little things…..

….while standing in awe of the bigger things as well.

We immerse in the day to day of Antigua, a UNESCO World Heritage Site, which holds beauty, color and light at every turn.

There are a million different yellows….

Pinks as well.

Blues and greens are well represented.

Our palette here is bright and beautiful and I help you figure out how to recreate these vibrant hues on the pages of your journal with a simple set of watercolors.

As the end of the year draws nigh, with one major gift giving holiday behind us (gosh Hanukkah was early this year!!) and another too close for comfort, consider the gift of one of my workshops.  This might be a gift for a loved one or friend, or simply, and perhaps most importantly, to yourself, setting the tone for 2019 to be filled with close attention paid to beauty, light and color.

The world could use a bit of all of these.

See you in Antigua!

From the rooftop of Posada San Sebastian. (oil on Panel, 5×7)

Red Eye

Bella Vista coffee lives up to its name. Great coffee, a wondrous view of the surrounding volcanic countryside, and delightful and friendly staff.

We are met in Guatemala City by our trusty driver Pablo and are whisked away from the big city to Antigua where Posada San Sebastian awaits us as our home away from home. We stash our things and wander for a cup of coffee (first of many) as our lodging isn’t quite ready for our weary heads. We wander the quiet town as it awakens to an average work day-  shops opening, my favorite coffee place too, Bella Vista, and we some how make it until our room is ready and we can nap .

Arco by morning light

The Posada is bustling but calm and we sleep soundly until well after lunch hour. This is the price we pay for an overnight flight. With more awake minds and bodies we spend some time with our sketchbooks .  I’m well over due for it and feeling rusty but I manage.

Posada San Sebastian has loads of cool objects to sketch. I love these folk art motifs on a box in the courtyard.

A page from the traveling journal

After a while we are famished for a late lunch/early dinner so we head out to town for some local fare. 

It’s delicious and there is even a strolling minstrel who sings to the diners.  It is a magical meal. One of many to be sure .

We wander a bit more, acclimating, looking into the shops, greeting the greeters outside of all of the establishments .

Upon our return, the sun is setting with much fanfare.

We are delighted by this, and even Fuego  itself gives us a small (non-catostrophic) belching light show of lava in the distance .

Though We are weary, we eagerly await the arrival of our fellow travelers with whom we will share the coming days .

More soon, provided we have continued connectivity.

Con Amor, de Antigua Guatemala

 

Lately

Faery magic is strong in the woodland this time of year.

This is a world gone mad.  Too many things to take in, too much heartache for a body to navigate really.  The things I love which carry me into the gentle places of my soul and self and which keep me grounded when the winds do blow have suffered for lack of care.  I look at this little home of mine here on the interwebs and realize that it’s been since August that I’ve written.  It is not as if I have not written, or drawn, or painted in general.  Just not here, where even when no one is reading, it matters most.

Today I took to the woods with one of our trusty dogs, the one and only wild Iris Rose, to ponder a plan of how to negotiate the dangerous waters of our time in a sustainable balanced manner.  It is October, my most favorite month of the year.  I adore autumn and all it has to offer in the way of cooler temperatures, misty mornings and the desire to get the knitting needles clicking once more….

A little drawing in response to Rob MacFarlane‘s word of the day “die Füchse kochen Kaffee” which translates literally into “the foxes are making coffee”; German regional phrase for morning mists….

I’ve recently taken to fair isle color work and I am fairly in love.

Iris and I walked the golden woodland…..

We paid homage to those who’ve been before us in this well loved place.

This lovely bronze plaque was placed in memory of dogs who’ve hiked here well before our time.

We admired the colors signaling a late but welcome change of season….

I played a bit with my fancy camera which, like this blog space, has grown a bit dusty with disuse.

The pace of things in the world has me feeling a bit weary.  All this running and seemingly little to show for it.  The season and my soul alike beg for a backing off, a swing toward the internal to come once more to the still point of my personal center.  This country, and the world at large could stand the same I believe.

With the dark season ahead, one often fraught with personal mental health challenges, I am looking back with pride on a few months of wondrous productivity and activity whilst simultaneously crafting a structure of future quietude to keep the wolves at bay in the months ahead.

The Resistance, as it stands, is in full swing and its toiling does take up space and energy.  I quite mindfully make the space necessary to be of service in these dark times but must balance that of course.  There is canvassing and volunteering and much reading to stay informed.  The news is too much to keep up with and it can drag a soul down to low places, but I do my best.  I am careful to turn it all off and hit the paints or the road when I need a break.

The flurry of work and words in the past couple of months have been exciting to birth forth.  Here I share a few things that have been occupying my eye, my keyboard and notebook, my interest and my heart.  It is my hope that I take to engaging more here in this space in the coming months as it forces me, in the best way possible, to slow down.  To think about what I am writing and the images I share.  Social media channels are wondrous in their own way, and I certainly find myself lurking in the more creative corners of their hallowed halls.  There is so much to inspire.  But here, in my own designated space, I can think through my fingers….

“Writing, to me, is simply thinking through my fingers.”
Isaac Asimov

….and maybe go a little deeper.

So, last I left you dear reader, it was August, and so very hot.  September came along and while the heat gave no break,  I encountered a small challenge to make a drawing a day in 1″ square scale.  This painterly adventure, combined with a whirlwind trip to Taos, NM was balm indeed to a tired soul….

The Reluctant Trapeze, inspired by the amazing tune Le Funamble,  (do click the link!!) composed by Gilles Le Bigot and played by Nuala Kennedy.
“But we haven’t even covered redcaps and hinkypunks!” ~Hermione Granger
“When encountering a new soup recipe, one must proceed with caution.”

These drawings were part of a month long 1×1 challenge put forth by the House of Illustration in the UK.  An artist they showcased, John Vernon Lord, had completed a year of them.

“He dreamed himself very, very small.”
“The harvest is in, and I am feeling too small to deal with it.”
“I can’t fly but me pigeon can.” ~Charlie

I completed the challenge and made 30 of these little works.

Even when the news did say there were magnificent displays of ill will and malevolence.

“I read the news today, oh, boy.”

Toward the end of the month of September, my long time, dear friend Kristin (whom you may remember from this post) and I somehow managed to make our way from Ohio (me) and Vermont (she) to Chicago for a seamless meet-up at O’Hare and on to a quick flight out to New Mexico.  The opportunity to introduce a dear one to one’s soul home is a gift indeed and we savored every second.  Not much was catalogued of our time there, but we did manage some image captures…..

Photo by Kristin McCole.

“It’s the most wonderful place you can imagine.  It’s so beautiful there.  It’s ridiculous.”  ~Georgia O’Keeffe

Photo by Kristin McCole
Koshares, uniting shadow with darkness; playfulness with survival; divinity with debauchery.  At least that is how I interpret it.

We timed our visit with the Feast of San Geronimo at Taos Pueblo (every year on September 30th, you should go) which enabled me to see and visit with some dear friends there at a very sacred time.  It was a gift and blessing to share these folks and this place who are so dear to me, with an old friend from the way back, equally as dear.  Kristin said to me at one point, “You’ve built a whole world here, Ames.”  I do believe I have.  I am deeply grateful.

Majestic Taos Mountain

Our journey was far too short for a proper catch up.  To be honest, in spite of the splendor we encountered, we spent a good deal of time in a state of deep grief over the recent goings on at the Supreme Court.  There is a collective, primal scream of rage emanating from  the women in my life over doing this all over again.  How many times has this story been lived, eh?  Though this time is was so public, and so top-level.  I am still grieving.

But, and this is the thing, somehow we must keep going……..

And so, once home, early autumn life began with a focus toward music each weekend at the Riley School of Irish Music.  Those of us who love the music aim to bring just a smidge of this video below to our own playing….

Little Sea Folk Festival – Open The Door For Three – Church Hill / Monaghan Jig from Dean Merrill on Vimeo.

While we may never reach this level, we did manage to play our annual ceili dance once more and folks who attended seemed to enjoy it.  Chatting with our caller, Éamonn  de Cógáin after the dance, he remarked, “This is growing!!” And indeed it is.

This gathering was such good medicine just one day after the horrific news from Pittsburgh.  Just one more act brought to bear by the hateful rhetoric spewing across the nation from the White House.

so much musical love

The season brings with it, as mentioned before, a renewed commitment to new needle bound adventures.  I’ve invested in some gorgeous wool from my local knit shop to attempt the crafting of a sweater.  We shall see…. But in the meantime, it’s always fun to get to know the source of all things wool.

And maybe even attempt a sketch or two.

Perhaps you too are experiencing a bit of whiplash of the soul.  One minute darkness and rage – the next minute, a shaft of light to pierce that darkness and provide a respite.  We here are fortunate to have these moments of lightness.  To make art and craft worlds with words is a privilege indeed, and one I do not take for granted.  I believe to my core that it is an act of resistance to play music, and craft beauty with line, paint and words.  I am fortunate to have the support of family and my day job that enable me to live this artful life.  Not everyone can.  Yet somehow, artists get the job done, one way or another.  Here are just a few whom I support and so should you…..

Claudia: here, here, and here

Folk On Foot

Terri Windling

Four Way Quartet (Did I mention we hosted a house concert???)

The list goes on.

And so where does this all leave me?  As you can see, there’s been a great deal of output here in the form of energy and a good bit of intake as well which is wonderful.  But my hope is that I can slow it all down a bit.  To corral things to more depth and to a more manageable realm for me as an artist.  I like to say that I am a crock pot in this world of microwaves.

I’m being careful to begin my day with thoughtful words, such as the lovely poetry by Raquel Vasquez Gilliland or stories by Sylvia Linsteadt who’s recent book The Wild Folk  inspired a tiny sketch…..

Which led to a larger painting….

The Offering, 24″ x 36″, acrylic on canvas

My hub and I are running away a couple of days after the election to Guatemala to visit friends and make some art – to shore up our souls for what’s to come in our lives personally and collectively, good or ill.

We will get home just before Thanksgiving (yes, I’ve ordered the bird from our favorite market vendor.)  I plan to write here on this blog-space from down there if I can connect, as it’s one of the most inspiring places.  So do stay tuned.

If you are interested in my travel journaling workshops based in Taos, Nm, Antigua, Guatemala and a few other smaller venues, do get in touch and we can talk about the best options for you.

Wherever this reading finds you, I hope you are finding some gentility in this rough world.  We are at a crossroads as human beings and we have some decisions to make as to the path ahead.  For me, it’s one of kindness and art making.

“Hang in there, make art, be kind.” ~Neil Gaiman in response to the news of Brazil’s election of a nationalist, right wing president.  To my friends in Brazil, we are here for you.

Love,

Amy

ps.

Save the dates!! (The future’s so bright)

2019 travel journal WORKSHOP DATES are officially posted and open for registration!  (Click on the linked pages below for all the specifics!)

Antigua, Guatemala: March 30- April 5, 2019    OR    April 7 – April 13, 2019  (note, these are two separate workshop weeks which I’ll offer back to back.)

Taos, New Mexico:  June 9- 15, 2019

For my friends out west, there is also a weekend sketch workshop with me in the Santa Cruz area slated for May 18 and 19, 2019.  Send me an email if you are interested!! (linked is my post about this year’s trip, which was wonderful!)

And below, I’ll catch you up a bit on the landing home after a most wonderful summer……

The future is indeed very bright around here.  We ‘gotta wear shades’ as they say.   This magical gypsy summer of serious traveling has left me feeling newly and deeply inspired, even unmoored and untethered at times.  Summer is always a a season of churning and  resetting, but this year these feelings are exceptionally poignant and rich.  I’ve had so much time to think about things, what with all the flying and driving and waiting and watching along the way from place to place to place.

A bit of art was crafted here and there while on the road, but mostly I found myself in a place of keen inner observation, a bird’s eye viewing of the self just now and the work currently at hand.

This summer I pondered a great deal about what in the world I am up to in this artful life (age appropriate behavior, as I just turned 49 the other day!!).  So many proverbially spinning plates all going at once, and there’s me, the mad, rushing spinner, jumping from thing to thing, spin, spin, spin, lest it all come crashing down around me.  At least, that is how it feels some days.  On other days, the balance of things settles deeply into my heart and I just know I am on the right track, in spite of all the wobbly plates.

Balance. It was all about balance. That had been one of the first things that she had learned: the centre of the seesaw has neither up nor down, but upness and downness flow through it while it remains unmoved. You had to be the centre of the seesaw so the pain flowed through you, not into you. It was very hard. But she could do it!”

― Terry Pratchett, I Shall Wear Midnight

Recently, I was listening to a lovely chat between Krista Tippet and Liz Gilbert on the nature of creativity and the notion of choosing curiosity over fear.  (I like this notion a lot.)  There are many quotable gems throughout this interview and I highly recommend you take a listen to the unedited version of it.  There was one small thing though that made me stop the recording at one point and run for the journal to write it down.  Gilbert was talking of an inspirational favorite poet of hers called Jack Gilbert (no relation) who was described by his students at one point as being a teacher who –

“didn’t necessarily teach us so much HOW to write a poem, but rather WHY to write a poem.”

This statement stopped me in my tracks.  In some strange way, this philosophical shift encapsulates the work I do with travel journaling in my own workshops.  Yes, of course we do a bit of Drawing 101, and Basic Use of Watercolors, and etc.  But more importantly, we work together to get to the why of it all.  Why even bother to draw or paint or capture quotes in a little book which no one besides our patient loved ones will ever see?

Somehow, through the experiences shared as fellow artists, we distill these notions into the inspiration to do the work and figure out why along the way.  It is all about enchantment.  

And so, while I do teach the how-to along with my fellow sketchers locally, my heart of hearts is invested in the why  of it all, which is at the core of my travel based workshops.

Coming to this realization has helped me connect the dots a bit in the work that I do.  How the practice of local “Urban Sketching” might relate to and feed my passion for making anthropomorphic illustrations of animals having people-like adventures.  How these illustrations might also be “serious” enough to feed the fine-art branch of my artistic interests (i.e., paintings, sans hamsters).   How the fiber-based arts of embroidery and knitting might serve as idea-hatching meditations (whilst on the surface they may look like netflix-binging in my pajamas).  And how all of these varied practices might actually come together to make the workshops I teach quite different than others because they come from a very unique place,  me.

And as they say in Maine, ‘different is good‘.

And now here it is, not even the end of August, and I am already a feeling a little less angsty about work.  A bit more centered in forging forward in all of it, varied though it may be.  I am excited to have the dates and costs set for 2019’s offerings so get those checks in the mail lads!!

It feels good to be back home in this ol’ river valley of ours for a couple of months before the need to escape it all once more overtakes me and I hit the road again.

But for now, I am settled in my little nest, catching up on work at the shop, drawing and painting and writing every day possible and trusting that all will be well.

ps. Many of you have been asking when an Ireland based workshop might happen.  As of this writing, the right place has not quite found me yet.  And place is important.  We’d need a home base, something with space for us to live while we work (lodging AND classroom space); a place which has available local meal-catering options we could hire in if needed, walkability to a local village (because, MUSIC!) and preferably near the sea.  If you have any places on the emerald Isle to suggest, do let me know!  In the meantime, I plan to get back to Ireland on me own via artist’s residencies and visits to friends when at all possible.  I’ll keep you posted!