For my friends out west, there is also a weekend sketch workshop with me in the Santa Cruz area slated for May 18 and 19, 2019. Send me an email if you are interested!! (linked is my post about this year’s trip, which was wonderful!)
And below, I’ll catch you up a bit on the landing home after a most wonderful summer……
The future is indeed very bright around here. We ‘gotta wear shades’ as they say. This magical gypsy summer of serious traveling has left me feeling newly and deeply inspired, even unmoored and untethered at times. Summer is always a a season of churning and resetting, but this year these feelings are exceptionally poignant and rich. I’ve had so much time to think about things, what with all the flying and driving and waiting and watching along the way from place to place to place.
A bit of art was crafted here and there while on the road, but mostly I found myself in a place of keen inner observation, a bird’s eye viewing of the self just now and the work currently at hand.
This summer I pondered a great deal about what in the world I am up to in this artful life (age appropriate behavior, as I just turned 49 the other day!!). So many proverbially spinning plates all going at once, and there’s me, the mad, rushing spinner, jumping from thing to thing, spin, spin, spin, lest it all come crashing down around me. At least, that is how it feels some days. On other days, the balance of things settles deeply into my heart and I just know I am on the right track, in spite of all the wobbly plates.
“Balance. It was all about balance. That had been one of the first things that she had learned: the centre of the seesaw has neither up nor down, but upness and downness flow through it while it remains unmoved. You had to be the centre of the seesaw so the pain flowed through you, not into you. It was very hard. But she could do it!”
― Terry Pratchett, I Shall Wear Midnight
Recently, I was listening to a lovely chat between Krista Tippet and Liz Gilbert on the nature of creativity and the notion of choosing curiosity over fear. (I like this notion a lot.) There are many quotable gems throughout this interview and I highly recommend you take a listen to the unedited version of it. There was one small thing though that made me stop the recording at one point and run for the journal to write it down. Gilbert was talking of an inspirational favorite poet of hers called Jack Gilbert (no relation) who was described by his students at one point as being a teacher who –
“didn’t necessarily teach us so much HOW to write a poem, but rather WHY to write a poem.”
This statement stopped me in my tracks. In some strange way, this philosophical shift encapsulates the work I do with travel journaling in my own workshops. Yes, of course we do a bit of Drawing 101, and Basic Use of Watercolors, and etc. But more importantly, we work together to get to the whyof it all. Why even bother to draw or paint or capture quotes in a little book which no one besides our patient loved ones will ever see?
Somehow, through the experiences shared as fellow artists, we distill these notions into the inspiration to do the work and figure out why along the way. It is all about enchantment.
And so, while I do teach the how-toalong with my fellow sketchers locally, my heart of hearts is invested in the why of it all, which is at the core of my travel based workshops.
Coming to this realization has helped me connect the dots a bit in the work that I do. How the practice of local “Urban Sketching” might relate to and feed my passion for making anthropomorphic illustrations of animals having people-like adventures. How these illustrations might also be “serious” enough to feed the fine-art branch of my artistic interests (i.e., paintings, sans hamsters). How the fiber-based arts of embroidery and knitting might serve as idea-hatching meditations (whilst on the surface they may look like netflix-binging in my pajamas). And how all of these varied practices might actually come together to make the workshops I teach quite different than others because they come from a very unique place, me.
And now here it is, not even the end of August, and I am already a feeling a little less angsty about work. A bit more centered in forging forward in all of it, varied though it may be. I am excited to have the dates and costs set for 2019’s offerings so get those checks in the mail lads!!
It feels good to be back home in this ol’ river valley of ours for a couple of months before the need to escape it all once more overtakes me and I hit the road again.
But for now, I am settled in my little nest, catching up on work at the shop, drawing and painting and writing every day possible and trusting that all will be well.
ps. Many of you have been asking when an Ireland based workshop might happen. As of this writing, the right place has not quite found me yet. And place is important. We’d need a home base, something with space for us to live while we work (lodging AND classroom space); a place which has available local meal-catering options we could hire in if needed, walkability to a local village (because, MUSIC!) and preferably near the sea. If you have any places on the emerald Isle to suggest, do let me know! In the meantime, I plan to get back to Ireland on me own via artist’s residencies and visits to friends when at all possible. I’ll keep you posted!
“You can think and you can fight, but the world’s always movin’, and if you wanna stay ahead you gotta dance.”
— Terry Pratchett
Yesterday a number of us gathered at the local Irish Heritage Center to celebrate a very special birthday. Our beloved Riley School of Irish Music turns 20 this year and to mark the occasion, we put on a ceili, which could be described as like a wedding, only without the happy couple. There was music from our ceili band, much dancing, called and instructed by the one and only Éamonn de Cógáin, lots of food and drink to be had, and all in all was a wonderful way to spend the afternoon.
It is difficult to describe the place the Riley School has held in my life personally, and in the collective life of our family. The music my kids (one more than the other) and I have learned and played over the years has changed us all for the better. We have life long friendships now which we’d have never found without this school. I began at the school as a mere parent accompanying my child to fiddle lessons – and I found my tunes and my tribe. This music has taught me many things which apply to a life well lived and art well made. I’ve learned to be less shy, to laugh more, to make mistakes and keep on playing. My son has gone on to pursue music as a profession and my daughter can still pluck out a few tunes on the banjo. (Party tricks do come in handy and one must always be ready to surprise people.) We are better because of this little school which teaches what some might call a simple folk music. Which I suppose it is. But it’s complexity is to measured by the effect it has on the lives it touches. Musicians play so that dancers might dance, at least in the Irish tradition. It was lovely to have such intrepid souls out to dance this day, many mere beginners.
But soon our caller Éamonn had everyone laughing and trying steps and smiling and dancing.
With all of the malcontent the recent political happenings has dredged up, I have been thinking a lot about the place of music and artfull-ness, and dancing and laughing in the face of all of it. I imagine that those who played Irish music over in Ireland during the troubles certainly must have played in spite of, or perhaps because of, difficult times. And we do too, now, in these difficult times. To be fair, I suppose many voters do not think we are in difficult times with our new leadership choice. Though I certainly do.
And so, it is more important than ever to dance. To play our favorite tunes with vim and vigor. To paint the brightest of pictures. After all, we are all running along on the hamster-wheel of life.
I hear told that there was a similar dance, also with a band, in the town square of HamsterTown. One wonders what tunes they danced to that day, and whether their caller could even hold a candle to our Éamonn. I imagine, he’d have given him a run for his money…
A couple of weeks ago I took a short stop motion animation workshop through my local artist’s collective at the Kennedy Heights Art Center. The instructor is Kate Ball whose work is interesting and hand crafted and which has just the right amount of surreal creep factor. I loved it! We had a ball working as a group and I knew I’d want to go home and try it myself. Here are the early experimental results……
I have no idea if I will keep working in this medium as the paints are calling. But I like that this is just another tool in my took kit in the art making realm. I do enjoy it. I hope you do too!!
Always a step ahead, is our inner muse, in whatever form it takes. For me, it is often Ginger Small, so small yet so intrepid. So willing to step in to the trust of adventure in spite of her perceived size, stature and strength. After all, we are all only as big, powerful and strong as we believe we are.
And so we send these muses ahead of us to pave the way. Ginger has left here (with a sliver of my own gypsy-traveling heart) to begin the trek out west to Taos where I will teach later next week. It’s more work than a week should be and so I pack and prepare maybe more than most might for a normal work week. I love this work. This week is what I prepare for all the rest of the year. This week of sharing my book-based process of sketching and keeping a visual diary with workshop participants. I love it. And during this week, I am always inspired to pursue my eventual studio work more fervently once back home.
Ginger Small, my little book character yet to be snatched up and published but yet ever so present in my imagination, has gone on ahead of me, as my imagination and muse-selves are wont to do. I wish her “Fair Winds and Following Seeds” , a play on an old navy tradition of wishing one on a journey or a move ‘fair winds and following seas.” For we are following the seeds of inspiration. To see what feeds us. What grows with a little planting, watering and weeding.
Whatever you are pursuing in your own artistic journey, Fair Winds and Following Seeds to you. And let me know what comes of it. For after all, we are on this journey alone, yes. But also with one another
Today is my 46th birthday. As is often the case this time of year, things are in a state of semi-controlled chaotic flux, what with school starting soon and Big Moves happening for both of the kids. Jack returned from Brazil just in time to join us on our annual summer sojourn to the coast of Maine and is now in the process of returning to his collegiate life across town. Meanwhile, in similar fashion, our youngest, Madeleine, is making lists and preparatory pilings of her own as we move her into a dormitory at Ohio State University next week. Things are getting real. They are embarking on a world of their own making….
All of this is, as expected, a little on the bittersweet side of life. But it is also the Way Of Things. This is why we raise them. So that they can hopefully head out into productive lives of their own. It is time for us to focus back on ourselves for the first time in ages. I for one am feeling a delicious fire burning in my art work, music and in my inner life, while the Hub, Tony, has plans of his own involving far flung watery places to explore. It is an exciting time for all of us.
So let me just catch you up a bit on happenings since I last wrote. As you now know, I am in the process of putting together a new workshop, launching in February. I’ve had quite a bit of interest, and a few sign ups too! And while I have been mostly on the road since the announcement and not able to ‘blast’ it properly as of yet, it is my hope that this class will be a ‘go’ with just enough folks to make it a reality. Do let me know if you have any questions!
Ah yes, the road. How it beckons!! Last I touched base here at my online home, I was off to a week of full on music at Swannanoa.
This was a week of complete bliss for me personally. Tearful reunions with people I only get to see once a year. We fell straight into tunes and laughter and musical mayhem that only ‘band camp’ can provide. I opted for two classes, both in flute, with two of my favorite instructors/musicians/people on the planet, Kevin Crawford and Nuala Kennedy.
They are not only brilliant teachers and players but they are absolutely hilarious to spend time with. In my own teaching I try to emulate the sense of fun and level of laughter I’ve known in classes with these two. It is through a childlike sense of play and creative experimentation that the best learning is to be had. Learning a creative pursuit as an adult can be daunting! Whether it’s playing a musical instrument, or painting a picture, adults take themselves (ourselves!) so seriously. Getting out of our own way is half the battle. I am still riding the wave of magic and beauty of that week, with renewed gusto to practice my tunes, to keep learning and improving. I intend to make it back to this week again next year. There is such a sense of ‘Brigadoon‘ to it all, magically happening each summer and then just like that, it’s gone….
Of course, if you follow my summer patterns at all, you know that no summer is complete without a dip of my toes into the ocean in my soul’s home, Maine….
Ginger Small and I were reunited up there as I’d heard very little from her all summer. And we have much work to do!
I spent a fair amount of time just gazing out to sea and doodling….
…that is, when I wasn’t partaking of the bounty of the ocean. YUM!
Our time in Maine usually allows for a bit of the ocean and a bit of the lakeside as well. I did a fair amount of oogling and doodling there as well.
It is a time we treasure, and each year we know it might be the last where everyone attends. Any next year could see the kids doing their own thing elsewhere. So while I painted and sketched a good bit, and came up with a number of tiny paintings, it is never enough.
Maine tugs at my heart strings harder and harder each year. Every year, it gets more difficult to leave the fresh salt air and cool breezes available there.
“She loves the serene brutality of the ocean, loves the electric power she felt with each breath of wet, briny air.” ~Holly Black
Having lived there once upon a time, I know life in New England is not all summer time and roses. Winters are cold and long. But I simply must spend more time there.
“When anxious, uneasy and bad thoughts come, I go to the sea, and the sea drowns them out with its great wide sounds, cleanses me with its noise, and imposes a rhythm upon everything in me that is bewildered and confused.” ~Ranier Maria Rilke
For a while now, my dear, long time friend Amy (she who attended to the births of my children, my soul-sister) and I have admired the whimsical, colorful world of artist Henry Isaacs.
His paintings are impressionistic, energetic, and brimming with color that is at once straightforward and complex. They are the kind of paintings that make me yearn to pick up a paint brush and paint. But not in my usual sketchy fashion.
I’ve had this yearning to paint for awhile now. And I have painted. Here and there. I’ve made some paintings that I like a fair bit. While others have lacked the intensity I wanted them to have. They often feel too cautious to me. I’m not quite sure how to approach the materials, having had only nominal amounts of instruction in this particular way of art-making. Often as soon as I have found my way into a painting, it’s time to quit to attend to Life. And by my next visit to it, I’ve lost the steam. Clearly, I need some help.
So in honor of everyone in this household going off and learning new things and forging exciting new paths, I am heading back to the coast of Maine in just a few weeks to take a workshop with Henry Isaacs. I am so very excited to learn some new ways of approaching paint and then applying these lessons to the sights and sounds I find so enchanting by the ocean.
“I have sea foam in my veins, for I understand the language of the waves.” ~Le Testament d’Orphee
Perhaps I may get the opportunity to paint the ocean of sage in the high desert of New Mexico at some point as well. Again, something I have yearned to capture, but outside of my sketches, have never seemed to accomplish successfully.
I believe in following the voice of one’s heart. That intuitive voice that whispers ‘this, yes, this!!!!’.
I’m following that voice as much as I can these days. My Right Work seems to be a three-pronged dance made up of teaching workshops in beauty-filled places, making up whimsical stories and pictures for the young at heart, and just painting/sketching/drawing by myself (also in beauty-filled places). In between there I’ll work the day job when I can, manage the comings and goings of these adult children of mine, and try to keep this house in some sort of working order. Oh yeah, and music. Always music.
Today is a day of musing. Pondering my life’s path. I feel like the 46 year old me is waving enthusiastically to a younger version of me as if to say ‘This way! This way! Aside from a few bumps in the road here and there, life’s going along quite nicely just now! Just hang on!’ Because it is going along quite nicely actually.
I’m excited at the timing of this painting workshop opportunity, as it falls just as I have a moment to catch my breath before really needing to buckle down to work this fall on February’s offering. I get another taste of salty Maine sea air before they must batten down the hatches for yet another winter. My kids will be off doing their own thing for the first time really ever. I’m thrilled and excited and incredibly grateful for all of it.
Happy birthday to me.
….and here are some of the new Tiny Offerings from recent travels. Let me know if you would like to own one!
I think there is nothing quite so nice as to get a little something in the mail. And so I am a sender of mail myself. I love to write cards and letters to friends far and wide. Most recently I took to making a slew of wee thank you gifts in the form of tiny, one of a kind paintings. I am hoping they will be well received by those lucky enough to be on my list lately… This exercise of making tiny paintings is something I do with my classes as a way to shift our thoughts on scale and the time it takes to make a work of art. Unlike some miniaturists of late, these little paintings don’t take too very long at all. And they capture the impression of a place quite quickly. This series was clearly based on my recent weeks in Taos and I am keen to keep going with them. I gild each little painting in gold leaf and it becomes like a little jewel to don a card or perhaps dress up a page in my journal. There is a small part of me that wonders if these would be something to sell at some point. You may see them soon at the local art center gift shop perhaps…..
Are you a fan of tiny art work? Send me a message and perhaps I can whip up a tiny painting for you! I know Ginger Small will be happy to get some new works into her Tiny Gallery.
After a long day of travel, peppered with delays, cancelations and many, many hours of knitting, snoozing and sketching, I found myself at long last, arrived in theLand of Enchantment. Ginger Small was as annoyed with the delay as I was at the way our day of travel had gone…
…and for the second leg of the journey, opted rather for a hot air balloon ride.
Last I heard, she may have tracked down her cliff dwelling friends further down the mountain, but that is a tale for another post.
Meanwhile, I arrived, very much alone. I was greeted by moody skies, a darkening landscape and storms.
It was all quite lovely really and I just got into my little car and drove, intent to make the most of the last of daylight, intent to eventually arrive in Taos.
Thunderbirds guided me up the mountain.
After a day off to soak at the hot spring and nap and visit, yesterday finally found me truly landed and ready to get to work. There are many supply gathering sort of errands to be handled, and meetings with the team of folks here in town and at Mabel’s who make this workshop possible. But I did take a couple of hours yesterday to hike a well loved desert path.
I met many new friends, who were in full plummage due to recent rains.
I was able to sit for a few minutes with my sketchbook and do a quick rendering of a bit of the Rio Grande Gorge before I had to head back up the path to get back to town. It was wonderful to sit in the quiet and witness Raven riding the thermals, and to feel the sun on my shoulders, and the breeze on my cheek. The noise of town and traffic well behind me. I need more open space in this life.
It feels so precious to be back in this strange land, so very different than my own homeland. By experiencing, exploring and cataloging new landscapes, we are surely discovering and perhaps even altering our own inner landscapes. Every visit here reminds me I have much to glean here. From myself, and from the land.
The trip has only just begun, and there are already so many tales to tell and drawings to be made. I am grateful for this quirky place and it’s rugged landscape and beautiful people who are fortunate enough to live here full time.