Category Archives: Inspiration

view from the point

“We withdraw not to disappear, but to find another ground from which to see; a solid ground from which to step, and from which to speak again, in a different way, a clear, rested, embodied voice we begin to remember again as our own”

~ David Whyte*

                                                                    *came across this quote via @lachanterie

We find ourselves in Maine, where once upon a long time ago, many many lifetimes ago actually, we came as newly fledged adults to begin finding our way in the world.  Much like recently hatched ducklings, we imprinted on this land then and have returned year after year in pilgrimage to this place which so shaped us in those early days.  The smells, sounds, color and light here are different from all else and they speak in a soul-full tongue indeed.  We are grateful to be here.

As it is a “workaday” sort of day for many of us here, I crept away to a local point to give my paint brushes a little spin, they having collected a bit of dust during my time down other, more musical pathways recently.

I found a perfect spot under a shade tree, at the end of a lane one can find only by foot.  There were welcoming spots in the form of benches and water accessible paths.  I opted for a space at a picnic table and set about to sketch a bit.  It was clear that other artful efforts had occurred in this very space as there was evidence.

So I began with the watercolors, of course.

Eventually moving over to oils…..

…..which are not without their frustrations, but I mixed and painted and observed and corrected and painted some more.  And got the bones of a painting down which I can perhaps work with later in the week once we are settled at camp.

note the stripe up the right side, this is due to the little carrying rack I built (which works a treat actually!) and I will fix it at a later time.

All in all, it was lovely exercise on this, my first day back here in Maine where we are settled in for awhile, nestled by the sea.

 

tools, upgraded

Snow, in summer, at Independence Pass which had just opened up a couple of weeks before our arrival in Colorado.

I am between traveling.  Home from a brief visit to Aspen, Colorado, where our son Jack is part of the Aspen Music Festival, living his musical dreams to the fullest.  It is truly something to witness, one following their truest path.  He is at home in music.

Pictures and video were not permitted during the concerts in Aspen, but I did capture a couple of snapshots during warm up.

While he worked and practiced and performed, we took in the natural splendor of Aspen and surrounds, grateful to Jack’s wonderful hosts who took us in and treated us like family.

It occurred to me while sitting at the base of the Maroon Bells that the best people in our lives, many of the most important connections moving us ever forward and truer in our own lives, have come from a few simple things – art, music, and the pursuit of what makes our souls sing most heartily.

I think about the time years ago, sitting at the base of those same iconic mountains, when I made the decision to pursue a proper art degree upon returning home from a metalworking class I’d taken at Anderson Ranch in Snowmass near Aspen.  What is it about the clear mountain air and the presence of a stately, ancient mountain which affords us such lofty notions?   I do not know.  But I’m beginning to pick up on the fact that if I have something to think about, I should find myself at the foot of Taos Mountain, Volcan de Agua, or perhaps those lovely iron-laden Maroon Bells to find my answers.

Aspen felt like a proper vacation after the rich and deep work done in New Mexico.  While the Hub and I did sketch quite a lot in some gorgeous locations, there were often times I personally just sat and took it all in.  Jackie Morris of The Lost Words  fame recently stated on an episode of Folk On Foot that one of the most difficult things for her to learn as an artist was that the sitting and thinking and looking and thinking some more, are as important to her job of Artist as the pencil and paint to paper practicalities of her craft – perhaps even more so.  Having not come from a background and family of practicing artists, she’s found this notion difficult in past, and has only recently begun to truly take it on board.  I feel much the same.

That said, the watercolors and pencils do beckon in beautiful places, and I did make a few drawings.

Aspen is steeped in the arts, with ties to the taste and aesthetic of the Bauhaus tradition in its design and of course in the music festival itself held there each summer.  Everything is better with the arts involved.

Today, just now, I write to you here fairly giddy with relief, gratitude and a sense of overwhelming possibility.  I have *finally* (after literally years of frustration and hemming and hawing) upgraded my tech tools here in the studio.

I’ve invested in a more travel worthy laptop machine for writing and photo-manipulation on the road, and even opted for a large home-base monitor when I am at my desk in the studio.  Sometime today (*hopefully*) a little scanner will arrive and I’ll get that set up as well.  All of this is in keeping with the plan to get more work made and into the world.  Let’s be fair, I work.  I work a lot.  In some ways I am never NOT working.  But so much of my energy was going into technical glitches and the waiting and slowness of manipulating photos on outdated technology.  If I was to engage in a blog post, I needed a solid day to get it made.  And so, I found myself putting off writing.  I have so much work to share, but with an old scanner, my work never translated well to digital, and so it took a lot to get it tech-ready for sharing online or presenting for publication or applying for grants and residencies.  With some encouragement from Vanessa at NessyPress and moral support from the Hub, I took the plunge and threw the necessary gold coins into the abyss to get the tools I needed.

It took some doing, and a few trips to the computer store and calls to the tech folks at apple, but we managed to get it sorted.  And here I am, knocking out an update here in a more prompt and succinct manner.  This feels sustainable.  It was time for this investment.

But tech tools aren’t the only important thing, of course, merely being the vehicles by which the work is dispersed in this world.  I also took a bit of time to make a traveling oil paint set up.

Watercolor is generally my go to travel companion.  I have the set up I love, a little traveling “van” in which to cart it all, and it really works.  Even so, I pine for the oils when I find myself in beautiful places.  Our family trip to Maine, coming up later this summer, is a perfect combination of loads to do combined with plenty of “down time” to just play.  That play might be on the water, catching up on books we’ve been meaning to read, or perhaps trying new recipes with one’s best friend in tiny kitchen at camp.  But there is always more time, and that is when I start feeling restless, wishing I’d brought some oil paints to play with.

So I put together a handmade pochade box of sorts, crafted from an old wooden cigar box, plus a little carrier for any wet panels I may want to bring home.

The pochade box is pretty sturdy, and the wet panel carrier will do until I decide if this is something I may do again and again.  All in all I spent about $20.  A worthwhile investment on vacation satisfaction I do believe.

Upon returning from Aspen, I felt overwhelmed with home chores and the work needing caught up on at the shop and in my own studio.  And so for the first day or so, I just painted and played music.

This practice set my head on straight and I was then able to sink into the tasks at hand.  I am deeply grateful for all of it.  I often think that in this day and age, it is difficult to remember to take a few minutes to breathe.  To play a tune, paint a picture.  There are Big Things we must tackle (did you hear Amy McGrath is taking on Mitch McConnell??),  situations we must face, as heartbreaking as they are (there has to be a better, kinder, more humane way forward at the border, don’t you think?).  Life is complex, and tormented at times, but it is also beautiful and simple in many ways as well.  It always has been.

Next week I am off once again for my own musical adventure at the Swannanoa Gathering in North Carolina.  On the one hand, this week is truly a get-away-from-it-all Brigadoon of sorts where we forget the world outside, focus on learning tunes and improving our craft and catch up with dear friends who have become musical family over the years.   But on the other hand, it is so much more.

This week at music camp, and for that matter, my week of teaching in Taos each year, are a form of deep magic.  Magic which in some way counteracts all of the darkness we see through our screens in this modern age.   The very human physicality of coming together to play tunes, sing songs, laugh and cry together over the year’s happenings, somehow counteracts the “badness” in the news.  It’s not a cure all to be sure.  But it is the way many of us take respite from it all, if only for a moment, in order to get back out into the world and do the work.

Artists confront the difficult in this world.  Just look online at the work of artists during WW1 who were interpreting the previously unimaginable through their paintings.  I personally have taken to avoiding the echo chambers of social media for my own outrage over the state of things nowadays.  But I have my ear to the ground.  I support candidates who are doing good things in the world.  I take to the streets as needed.  I volunteer with and support the vulnerable.  But I also seek joy.  And beauty amidst the outrage.  For if I, or any of my artist friends begin to lose perspective (and isn’t it so easy to do?) then we amount to nothing.

It is my hope to be a source of light in the darkness in this modern age.  A reminder there is a place by the hearth-fire for anyone who needs a break between difficulties.  We cannot do it all, let alone singlehandedly.  Art and Joy, Music and Friendship, Beauty and Solitude are worthy pursuits, even in this fast paced, crowded,  often seemingly ugly world.  Let us make art and music.

More on the Big Work at Swannanoa here:

Musical Activism

Response on the Eve of Brigadoon

For now, I bid you fare well, and I’ll see you in Maine…….

 

 

 

 

Mapping the weeks ahead

Antigua beckons…..

But first, there are tunes to play (yay!!… below I’ll list where we are playing locally in coming days) lists to attend to, errands to run.

In the meantime a favorite part of the work I do is to collect bits of ‘swag’ to present to my students upon arrival in whatever destination we may find ourselves.  For the Antigua trip, I’ll gather a few things once I arrive to combine with things I’ve gathered here in Ohio- like little altoid watercolor sets to work with (this allows people to try new colors which might not be available in their own sets and to play with limiting their palette as an exercise).

I’ve crafted a keepsake illustrated map of some of our favorite haunts in Antigua which I’ll reproduce for my students.  It’s fun!  It is my hope that not only will this come in handy to know where they are as we sketch the city, but will also encourage them to create their own version in their own travel journals.  We must always map our own course, I do believe.

There are stickers…. always stickers…..

….which encourage a bit of ‘mixed media -ness’ in our books.  I’m sure to have a few more tricks up my sleeve but really the true gift will be that of spending time together, slowing down and enjoying this World Unesco Heritage city in all its glory.  To say I am excited to return would be an understatement.

Here at home I have been gifted some tree cuttings to root as I re-think the stewardship of our little patch of land.  I am mindful of what needs to be done in the garden, and perhaps more importantly, what needs NOT be done as well.  Do check out the work of We Are The Ark in the hopes of re-wilding small places to create a network of healing in these times.

Art by Ruth Evans for www.wearetheark.org

While I was making stickers at the library today for my workshops, I saved a bit of time to make some stickers for this cause as well.  I’ve mentioned this notion of holding two things at once in our hearts, yes?  We must do the work we do in the day to day, while also tending the wild places in the corners of our gardens and spreading the word about the need to be more mindful in this world.  Limiting consumption where we can.

In this same spirit I am following closely the work of young activists who are striking from school when and where they can (usually Friday’s but I know it can vary region to region).  Emma Reynolds has pulled together a number of illustrators to show solidarity with these brave voices and here is my little drawing…

That is the news from today.  For now I am off to rehearse tunes with my musical mates.  We don’t often have microphones thrust in front of us, and so we take a bit of time to practice for these once-yearly gigs.

You can find me here in the coming days……

Saturday:  Arnolds Bar and Grill 8-1130 pm

Sunday:  B-List Bar in Bellevue KY 4 pm-730 ish then Palm Court at the Hilton Netherland Plaza Hotel 9-12 (this is quite fancy)

I hope to see you there if you are local to this little river valley.  More soon as I get set to hit the road very soon…..

 

Cover me

New album, Songs of Instruction, by Kim Taylor, is now streaming…… I highly recommend it.

The wind blows and blows and blows today.  The sort of ill-wind which sets my teeth on edge and often brings on a seizure spell in poor old Iris Rose, our resident canine barometer.   Mother Nature seems to be telling us that she’s none-too-pleased with the state of things.  And who can blame her.

“Cover me, cover me, cover me, cover me.  All the leaves, all the trees, the storms and seas, just cover me.

Cuz I’m troubled by this world.  I’m troubled by this world.”

~Kim Taylor (from her new album, Songs of Instruction

Today a random peek at my social media feed provides the gift of a beautiful new rabbit hole down which to venture.  The evocative nearly 3 acre world of Bealtaine Cottage, a permaculture life and project of one Colette O’Neill of Co. Roscommon … (I know, I know, more Ireland…. but I don’t seem to be able to find quite the same specific, familiar magic here in the states – Ohio specifically.  So here we are, in Ireland, once again.)

O’Neill seems to have a direct picc-line into the heart of all-earthy-things through her blog and video presence online.  In her nearly 14 years of living with and on her land, she has documented her journey and now carries an enthusiastic following from like-minded folk around the world.  I now consider myself one of them.

To watch and listen to a video post of Colette’s is to enter into another realm of sorts.  She is not just a gardener.  She is a guardian-er.  She is the Bob Ross of Guardian-ing.  (seriously, just go listen to her.)  Today as I worked at the drawing table, I had her YouTube channel on, going from one meandering, thoughtful video to the next and I found myself transported.   These are ad-free videos I might add.  Which adds (no pun intended) to their appeal.

Long ago, when I first began this wee artful place of my own here on the inter-webs, a few kind souls, eager to see my art work and writing take flight, suggested I engage in making a bit of money here and there by allowing some thoughtfully chosen ads to roost in this online nest along side my own work.  I’ll admit I thought about it.

The push to make money is a strong one in our society.  But I realized that those ads might be like the greedy cowbird who comes into the nest seeking refuge and an easy birthing place, only to kick the original egg or fledgling inhabitants out onto the pavement replacing them with their own agenda.  In the end, I decided to be ad free from the beginning,  much like Keri Smith, whose blog and art I have also admired for many a moon.   I have yet to regret this decision though it has meant only the slowest of growth in a world obsessed with scaling things to the next level.  

Travel season is coming.  I look forward to this, though I have mixed feelings about it to be honest.  The workshops I teach involve my going far afield and this means flying- which isn’t the best way to treat the planet just now.  But, for the time being, this is just how it has to be as I build things in my work.  To mitigate this damage, I’ve taken to driving way less where I can here at home (have cut the day job commute to 2 days at most!) and keeping things as local as possible when I am in town.  Small moves such as moving our family medical practitioner to one just up the street, versus clear across town, to name one example.   Little things add up, I do believe.  And it’s a start.

Our little patch of land has seen a great deal of change in recent years with the loss of trees suffering death and damage from the emerald ash borer, (to name just one culprit.)  We have begun the replanting with apples,  a new hawthorn tree and some berry bushes (who were nearly decimated by deer last season and so we will be fencing more properly this year).

As I begin to fly hither, thither and yon for my work, I will come home in between trips to plant trees.  Willow, oak, maple.  More fruit trees as well.  We will have to protect them from the deer who can destroy everything in their path – this being no fault of their own really, just a sign of how out of balance things are in our little corner of the world.  I am hopeful to put a fence around a small front garden patch to attempt a bit of a kitchen garden at least.  With perhaps a trellis of sorts to provide a bit of shade on the front door now the trees aren’t there any more…….  I can just picture how happy the morning glories and clematis might be there…….

This is the only thing I know how to do as we move forward.  The world is in trouble.  There is no denying this, though so many – especially within the current leadership of this country in particular – do deny it.  But we can all play our part.  I am inspired by those walking the walk far better than I just now.  And I follow blindly in their footsteps.  Balancing the cliff’s edge of my own mental health, the need to do my work,  and the necessities of next-steps-forward for the planet.  It’s a tricky tightrope trek to be sure.

I welcome your thoughts on balancing things as we move forward as human beans – with the best options for this place we call home.  There’s going to be a lot of trial and error.  I find inspiration abroad but closer to home here as well…

Thistlehair Farm in Northern Kentucky

The local Slowfood Movement

This is to name but a couple.

 

 

 

 

Think Less, Breathe More

Ginger Small and I have been playing a bit with stop-motion

It is a blustery day in the Hundred Acre Wood, proverbially speaking.  Blessed with a studio day,  I seek escape from the confines of my over-working monkeyed mind in the form of writing and perhaps some play with materials on hand.  It is important to dance with winter in anyway we can.

Once upon a time, I was a working puppeteer. Many wild characters were met while touring.

Craving coastline and a gentler breeze on this Polar Vortex day, I dip back into collected imagery from a whirlwind trip west not weeks ago, marveling at the light and magic to be found in California.

It blows a frozen, (though thankfully sunny) gale outside my window here, but if I just climb into my imagination a bit more deeply, I can remember what unfrozen air feels like, though it was brisk and cool.

Time with those beloved to us is magic time indeed.

Self doubts, once seemingly frozen into place, thaw.  The black dogs of recent depression recede, if only for a couple of days.  I realize that as much as I love woolen wear, and hot tea and buttered rum and life in general here in the Ohio River Valley, journeys which afford escape to more temperate climes in winter months keep my wheels on.

I am steeped in gratitude.

Guardians, ghosts and gods are easier to spot near the sea.  Sometimes they lean back and bend to the breezes.

As our wanderings take us farther down the coast we meet them more and more often, in many forms.

Through the mists we find them.

Those who light the way and *remind* us.  With words, color, hospitality, love.

“To paint is to love again.”

~Henry Miller

Emerging Hills, by Nepenthe based artist and new friend, Erin Lee Gafill
Blue Hills of Big Sur, by Nepenthe based artist and new friend, Erin Lee Gafill
A painting in Steve’s cottage by Jack Wilson. The light in it pure magic to my eye.
sketching fog, by Amy Bogard
A totem in it’s wild habitat, by sculptor and new friend, Stan Young

Through mists and moonlight, we come back to our animal selves.

Once returned, we seek not to deep dive back into old familiar patterns of busy-ness and not-so-aliveness, flitting about in our heads like trapped songbirds.  Though we do.

a bit.

I am thankful for reminders.

Words of advice worth typing out and keeping on hand from Stan Young 

But wouldn’t you know it, a guardian god did follow us home….

A Maximón of legend, lovingly crafted as a gift for us by Steve Worley who fancies himself *just* a craftsman, though we all know he is an artist to be reckoned with.

For now, Maximón watches over our doings and comings and goings from his perch on our kitchen counter.

But we will one day provide for him a proper altar of sorts, much like the blast of color, taste and smoke to be found in Santiago Atitlan.

More adventures are on the horizon, I can just see them through the bursts of icy snow – shining, beckoning like soul beacons.  A small personal getaway with the women in my family before workshop season gets underway in full force.  Last minute sign-ups for the Guatemala trip have both weeks *at capacity*. 

I marvel.

Just last year I wondered if I could possibly work out two back to back workshops.  The work speaks for itself and somehow, here I am now.  Not with out much needed help, encouragement, and proofreaders for my dyslexic, prone-to-wander brain.

The California based weekend workshop is officially OPEN.  Do send me an email if you are on that lovely Left Coast and care to join us to sketch May 18/19, 2019.  You can choose one or both days.  Each is different.

Taos, my flagship course is also *at capacity*  and I am already dreaming and scheming what to share with my class this year.   Again, I marvel.  And I am not without what every single successful person I know of deals with…. a (not-so) healthy dose of imposter syndrome.  Yes, there it is.  The beast in the room.

But the advice to *think less, breathe more* (I think these words set to music from Hamilton) is good advice.  And also, to just make work.  Surely this will calm the beast a bit, yes.  Especially certain types of beasts…

I have embarked on a project with a fairly tight deadline for the annual May the Fourth show.

Like many beasts, he is large, imposing, but once you get to know him, he softens up and becomes an exercise in mindfulness.

Stitch, by stitch.  Hook by hook.

Snow. I solemnly swear my dog Charlie is not involved.
In which chewy’s face begins to take shape…..

I shall breathe more, think less.  (And watch a bit of Netflix along the way I am sure.) while the beasts in the room get as close as they can to the space heater.

Thanks for reading as always.  More soon………

 

 

Gifts of Color and Light

The sun drifts down behind volcanos surrounding Antigua, Guatemala, providing the beginnings of the evening’s light show, Sunset.

It is winter in Ohio.  Today, at least, we have some sunshine and some not so bitter temperatures.  I will go outside with a dog in a bit to attempt to shake some of the doldrums nipping at my heels just now. A heaviness borne of annoyances mostly.  Demands of the season and the length of daily darkness have ground me down in recent weeks.  I know this will pass.  I look forward to Solstice next week and keep my soul facing the light as best I can, while making friends with the dark as needed.

Gifts are being crafted, alighting to celebrate the return of longer days.  Although it will be a good many weeks before we see the changes and shifts properly, our hearts know – and sometimes that is enough to lighten the spirit.

Last weekend there was a concert – a sharing of musical gifts in the form of our annual Peace and Merriment concert at the Riley School.  Our hearts were lightened by an afternoon of tunes and a few stories by our Master of Ceremonies, who is also my flute instructor, John.

All things seasonal are underway….

Decoration,

“Tangled”
Changing a bulb

Reflection,

Celebration,

Sharing light with the world,

I have lists made of gifts to gather for the kids in my life, most of whom like books, even the older ones.  Perhaps we can be like Icelandic revelers and lie around reading all day on Christmas!  As for the adults, we all seem to feel a distinct pulling away from the “stuff” of it all, opting more for subscriptions, memberships, classes – “things” which aren’t things and which brighten the experience of simply being human.

Perhaps you know someone close to you who feels similarly.  Perhaps this someone is feeling the darkness of winter, (which even on the brightest of winter days has a muted spectrum of color).  Perhaps, they might like to look forward to more light and color in the not-so-distant future.

Registration for my travel journal workshops in Taos, New Mexico and Antigua, Guatemala are officially open and Taos is nearing capacity (yay!).  Antigua, being international and a newer offering, still has a few spaces left in each of the two weeks available (click the link for details!)

I can’t say enough about what a dose of vivid color and warm air can do for one’s soul and body after a long winter and I find myself looking very forward indeed to the spring trip to Antigua in particular.

And the coffee.  You simply wouldn’t believe the coffee…

Our classroom is in the form of where ever we find ourselves each day, from rooftops to ruins.

We immerse in culture through some shopping and exchange of language.

Through it all we gather it all into a travel journal.

While I encourage the use of cameras and smart-phones to capture “source photos” for later work, there is simply no better way to really soak into a place than through the lens of a travel journal.  Merely taking the time to draw something, perhaps even multiple times, creates a broader understanding of place.  A broader understanding of our place in the All of Everything.  This can be difficult to pin down in our hectic world.  By cataloguing a travel experience in a little book, our travels are enhanced and brought to life in a new and richer way.

We notice the little things…..

….while standing in awe of the bigger things as well.

We immerse in the day to day of Antigua, a UNESCO World Heritage Site, which holds beauty, color and light at every turn.

There are a million different yellows….

Pinks as well.

Blues and greens are well represented.

Our palette here is bright and beautiful and I help you figure out how to recreate these vibrant hues on the pages of your journal with a simple set of watercolors.

As the end of the year draws nigh, with one major gift giving holiday behind us (gosh Hanukkah was early this year!!) and another too close for comfort, consider the gift of one of my workshops.  This might be a gift for a loved one or friend, or simply, and perhaps most importantly, to yourself, setting the tone for 2019 to be filled with close attention paid to beauty, light and color.

The world could use a bit of all of these.

See you in Antigua!

From the rooftop of Posada San Sebastian. (oil on Panel, 5×7)

The Holly and the Iris*

There is difficulty in the balancing of things in this season.  Our bodies seek quietude and a hibernation of spirit.  Yet current culture stretches us into the further reaches of the Land of More.

It is nigh impossible to reach these heights.

But there is much to harvest from even the darkest nights and the most bustling of times.  We can (must) find our balance amidst the busy.  This coming weekend has a slew of beloved gatherings on hand – those of a musical and artistic nature, as well as the beginnings of the familial toe-touches we do from year to year.  It is my goal to be present at each.  Fully.

The Holly

This last week finds me in conversation with a familiar physical reminder to keep my own delicate balance.  My Jaw has been giving me great trouble in the the form of TMJ.  This little embodied red-flag rears its head when I’m overly tired, anxious or having trouble expressing myself somehow, and perhaps it’s all of these things just now.  But a reminder indeed.  A reminder to attend all the Holly related activities of the holiday season, but not without stepping outside with my wild Iris Rose at my side to keep in balance.  Today I did a bit of yoga and walked my dog.  The new time-blocking plan is going well, having cut my commute in half to day job and yet I still struggle for balance this time of year.  I suppose we all do.

The Iris

I look forward to the weekend ahead and send my roots down beneath the iciness to more fertile ground awaiting new ideas when the space is there to work on them.

And whether you look to the skies for celebration….

…..or opt to hibernate with friends a little closer to home…

May this season afford you some balance amidst the madness.

Solstice is coming, bringing the light.  Hold tight until then…..

*and for my more “literal” readers, yes, I know it’s “the holly and the ivy.”  But Iris is who she is, and this season can be a bit squirrelly, yes?  So I went with it.

How are you balancing things this season?  Do let me know in the comments…..

Peace of Wild Things

When despair grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting for their light. For a time
I rest in the grace of the world, and am free.

As Solstice nears, let us look to the Peace of the Wild Things to lead us into the light.

Blocking

A new sweater is on the needles.  A pattern whose imagery captured my heart and so I have wrestled it onto some needles, cartwheeling through heavy mathematical calculations to get a proper gauge to suit the finished garment.  My gauge is, as of yet, thoroughly on pointe, yet I find myself worrying that the fit won’t be right and I’ll be living the knitter’s adage of auld….

“As ye knit, so shall ye rip.”

We shall see.  Should the gauge survive my still early-intermediate skills in both crafting cloth and manipulating patterns, and I find myself in the ball park for fit, I will eventually block this new sweater.  An old friend of mine who was an inspiration to me years ago in knitting, art making and living life in general, explained to me that blocking is essentially the notion of “teaching a sweater to be a sweater, or a tam to be a tam, once it’s knit up.”  I have resigned myself to possibly ripping back hours of work on this new sweater as I have invested a good deal of effort into choosing material I love and I want the end product to be as close to just right as I can make it.

Time will tell.

I share all of this with you just now because I’ve been thinking a lot about blocking, but in a different way.  More the idea of blocking time.  One great gift of this recent trip to Antigua and Lake Atitlan in Guatemala was that we were able to slow down to a more human-animal centered way of spending our time.

We sketched a good bit, my hub plowing through his sketchbook much more diligently than myself.  And we admired the color and beauty all around us.  Guatemala as a country is not without its troubles to be sure, but Antigua is fairly cosmopolitan and has a robust tourism industry and so we were encouraged to relax a bit….

Which we did, whilst resting from our country’s tendency toward the rat race of humanity.

I shall comb through the colorful photos and impressions of our time in Antigua and at the Lake in a later post but for today I want to share the big take-away.  Time.  And the managing of it.

Upon returning home, we jumped back into the rat race, hosting our extended family’s Thanksgiving celebration and getting back to work.  I have the great luxury of a part time job with flexible hours.  Provided I do the work I need to do to get our instruments out in a timely manner, I can come and go as I please. This generally works out wonderfully but in recent months I’ve found myself spending inordinate amounts of time in the car stuck in traffic.  There are construction projects and more people in general in our area.  And as anyone with any sizable commute can tell you, traffic is the Devil’s way of sucking one’s soul out, one slow mile at a time.

I decided that I would attempt to begin to block my time more efficiently, working longer days at the shop, then spending extended hours at home in the studio – painting, writing or doing the administrative duties and marketing to support the workshops.  This is week one.  And so far so good.

I’ve been attempting to wake more early to get some thinking and writing done before I leave the house and the day gets away from me.  I’ve begun to change the direction of the little bits coming at me reckless, faster and faster, attempting to fit them in properly.  (Hence the Tetris reference at the top of the post.)

As a list maker, this is working, but I must take care not to fall into the trap of “trying to get it all done.”  There is a wonderful podcast called “Hurry Slowly” in which host Jocelyn K. Glie discusses with writers and thinkers of our time all the things which make the trappings of modernity tricky territory.  In a recent mini-episode she asks:

“Who are you without the doing?” ~Jocelyn K. Glei

I’ll admit this question stopped me in my tracks.  I, like so many others, am trying to make a good painting, write something inspiring on this blog, earn a bit of money through art, teaching, or work at the shop.  I try to be a good parent, a good friend, a good daughter and wife and etc. etc.  But who am I, when all of this falls away?  Who are you?

Middle age is fraught with existential landmines and I’m happy that I am currently in a pretty decent state in that department.  But I strive to prepare myself for the ultimate journey to the ultimate far away place through contemplation of things that are beyond the day to day, and yet which rely upon and incorporate those very things at the same time.

Maximón’s house, Santiago De Laguna, Guatemala

We are afforded only so much time to take it all in in this world of ours.

The gods do blow the winds of time in mysterious ways – we are left to ponder our options when we land.

Mural in San Juan La Laguna, attibuted to jovenarte (near as I can tell, as it was not labeled and I’m relying on the interwebs…)

I for one will keep tweaking my earthly approach, likening it to the old game of Tetris, which frankly is the best life metaphor.  Even if it’s most stressful music to listen to.

ps. I worked at painting a bit today, limiting myself to three colors and attempting to make something from there.  It was a horrid failure.  But even the worst painting days teach us something and maybe next time I will use a different version of the three colors and see what happens.  How are you spending your time?  I am off to knit on the sweater about which I am not so sure……. more soon.

pps.  a number of spaces are open for both the Guatemala and Taos based travel-sketchjournal trips (but not that many!)  do come along!!

 

 

Save the dates!! (The future’s so bright)

2019 travel journal WORKSHOP DATES are officially posted and open for registration!  (Click on the linked pages below for all the specifics!)

Antigua, Guatemala: March 30- April 5, 2019    OR    April 7 – April 13, 2019  (note, these are two separate workshop weeks which I’ll offer back to back.)

Taos, New Mexico:  June 9- 15, 2019

For my friends out west, there is also a weekend sketch workshop with me in the Santa Cruz area slated for May 18 and 19, 2019.  Send me an email if you are interested!! (linked is my post about this year’s trip, which was wonderful!)

And below, I’ll catch you up a bit on the landing home after a most wonderful summer……

The future is indeed very bright around here.  We ‘gotta wear shades’ as they say.   This magical gypsy summer of serious traveling has left me feeling newly and deeply inspired, even unmoored and untethered at times.  Summer is always a a season of churning and  resetting, but this year these feelings are exceptionally poignant and rich.  I’ve had so much time to think about things, what with all the flying and driving and waiting and watching along the way from place to place to place.

A bit of art was crafted here and there while on the road, but mostly I found myself in a place of keen inner observation, a bird’s eye viewing of the self just now and the work currently at hand.

This summer I pondered a great deal about what in the world I am up to in this artful life (age appropriate behavior, as I just turned 49 the other day!!).  So many proverbially spinning plates all going at once, and there’s me, the mad, rushing spinner, jumping from thing to thing, spin, spin, spin, lest it all come crashing down around me.  At least, that is how it feels some days.  On other days, the balance of things settles deeply into my heart and I just know I am on the right track, in spite of all the wobbly plates.

Balance. It was all about balance. That had been one of the first things that she had learned: the centre of the seesaw has neither up nor down, but upness and downness flow through it while it remains unmoved. You had to be the centre of the seesaw so the pain flowed through you, not into you. It was very hard. But she could do it!”

― Terry Pratchett, I Shall Wear Midnight

Recently, I was listening to a lovely chat between Krista Tippet and Liz Gilbert on the nature of creativity and the notion of choosing curiosity over fear.  (I like this notion a lot.)  There are many quotable gems throughout this interview and I highly recommend you take a listen to the unedited version of it.  There was one small thing though that made me stop the recording at one point and run for the journal to write it down.  Gilbert was talking of an inspirational favorite poet of hers called Jack Gilbert (no relation) who was described by his students at one point as being a teacher who –

“didn’t necessarily teach us so much HOW to write a poem, but rather WHY to write a poem.”

This statement stopped me in my tracks.  In some strange way, this philosophical shift encapsulates the work I do with travel journaling in my own workshops.  Yes, of course we do a bit of Drawing 101, and Basic Use of Watercolors, and etc.  But more importantly, we work together to get to the why of it all.  Why even bother to draw or paint or capture quotes in a little book which no one besides our patient loved ones will ever see?

Somehow, through the experiences shared as fellow artists, we distill these notions into the inspiration to do the work and figure out why along the way.  It is all about enchantment.  

And so, while I do teach the how-to along with my fellow sketchers locally, my heart of hearts is invested in the why  of it all, which is at the core of my travel based workshops.

Coming to this realization has helped me connect the dots a bit in the work that I do.  How the practice of local “Urban Sketching” might relate to and feed my passion for making anthropomorphic illustrations of animals having people-like adventures.  How these illustrations might also be “serious” enough to feed the fine-art branch of my artistic interests (i.e., paintings, sans hamsters).   How the fiber-based arts of embroidery and knitting might serve as idea-hatching meditations (whilst on the surface they may look like netflix-binging in my pajamas).  And how all of these varied practices might actually come together to make the workshops I teach quite different than others because they come from a very unique place,  me.

And as they say in Maine, ‘different is good‘.

And now here it is, not even the end of August, and I am already a feeling a little less angsty about work.  A bit more centered in forging forward in all of it, varied though it may be.  I am excited to have the dates and costs set for 2019’s offerings so get those checks in the mail lads!!

It feels good to be back home in this ol’ river valley of ours for a couple of months before the need to escape it all once more overtakes me and I hit the road again.

But for now, I am settled in my little nest, catching up on work at the shop, drawing and painting and writing every day possible and trusting that all will be well.

ps. Many of you have been asking when an Ireland based workshop might happen.  As of this writing, the right place has not quite found me yet.  And place is important.  We’d need a home base, something with space for us to live while we work (lodging AND classroom space); a place which has available local meal-catering options we could hire in if needed, walkability to a local village (because, MUSIC!) and preferably near the sea.  If you have any places on the emerald Isle to suggest, do let me know!  In the meantime, I plan to get back to Ireland on me own via artist’s residencies and visits to friends when at all possible.  I’ll keep you posted!