“We withdraw not to disappear, but to find another ground from which to see; a solid ground from which to step, and from which to speak again, in a different way, a clear, rested, embodied voice we begin to remember again as our own”
We find ourselves in Maine, where once upon a long time ago, many many lifetimes ago actually, we came as newly fledged adults to begin finding our way in the world. Much like recently hatched ducklings, we imprinted on this land then and have returned year after year in pilgrimage to this place which so shaped us in those early days. The smells, sounds, color and light here are different from all else and they speak in a soul-full tongue indeed. We are grateful to be here.
As it is a “workaday” sort of day for many of us here, I crept away to a local point to give my paint brushes a little spin, they having collected a bit of dust during my time down other, more musical pathways recently.
I found a perfect spot under a shade tree, at the end of a lane one can find only by foot. There were welcoming spots in the form of benches and water accessible paths. I opted for a space at a picnic table and set about to sketch a bit. It was clear that other artful efforts had occurred in this very space as there was evidence.
So I began with the watercolors, of course.
Eventually moving over to oils…..
…..which are not without their frustrations, but I mixed and painted and observed and corrected and painted some more. And got the bones of a painting down which I can perhaps work with later in the week once we are settled at camp.
All in all, it was lovely exercise on this, my first day back here in Maine where we are settled in for awhile, nestled by the sea.
Recently, while in Colorado visiting one of the (not-so)Smalls, I got a text message from one of this year’s Taos sketch-workshop participants:
“I’m deeply grateful for the opportunities you’ve facilitated through your workshop. Amy, when you fling open the Juniper House doors and stir the creative pot of Mabel’s legacy, Magic happens. Unleashed into a space pulsing with anticipation, your energy swirls and settles around us in a joyful and gentle comfort. We’re home and we’re safe to explore, to express and to grow. My sketchbook is no longer a project. It’s now my friend. Thank you for leading this horse to water and showing me how to drink. I’ll never be thirsty again.”
~ Donna A.
I’ll admit I got a little teary-eyed. Here I was, back in the mountains and receiving this incredible gift of not just positive feedback, but real soul-bearing words about the experience of someone who’s been a recipient of my work in this world. It is my hope that anyone working in the world today might get the same gift. Thank you Donna!!!!
Normally, this time of year, I wouldn’t be even thinking of Taos much. Forging on ahead with the rest of my summer which is filled with the beauty of family time and musical nerdiness (where I get to be the student!!!). But this year, Taos has lingered. I find myself back there in my mind’s eye a little more often, making paintings, touching base with loved ones there, and looking ahead to next year……
The above little marketing video was made for 2014, but it’s still very valid and gives one a sense of what I’m up to in my workshops. The tone and feel of the thing, if you will…..
Today I got a message from a musical friend who’s partner has been dabbling in the paints a bit and he thinks perhaps she might like to come to Taos next year. And what are the dates? And is there space? So I figured I would quick post the answers to those questions in a little blog post.
Next year, 2020, marks 10 years teaching in Taos, New Mexico at the Mabel Dodge Luhan House. The dates for the 2020 workshop are June 7-13. You can find more information here. (Prices, exact dates and what you can expect, etc)
If you are interested in going, here’s how it happens. September 1, 2019, I will send an email out to past participants who in this last year have expressed interest in next year’s trip. They have about a week to decide if they want to send in a deposit. September 6, I will announce open registration for any slots left.
As I take payment by check in the mail for deposits, I simply use the date of the email or message you send me to hold your slot verbally until your check arrives and we keep a wee list (the Hub calls it a spreadsheet) of the order of incoming requests for space in the class. As of this writing, I am holding the class in Taos to 16, but that could wiggle a bit depending upon interest. But I do like to keep it manageable and make sure everyone gets the one:one instruction in their books as needed.
Every new year is a bit special and certainly different from the years past. As I learn and grow, I bring that to the classroom in Taos. We try new ideas, we share what the world has brought to us in the year since we last met. It truly is – MAGIC – for lack of any better word. I have learned to trust it.
So. If you are interested in the class next summer, mark your calendars. Get on my “subscribe” list here on the website. That is the best way to get the announcements in a timely fashion. If the dates for Taos don’t suit your calendar, you can consider my trip to Antigua, Guatemala in late Feburary/early March of 2020. There are still 3 slots left in each week so far and those are likely to fill soon.
Thank you for your interest in exploring Taos, New Mexico with me, whether it’s been in past trips, or if you are only just considering coming along. There is truly no place like it.
I am between traveling. Home from a brief visit to Aspen, Colorado, where our son Jack is part of the Aspen Music Festival, living his musical dreams to the fullest. It is truly something to witness, one following their truest path. He is at home in music.
While he worked and practiced and performed, we took in the natural splendor of Aspen and surrounds, grateful to Jack’s wonderful hosts who took us in and treated us like family.
It occurred to me while sitting at the base of the Maroon Bells that the best people in our lives, many of the most important connections moving us ever forward and truer in our own lives, have come from a few simple things – art, music, and the pursuit of what makes our souls sing most heartily.
I think about the time years ago, sitting at the base of those same iconic mountains, when I made the decision to pursue a proper art degree upon returning home from a metalworking class I’d taken at Anderson Ranch in Snowmass near Aspen. What is it about the clear mountain air and the presence of a stately, ancient mountain which affords us such lofty notions? I do not know. But I’m beginning to pick up on the fact that if I have something to think about, I should find myself at the foot of Taos Mountain, Volcan de Agua, or perhaps those lovely iron-laden Maroon Bells to find my answers.
Aspen felt like a proper vacation after the rich and deep work done in New Mexico. While the Hub and I did sketch quite a lot in some gorgeous locations, there were often times I personally just sat and took it all in. Jackie Morris of The Lost Words fame recently stated on an episode of Folk On Footthat one of the most difficult things for her to learn as an artist was that the sitting and thinking and looking and thinking some more, are as important to her job of Artist as the pencil and paint to paper practicalities of her craft – perhaps even more so. Having not come from a background and family of practicing artists, she’s found this notion difficult in past, and has only recently begun to truly take it on board. I feel much the same.
That said, the watercolors and pencils do beckon in beautiful places, and I did make a few drawings.
Aspen is steeped in the arts, with ties to the taste and aesthetic of the Bauhaus tradition in its design and of course in the music festival itself held there each summer. Everything is better with the arts involved.
Today, just now, I write to you here fairly giddy with relief, gratitude and a sense of overwhelming possibility. I have *finally* (after literally years of frustration and hemming and hawing) upgraded my tech tools here in the studio.
I’ve invested in a more travel worthy laptop machine for writing and photo-manipulation on the road, and even opted for a large home-base monitor when I am at my desk in the studio. Sometime today (*hopefully*) a little scanner will arrive and I’ll get that set up as well. All of this is in keeping with the plan to get more work made and into the world. Let’s be fair, I work. I work a lot. In some ways I am never NOT working. But so much of my energy was going into technical glitches and the waiting and slowness of manipulating photos on outdated technology. If I was to engage in a blog post, I needed a solid day to get it made. And so, I found myself putting off writing. I have so much work to share, but with an old scanner, my work never translated well to digital, and so it took a lot to get it tech-ready for sharing online or presenting for publication or applying for grants and residencies. With some encouragement from Vanessa at NessyPress and moral support from the Hub, I took the plunge and threw the necessary gold coins into the abyss to get the tools I needed.
It took some doing, and a few trips to the computer store and calls to the tech folks at apple, but we managed to get it sorted. And here I am, knocking out an update here in a more prompt and succinct manner. This feels sustainable. It was time for this investment.
But tech tools aren’t the only important thing, of course, merely being the vehicles by which the work is dispersed in this world. I also took a bit of time to make a traveling oil paint set up.
Watercolor is generally my go to travel companion. I have the set up I love, a little traveling “van” in which to cart it all, and it really works. Even so, I pine for the oils when I find myself in beautiful places. Our family trip to Maine, coming up later this summer, is a perfect combination of loads to do combined with plenty of “down time” to just play. That play might be on the water, catching up on books we’ve been meaning to read, or perhaps trying new recipes with one’s best friend in tiny kitchen at camp. But there is always more time, and that is when I start feeling restless, wishing I’d brought some oil paints to play with.
So I put together a handmade pochade box of sorts, crafted from an old wooden cigar box, plus a little carrier for any wet panels I may want to bring home.
The pochade box is pretty sturdy, and the wet panel carrier will do until I decide if this is something I may do again and again. All in all I spent about $20. A worthwhile investment on vacation satisfaction I do believe.
Upon returning from Aspen, I felt overwhelmed with home chores and the work needing caught up on at the shop and in my own studio. And so for the first day or so, I just painted and played music.
This practice set my head on straight and I was then able to sink into the tasks at hand. I am deeply grateful for all of it. I often think that in this day and age, it is difficult to remember to take a few minutes to breathe. To play a tune, paint a picture. There are Big Things we must tackle (did you hear Amy McGrath is taking on Mitch McConnell??), situations we must face, as heartbreaking as they are (there has to be a better, kinder, more humane way forward at the border, don’t you think?). Life is complex, and tormented at times, but it is also beautiful and simple in many ways as well. It always has been.
Next week I am off once again for my own musical adventure at the Swannanoa Gathering in North Carolina. On the one hand, this week is truly a get-away-from-it-all Brigadoon of sorts where we forget the world outside, focus on learning tunes and improving our craft and catch up with dear friends who have become musical family over the years. But on the other hand, it is so much more.
This week at music camp, and for that matter, my week of teaching in Taos each year, are a form of deep magic. Magic which in some way counteracts all of the darkness we see through our screens in this modern age. The very human physicality of coming together to play tunes, sing songs, laugh and cry together over the year’s happenings, somehow counteracts the “badness” in the news. It’s not a cure all to be sure. But it is the way many of us take respite from it all, if only for a moment, in order to get back out into the world and do the work.
Artists confront the difficult in this world. Just look online at the work of artists during WW1 who were interpreting the previously unimaginable through their paintings. I personally have taken to avoiding the echo chambers of social media for my own outrage over the state of things nowadays. But I have my ear to the ground. I support candidates who are doing good things in the world. I take to the streets as needed. I volunteer with and support the vulnerable. But I also seek joy. And beauty amidst the outrage. For if I, or any of my artist friends begin to lose perspective (and isn’t it so easy to do?) then we amount to nothing.
It is my hope to be a source of light in the darkness in this modern age. A reminder there is a place by the hearth-fire for anyone who needs a break between difficulties. We cannot do it all, let alone singlehandedly. Art and Joy, Music and Friendship, Beauty and Solitude are worthy pursuits, even in this fast paced, crowded, often seemingly ugly world. Let us make art and music.
It is travel season. I am recently returned from California and while away, my studio window robins hatched and grew.
Mere seconds after this photo was snapped, this last one fledged. It’s a bit like life itself. How fast they grow. Though our fledglings double back on occasion and for this we are grateful.
California was rewarding in her splendor as always, but had a few weather related tricks up her sleeve which complicated things for my workshop days. That said, I packed in a lot in just a short time, both as a traveling artist and as a teacher.
We had an appointment to meet watercolor maker Amanda Hinton of Limn Watercolors where we got to see how her fabulous paints are made from scratch. It’s a fascinating brand of magic she does and we were smitten with all the colors. And with Amanda herself.
Limn colors do the usual fun stuff watercolors are known for, like mixing beautifully and replicating stained glass with their translucency, but some of her colors can separate and bloom in evocative ways that we have found enchanting. I have a whole row of her colors in my paint set now which afford me abilities I’ve not had in the past.
It was great fun to try and buy a few new colors to add to our collection and I am so thankful to Amanda for her time and warm welcome.
Also in Berkeley was a wonderful creative re-use arts supply store and the amazing Burma Superstar restaurant. We even managed to stop into California Typewriter, of documentary fame…..
We were warmly welcomed by Ken and Herb and enjoyed looking at the machines currently in store there.
All in all it was a perfect, busy, sunny California day.
The sunny bit was not to continue. Alas, the weekend forecast was wet. wet. wet. So we worked indoors with exercises students will be able to take out of doors on their own at a later time. Not ideal, but neither is sketching and teaching in the rain. We were at least cosy.
There is plenty to draw in the home of an interesting, artistic friend. Here’s a small demo drawing of a wee humbled Buddha I did for the workshop.
The following days were to see us dodging rain drops to capture the wild water on the coastline.
Again, not ideal, but we managed. Day two of workshops was moved by one day for those available to make it, and we did manage a few hours of sunlight between rainstorms on our day of working together. We also managed a few more sketches.
Painting at the sea side is by far one of my favorite things. I am often torn between the desire to simply sit and stare at the shifting light and color of the ocean and to capture it in my sketch book. This feeling is magnified by the limited time I always have by the sea.
I find myself wondering why I do not live nearer to big water.
Somewhere where I might take my blue art van and wander down the lane to the sea shore for a few hours to sketch and stare….. maybe daily.
Suffice it to say, time in Santa Cruz is never enough time. In the same way that time at Ballybunion Beach is never enough. Or time on Monhegan is never enough. Alas. Time marches on…..
Next up is an ocean of a different kind. An ocean of sage. In just two weeks’ time I’ll be back in New Mexico for my flagship travel journaling course at the Mabel Dodge Luhan House once again. Every year is a gift and I am thrilled to be heading back.
The weather seems like it might be more cooperative in Taos than in California, even leaning more cool than in recent years. We shall see. But at the very least, sunshine, New Mexico style.
My studio is less a place of making just now and more a place of packing and preparations.
The art van, of course, at the ready. A new sweater for the (hopefully) cool Taos nights, and maybe a friend or two along for company.
Swag is being readied.
I consider what art supplies to bring for my own making, while making sure that I have all the extras for the workshop participants as well.
It can make one’s head spin to be sure. But the paint set is clean (after being dusted quite heavily by volcanic ash in Guatemala and a grain or two of sand in Santa Cruz) and refilled (note the lovely middle line of mostly Limn colors!!)
I have a few new pencils to try, including a light blue one suggested by Kristin Meuser during her workshop and a couple of Blackwing pencils all the rage with my illustrator friends.
All of it tucks away into the little van, along with a book or two to draw and paint in. It’s all quite compact actually.
This year I have made the decision to simplify my packing process for the Taos trip. I am only bringing a few of my current books, not a box full of past years’ books like I do normally. And instead of bringing yet another box full of published books for people to peruse, I will bring a list of said books to share with my students so they can explore when they get home via bookstore and library. We will instead focus on the work at hand. It’s a strange shift, but I feel good about it.
It’s easy to look at the wonderful empty classroom at Mabel’s and feel like we need to fill it with things other than ourselves and our small packs of art supplies. This is especially the case for me as facilitator. But this is not true. That room fills with laughter and conversation and the joy of working into the wee hours on sketches begun earlier in the day. WE fill the room. WE are enough, with just our supplies on hand.
I am so excited to get back to Taos where this whole traveling-art thing began for me so many years ago. Every year is different, and yet there is the lovely familiarity to lean into as well. I am open to what I have to learn there year after year and am grateful for the opportunity to go back once again.
“One could really learn only by being, by awakening gradually to more and more consciousness, and consciousness is born and bred and developed in the whole body and not only the mind, where ideas about life isolate themselves and leave the heart and soul to lapse inert and fade away. Yet never to cease watching was imperative also; to be aware, to notice and observe, and to realize the form and color of all, the action and result of action, letting the substance create the picture out of abstract consciousness, being always oneself the actor and at the same time the observer, without whom no picture can exist.”
~Mabel Dodge Luhan
And from Mary:
“To pay attention, this is our endless and proper work.” ~Mary Oliver
Just a couple of days ago, I weathered a 20 hour (door to door) day of travel from Antigua, Guatemala back home here to Ohio to begin re-entry into my “real” life and to prepare for summer workshop season. This latest trip to Antigua has gotten it all started in fine fashion. Two weeks of facilitation and friendship; a welcoming of the Lenten season – even for the least religious among us; and a passport to spring.
Now home, I weather the chain saws and leaf blowers which mark the fair weather season in these parts and I wonder what could be made different in this world. I let these ponderings simmer on the back burner of my mind as I revisit what was, yet again, a life changing visit to a magical other-world.
Last I left you here I had arrived at the Posada a little heart-weary after a visit to my childhood home in Guatemala City. I am still sifting through that heavy luggage, but not without curiosity and joy that I have as much information and inclination as I do with regard to it all. It was, after all, a lifetime ago. What does it even matter? The words “make a book” keep coming around, though I have no idea how to go about it. So many great memoirs exist in the world. How does one even begin to make a semblance of a memoir with so few memories? But I continue to investigate. Perhaps living memories through the lens of a vivid imagination is enough. Guatemala is worth exploring, I do believe.
But first, THE WORK.
I crafted this sketch-journal trip to be one framed in intimacy and quietude. No big groups here. The goal being to come to a beautiful place, make some art, work at making it the best we can make it here and now – nothing more than that really. Beyond that goal, the rest was travel gravy. Each week there were 6 of us, (next year I’ll allow no more than 8 total – 6 participants at most) to allow for ease of movement about town as a group, ease of meal taking and decision making, to encourage a sense of deep work and seriousness of purpose. This approach worked beautifully and set such a lovely tone all around for both weeks. I marveled.
were fed by volcanoes
that fire milk
piercing the surface
pierces our facade
to get in
and feed our souls
By morning we would admire the volcanoes, if they were up for viewing, and then we’d wander through town to breakfast….
One could spend the entire week with this series of arches on route to breakfast alone and not get bored with sketching.
The rooftop at Bella Vista Coffee Company is one of the best places to begin the day, and it has some of the best coffee the world has to offer.
We are greeted as friends, always.
Each day would see us tackling a new-to-us ruin in this gorgeous city, sketching and taking it all in along the way.
By afternoon we would work back at Posada San Sebastián, tidying up sketches we’d begun in the morning…
and perhaps capturing a bit of our home-away-from-home at the Posada as it’s filled with all sorts of sketchable fare……
I hope to make some proper paintings of the shifting light in the laundry area.
There was so much to see and take in and draw from and speak to and listen to and experience. Each day was filled to the brim with a special kind of magic only found in this amazing Unesco World Heritage city of Antigua, Guatemala.
A Sacred Season.
This year’s workshop abutted a very Holy Season indeed. That of Lent. In fact, at the end of the trip, Rosemary and I stole away in the wee hours of the morning of Palm Sunday. Otherwise there might have been no escape. For Lent is a busy time in Antigua.
Some days the incense was near stifling. Reminiscent of growing up old-school Catholic, it was at once, unsettling and nostalgic.
Carrying Mary. It’s heavy work to bear the feminine through a distinctly male-dominated culture. But Mary prevails. As does the strength of the women of Guatemala.
The locals weren’t the only ones feeling a sense of the season. …
“I believe in kindness. Also in mischief. Also in singing, especially when singing is not necessarily prescribed.” ~Mary Oliver
“I have my way of
praying, as you no doubt have yours.” ~Mary Oliver
Next year we hope not to be quite so close to Easter. (Stay tuned. I am announcing the dates for 2020 to those who’ve been on the trip up to now and who’ve expressed interest even before that….. I’ll open it further soon to others but I expect it all to fill quite quickly if this year was any indication.)
Though I’ll admit it is thrilling to be near this level of faith.
And so, here we are now, at the height of spring in Ohio, making lists and travel plans for my California Trip in May (contact me for details if you are interested) and the Taos based workshop in June (now full!), which is my flagship class and holds a truly special place in my heart.
This time of year always has me feeling a bit tossed about in the world. I am not a speedboat in this modern world, but more of an old fashioned ocean liner of sorts. It takes me some time to shift gears and change course of direction. But I manage to get there in the end.
If you are curious to see more of my own work from our time in Antigua, head over to my Instagram. There is plenty there. I aim to keep working from source photos as well. Sketching my way through misty memories of a tumultuous time and of course from more recent times as well, a tad less tumultous.
Seems the best way.
PS. There is a gorgeous telling of week one over on the blog-space of artist, printmaker, photographer and no-longer-practicing bear biologist (she has amazing stories fit for a proper campfire) of Vanessa Sorensen of Nessy Designs. I adore her work, words and over all being really. Thank you Vanessa for this lovely post: http://nessydesigns.blogspot.com/2019/04/guatemala-sketchbook-workshop-2019.html
Do go visit her website and blog. It’s a treasure to behold.
(headphones in. Listen for the tone of the post below…….)
I arrived late in the day yesterday to my home away from home here at Posada San Sebastian in Antigua Guatemala. Perhaps they say ‘welcome home’ to all their beloved guests, but it feels so great to hear it any how. I awaken to hazy sunlight in the courtyard after 11 solid hours of unbroken sleep. I am the first to arrive of our group.
My bedside window view is peaceful and familiar. I bundle up in a shawl and socks to wander down the hall to boil water for coffee. Coffee before coffee.
Arrival to Antigua is generally none too difficult. Though traffic can be an issue at times getting from Guatemala City where the airport is to be found. Yesterday I opted to complicate matters just a bit to endeavor a side trip on route to Antigua .
When I was a kid (ages 5 – 7 or so) we lived here in Guatemala, in the city. My dad was a machete weilding geophysicist who enjoyed field work more than academia and so we came here for his work. There are many firm and pleasant memories from our time here. And there are many gaps in that memory bank as well, for trauma did leave its mark in the end.
An earthquake and the seismic dismantling of our family shortly thereafter meant this place carries some scars in my little-girl psyche. I’ve been unpacking that heavy suitcase bit by gentle bit upon coming back for the first time with my hub for our anniversary few years back.
Memory and the reptilian bits of our brain are a fascinating soup of interpreted facts. Mixed in alongside the sanity-saving memory gaps, desire to take flight, flee and save oneself at all times, trauma can cement things into a body and make a life we run from for the rest of our lives . For me, I am interested in going back in, from a place of safety, the present moment, and revisiting.
My side trip on route from the airport was to my childhood home where we found ourselves in 1976. My patient shuttle driver put the sat nav on and we wound our way through the diesel and the oppressive midday heat and traffic to find my old home.
I had an old letter from my mom to her parents which has the whole harrowing tale from her perspective and the address as well and so off we go. With the traffic being what it is and this being an unusual shuttle driver request, I only manage to stay litle while. Snapping photos for my mom, noticing differences and familiarities in succession. Had I noticed anyone around I might have scraped up the courage to ask if I might come in and take a peek. Alas maybe next time. My Spanish improves with every visit here and I managed to share with my driver a bit of why it was important for me to visit this place.
There are many changes of course. Our neighborhood is now a guarded, gated community. There are big black garage doors on what used to be an open and breezy car port. My host here said that with the violence suffered awhile back, many places circled their wagons in a sense to keep themselves defended. Guatemala has a complicated history, one I hope is shifting into a new era of eco-tourism, prosperity and fair pay for artisans living and working here. That is a tale for another day. But suffice it to say, change is inevitable and truly the only constant.
Above is a sketch I made of my old house. With it’s unfamiliar doors and additions up top. Overlooking the gorge across the street, the trees are taller but the view is strangely familiar. I remember the days just after the quake as the earth settled back into place with aftershocks and constant tremoring.
I’m ever so grateful to get a glimpse of this old place and hope to go back again. I love my new relationship with Guatemala which involves textiles and painting and new memories being made with friends and loved ones in this magical mystical place.
As time passes and I dig deeper into the past while continuing to focus on the present, I’ll share more of what I dig up. Perhaps there is a book in all of this . I do not know. I just know, that right now, on this first morning in Antigua, I’m deeply grateful. For my past which has made me who I am and for my present which helps me forge that self in the best way possible .
A note and apologies for the photos in this post. My devices aren’t talking to one another. So I had to use the crappy camera on this tablet to add the visuals. Its time for a new laptop for my travels so I can blog more easily from the road. If you dip over into instagram, find me at @abeefrnd and I’ll share a few old photos there which will add to the story .
As @doodleyboo on IG posted this morning…
” You might not work well everyday. But you can always edit a bad page. You can’t edit a blank page.”
and so, in the spirit of the quote above, I offer you this imperfect blog post, for now .
But first, there are tunes to play (yay!!… below I’ll list where we are playing locally in coming days) lists to attend to, errands to run.
In the meantime a favorite part of the work I do is to collect bits of ‘swag’ to present to my students upon arrival in whatever destination we may find ourselves. For the Antigua trip, I’ll gather a few things once I arrive to combine with things I’ve gathered here in Ohio- like little altoid watercolor sets to work with (this allows people to try new colors which might not be available in their own sets and to play with limiting their palette as an exercise).
I’ve crafted a keepsake illustrated map of some of our favorite haunts in Antigua which I’ll reproduce for my students. It’s fun! It is my hope that not only will this come in handy to know where they are as we sketch the city, but will also encourage them to create their own version in their own travel journals. We must always map our own course, I do believe.
There are stickers…. always stickers…..
….which encourage a bit of ‘mixed media -ness’ in our books. I’m sure to have a few more tricks up my sleeve but really the true gift will be that of spending time together, slowing down and enjoying this World Unesco Heritage city in all its glory. To say I am excited to return would be an understatement.
Here at home I have been gifted some tree cuttings to root as I re-think the stewardship of our little patch of land. I am mindful of what needs to be done in the garden, and perhaps more importantly, what needs NOT be done as well. Do check out the work of We Are The Ark in the hopes of re-wilding small places to create a network of healing in these times.
While I was making stickers at the library today for my workshops, I saved a bit of time to make some stickers for this cause as well. I’ve mentioned this notion of holding two things at once in our hearts, yes? We must do the work we do in the day to day, while also tending the wild places in the corners of our gardens and spreading the word about the need to be more mindful in this world. Limiting consumption where we can.
In this same spirit I am following closely the work of young activists who are striking from school when and where they can (usually Friday’s but I know it can vary region to region). Emma Reynolds has pulled together a number of illustrators to show solidarity with these brave voices and here is my little drawing…
That is the news from today. For now I am off to rehearse tunes with my musical mates. We don’t often have microphones thrust in front of us, and so we take a bit of time to practice for these once-yearly gigs.
You can find me here in the coming days……
Saturday: Arnolds Bar and Grill 8-1130 pm
Sunday: B-List Bar in Bellevue KY 4 pm-730 ish then Palm Court at the Hilton Netherland Plaza Hotel 9-12 (this is quite fancy)
I hope to see you there if you are local to this little river valley. More soon as I get set to hit the road very soon…..
“I don’t want realism. I want magic.” ~Tennessee Williams
There is much coming and going of late. Hither and thither we work and play. I’ll share a bit here as I set aside remembered things to pack away for upcoming workshops. Antigua beckons…..
Narry a week ago, I was working in my own sketchbook in a warm place called Key West. When I wasn’t strolling the colorful streets filled with colorful people, feasting my eyes on color and light, I was bobbing in a pool or better yet, in the sea herself – buoyed by salt, water and sun.
pay no mind to the chitter chatter in the clip above, we were on a sunset cruise. I was captivated by the murky depths. And miraculously I did not get sea sick.
Key West enchants with its embedded quirk round every corner. Some folk come here to drink their cares away, but I for one came to drink in more than just rum. Though to be fair, rum has its place.
If one but stays just off the beaten path, there is charm at every turn and lovely sunsets to behold. And it can be a balm for the soul of a weary, land-locked midwesterner nearing the end of a long, gray winter…..
We paid homage to the sea and to the rich history of the place, even visiting the home of Ernest Hemingway which boasts 55 polydachtyl cats living their best lives on the property.
There is magic around every turn there.
Too soon we must return home once again to the gloom and gray of Ohio. But we look for the quiet magic to be found here.
My daughter and her boyfriend are home for break and he has some new camera gear he is eager to test. He stunningly captures the magic of our yard in the dark. With his extended exposures, our criss-crossing creeks become fully laden with an Otherworldly quality and I am reminded how lucky we are to have this little patch of land of ours.
Art has a way of reminding us of the beauty in the world. Music as well. This week ahead is the high holy season of Irish music and we are quite busy indeed.
Tuesdays there is always a session here in town, even on ‘normal’ weeks. This Tuesday we are at Streetside Brewery on Eastern Avenue. It’s one of our favorite places to play. Saturday March 16, I join the Roving Rogues to play St. Patrick’s Day eve at Arnold’s Bar, Cincinnati’s oldest tavern. and on Sunday, we once again will play in the evening at Palm Court in the Hilton Netherland Plaza hotel. Come on along and enjoy a fancy cocktail. Escape the green-beer fray, won’t you?
I am so grateful for the music.
And this music as well….
Our Jack was part of a concert celebrating the music of Bach which we attended last night. It was divine and captivating, as Bach can be, and we were swept away on this stormy evening to another world indeed. There is more this evening as well, I can’t recommend it enough.
All is not angelic and ethereal round here however. As I mentioned, I am busily getting last minute things in line for my double workshop endeavor in Antigua, Guatemala. This is keeping me on my toes instead of at the drawing table or in the journal where I belong. I embark on that journey later this month.
But before I go to Guatemala, I am attempting to complete a somewhat hefty hand-made project, which in it’s own earthy way is keeping me grounded in work. That of a 3′ X 4′ latch hook rug project for the annual May The Fourth Star Wars Tribute show.
I’m using a grid to help me keep track of my design on the canvas.
All the yarn I am using for this project is either from my own stash of leftover yarns or has been acquired second hand at Scrap-It-Up over in Pleasant Ridge. This has added some complexity to the rug itself and is helping me to make Chewbacca extra fluffy and scruffy.
My studio assistant Ian takes his job quite seriously.
Until he’s ready to leave the room, at which point he rings the bell to let me know.
Working a bit on this rather ridiculous project each day keeps me grounded and working with my hands which is good for my head ironically enough. And this is good.
And so, the fitting in of all the pieces of this life’s puzzle continues. While I must admit to this being a rough winter in many ways, things are looking up now that the light seems to linger longer in the days, even when it’s snowing. The sun is even shining today as I write this. We must always remember that change is the only constant and we must at least attempt to move forward.
I say this as a reminder to myself really. Behind the scenes here I spend a fair amount of time applying to and being rejected by various opportunities such as with publishers (who often don’t/can’t respond, which feels like throwing work into a great dark abyss…. hello- oh – o – o …….. receiving back only the boniest of echoes) This is all part of the process. I will say, while it does continue to smart, it does get easier the more one applies.
Residencies are yet another application process I find myself often involved in, always looking for some way to go somewhere inspirational, seeking a deeper sense of time and place to make and grow my work. I can’t tell you how many of these opportunities I’ve applied to, heart firmly tied onto the application via the proverbial string, only to be denied for my efforts. I really try to envision myself there when I apply and so I do pour heart and soul into each application.
To those who’ve never thought about these things, one has to remember that merely applying is often a great deal of work – writing essays and statements, gathering photos of work, recommendations, tweaking one’s CV, etc. etc. I fit these efforts into the small spaces between the usual goings on of my day to day. And I just keep trying, allowing a bit of grief and maybe some ice-cream when a particular refusal really gets me down.
But I do keep trying. And sometimes, like throwing spaghetti at the ceiling, something sticks……
I am beyond over the moon to announce that my Maine based friend Julie Persons of Adventures of Claudia and Chicks In Hats fame and myself have been selected to share a month long residency in Ireland next year for the month of October. We are thrilled!!!!
We have put up the party flags and are doing a little happy dance, albeit virtually for now.
I’ll share more about this exciting news as things formulate into firmer plans. But for now it is enough to have the invitation from Olive Stack in lovely Listowel and to know the dates we are to be working there.
So much rich stuff ahead. And the challenges too that we face in this world on a personal level of course, and globally as well. I said to someone the other day that this is the new normal for artists – to be able to hold in our hearts and minds, at the very same time, the dual notions that all will be well, and that things are really wrong too. – This is not an easy task. But I aim to try, as I have for years now. To highlight and showcase beauty, to work for positive change. It’s what the artists I most admire do best.
Baby steps, Micromovements (as this blog has long been named) is how we move things along, how we take the leaps to grow into new opportunities and to try new things that challenge us. It’s terrifying really. But I wouldn’t have it any other way.
“I’ve been absolutely terrified every moment of my life and I’ve never let it keep me from doing a single thing that I wanted to do.”
Ginger Small and I have been playing a bit with stop-motion
It is a blustery day in the Hundred Acre Wood, proverbially speaking. Blessed with a studio day, I seek escape from the confines of my over-working monkeyed mind in the form of writing and perhaps some play with materials on hand. It is important to dance with winter in anyway we can.
Craving coastline and a gentler breeze on this Polar Vortex day, I dip back into collected imagery from a whirlwind trip west not weeks ago, marveling at the light and magic to be found in California.
It blows a frozen, (though thankfully sunny) gale outside my window here, but if I just climb into my imagination a bit more deeply, I can remember what unfrozen air feels like, though it was brisk and cool.
Time with those beloved to us is magic time indeed.
Self doubts, once seemingly frozen into place, thaw. The black dogs of recent depression recede, if only for a couple of days. I realize that as much as I love woolen wear, and hot tea and buttered rum and life in general here in the Ohio River Valley, journeys which afford escape to more temperate climes in winter months keep my wheels on.
I am steeped in gratitude.
Guardians, ghosts and gods are easier to spot near the sea. Sometimes they lean back and bend to the breezes.
As our wanderings take us farther down the coast we meet them more and more often, in many forms.
Through the mists we find them.
Those who light the way and *remind* us. With words, color, hospitality, love.
“To paint is to love again.”
Through mists and moonlight, we come back to our animal selves.
Once returned, we seek not to deep dive back into old familiar patterns of busy-ness and not-so-aliveness, flitting about in our heads like trapped songbirds. Though we do.
I am thankful for reminders.
But wouldn’t you know it, a guardian god did follow us home….
A Maximón of legend, lovingly crafted as a gift for us by Steve Worley who fancies himself *just* a craftsman, though we all know he is an artist to be reckoned with.
For now, Maximón watches over our doings and comings and goings from his perch on our kitchen counter.
But we will one day provide for him a proper altar of sorts, much like the blast of color, taste and smoke to be found in Santiago Atitlan.
More adventures are on the horizon, I can just see them through the bursts of icy snow – shining, beckoning like soul beacons. A small personal getaway with the women in my family before workshop season gets underway in full force. Last minute sign-ups for the Guatemala trip have both weeks *at capacity*.
Just last year I wondered if I could possibly work out two back to back workshops. The work speaks for itself and somehow, here I am now. Not with out much needed help, encouragement, and proofreaders for my dyslexic, prone-to-wander brain.
The California based weekend workshop is officially OPEN. Do send me an email if you are on that lovely Left Coast and care to join us to sketch May 18/19, 2019. You can choose one or both days. Each is different.
Taos, my flagship course is also *at capacity* and I am already dreaming and scheming what to share with my class this year. Again, I marvel. And I am not without what every single successful person I know of deals with…. a (not-so) healthy dose of imposter syndrome. Yes, there it is. The beast in the room.
But the advice to *think less, breathe more* (I think these words set to music from Hamilton) is good advice. And also, to just make work. Surely this will calm the beast a bit, yes. Especially certain types of beasts…
I have embarked on a project with a fairly tight deadline for the annual May the Fourth show.
Like many beasts, he is large, imposing, but once you get to know him, he softens up and becomes an exercise in mindfulness.
Stitch, by stitch. Hook by hook.
I shall breathe more, think less. (And watch a bit of Netflix along the way I am sure.) while the beasts in the room get as close as they can to the space heater.
It is winter in Ohio. Today, at least, we have some sunshine and some not so bitter temperatures. I will go outside with a dog in a bit to attempt to shake some of the doldrums nipping at my heels just now. A heaviness borne of annoyances mostly. Demands of the season and the length of daily darkness have ground me down in recent weeks. I know this will pass. I look forward to Solstice next week and keep my soul facing the light as best I can, while making friends with the dark as needed.
Gifts are being crafted, alighting to celebrate the return of longer days. Although it will be a good many weeks before we see the changes and shifts properly, our hearts know – and sometimes that is enough to lighten the spirit.
Last weekend there was a concert – a sharing of musical gifts in the form of our annual Peace and Merriment concert at the Riley School. Our hearts were lightened by an afternoon of tunes and a few stories by our Master of Ceremonies, who is also my flute instructor, John.
All things seasonal are underway….
Sharing light with the world,
I have lists made of gifts to gather for the kids in my life, most of whom like books, even the older ones. Perhaps we can be like Icelandic revelers and lie around reading all day on Christmas! As for the adults, we all seem to feel a distinct pulling away from the “stuff” of it all, opting more for subscriptions, memberships, classes – “things” which aren’t things and which brighten the experience of simply being human.
Perhaps you know someone close to you who feels similarly. Perhaps this someone is feeling the darkness of winter, (which even on the brightest of winter days has a muted spectrum of color). Perhaps, they might like to look forward to more light and color in the not-so-distant future.
Registration for my travel journal workshops in Taos, New Mexico and Antigua, Guatemala are officially open and Taos is nearing capacity (yay!). Antigua, being international and a newer offering, still has a few spaces left in each of the two weeks available (click the link for details!)
I can’t say enough about what a dose of vivid color and warm air can do for one’s soul and body after a long winter and I find myself looking very forward indeed to the spring trip to Antigua in particular.
And the coffee. You simply wouldn’t believe the coffee…
Our classroom is in the form of where ever we find ourselves each day, from rooftops to ruins.
We immerse in culture through some shopping and exchange of language.
Through it all we gather it all into a travel journal.
While I encourage the use of cameras and smart-phones to capture “source photos” for later work, there is simply no better way to really soak into a place than through the lens of a travel journal. Merely taking the time to draw something, perhaps even multiple times, creates a broader understanding of place. A broader understanding of our place in the All of Everything. This can be difficult to pin down in our hectic world. By cataloguing a travel experience in a little book, our travels are enhanced and brought to life in a new and richer way.
We notice the little things…..
….while standing in awe of the bigger things as well.
We immerse in the day to day of Antigua, a UNESCO World Heritage Site, which holds beauty, color and light at every turn.
There are a million different yellows….
Pinks as well.
Blues and greens are well represented.
Our palette here is bright and beautiful and I help you figure out how to recreate these vibrant hues on the pages of your journal with a simple set of watercolors.
As the end of the year draws nigh, with one major gift giving holiday behind us (gosh Hanukkah was early this year!!) and another too close for comfort, consider the gift of one of my workshops. This might be a gift for a loved one or friend, or simply, and perhaps most importantly, to yourself, setting the tone for 2019 to be filled with close attention paid to beauty, light and color.